The Excursion and Wordsworth’s Iconography

BookThe Excursion and Wordsworth’s Iconography

The Excursion and Wordsworth’s Iconography

Romantic Reconfigurations: Studies in Literature and Culture 1780-1850, 5

2018

September 20th, 2018

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This book considers William Wordsworth’s use of iconography in his long poem The Excursion. Through the iconographical approach, the author steers a middle course between The Excursion’s two very different interpretive traditions, one focusing upon the poem’s philosophical abstraction, the other upon its touristic realism. Fresh readings are also offered of Wordsworth’s other major works, including The Prelude.
Yen explores Wordsworth’s iconography in The Excursion by tracing allusions and correspondences in an abundance of post-1789 and earlier verbal and pictorial sources, as well as in Wordsworth’s prose and poetry. He analyses how the iconographical images in The Excursion contribute to, and impose limitations on, the overarching preoccupations of Wordsworth’s writings, particularly the themes of paradise lost and paradise regained in the post-revolutionary context. Shedding light on a vital aspect of Wordsworth’s poetic method, this study reveals the visual etymologies – together with the nuances and rhetorical capacities – of five categories of apparently ‘collateral’ images: envisioning, rooting, dwelling, flowing, and reflecting.

'Yen’s rich and fascinating study of The Excursion builds on Fiona Stafford’s recent revaluing of the local to focus on “the quiet functioning of local detail” at a linguistic and metaphorical level through mediated images of rural landscape. Yen works sensitively within the form of the long poem, with its extended passages of argument and reflection, to tease out “intratextual and intertextual recurrences” that resonate across the whole. Across five categories of “envisioning”; “rooting”, “dwelling”, “flowing”, and “reflecting” Yen pulls out the threads of allusion that link the language of the text into larger political events of the time, arguing for an iconographic power held in the figurative language of landscape. Methodologically sophisticated, the work both draws on and challenges the tenets of New Historicism so that, rather than displacing history, it seeks to awaken the history inherent within the allusive force of landscape imagery through a process of iconological interpretation. The writing is characterised by a remarkable attention to nuances of meaning, whilst the interpretation of political cartoons and symbols of the French Revolution grounds the argument in visual evidence. Brandon Yen’s study treats The Excursion with the respect it deserves as a major work of the late Revolutionary period.'
Sally Bushell, Professor of Romantic and Victorian Literature, Lancaster University.

‘It is a crucial book for students of The Excursion, but its positioning of that poem will also revitalize study of Wordsworth more generally… Yen’s impressively researched book should prompt critics to return to The Excursion with fresh eyes.’
David Stewart, European Romantic Review

‘An outstanding and persistent feature of the book is Yen’s seamless integration of the poetry into his prose. This creates a hybrid voice, at once presenting the poetry for reconsideration and providing an enlightening interpretation of it. Ultimately, through this hybrid voice, Yen emerges as an advocate for renewed and increased scholarly attention to The Excursion.’
Brandon Wernette, The BARS Review

'The most ambitious, learned, wide-ranging, and important book on The Excursion to date, one that firmly establishes the poem as the central text in Wordsworth’s re-imagining of British iconographic tradition and his reconfiguring of the post-revolutionary landscape.'
Alison Hickey, The Review of English Studies

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Author Information

Brandon C. Yen is an Irish Research Council Postdoctoral Fellow at University College Cork. He holds a PhD from the University of Cambridge and is co-author (with Peter Dale) of Wordsworth’s Gardens and Flowers: The Spirit of Paradise (2018).

Table of Contents

Table of Contents
Section TitlePagePrice
Cover1
Contents5
List of Illustrations7
Abbreviations11
Acknowledgements13
Introduction15
1. Themes and Iconography53
The Excursion, Paradise Lost, and Paradise Regained53
Wordsworth’s Iconography65
2. Envisioning83
Introduction83
Castles in the Air90
Light and Ascent105
‘Speculative Height’117
The Wanderer’s Revisiting131
3. Rooting145
Introduction145
Oak, Mountain Ash, the Liberty Tree148
Two Ironic Images188
A Cosmopolitan Vision194
4. Dwelling206
Introduction206
The Devon Cottage and the Lakeland Cottage213
The Cottage of the ‘Wedded Pair’228
The Widower’s Cottage237
The ‘Cabinet for Sages Built’258
5. Flowing and Reflecting270
Introduction270
Flowing273
Reflecting288
Bibliography305
Index317