The New Poet

BookThe New Poet

The New Poet

Novelty and Tradition in Spenser’s Complaints

Liverpool English Texts and Studies, 32

1999

April 1st, 1999

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This gracefully written and well thought-out study deals with a neglected collection of poems by Spenser, which was issued in 1591 at the height of his career. While there has been a good deal written in recent years on two of the poems in the collection, ‘Mother Hubberd’s Tale’ and ‘Muiopotmos’, Brown innovatively addresses the collection in its entirety. He urges us to see it as a planned whole with a consistent design on the reader: he fully acknowledges, and even brings out further, the heterogeneity of the collection, but he examines it nevertheless as a sustained reflection on the nature of poetry and the auspices for writing in a modern world, distancing itself from the traditions of the immediate past. The strength of this work lies both in the originality of its project and in the precision and enterprise of the close reading that informs its argument. Interest in the concern of Spenser’s poetry with the nature of poetry is in the current critical mainstream, but here the attentiveness is both unusually focused and unusually sustained. Brown garners more than would be expected from the translations in the Complaints, while at the same time including striking and individual chapters on the better known ‘Mother Hubberd’s Tale’ and ‘Muiopotmos’; he advances understanding of these extremely subtle texts and fully justifies his wider approach to the collection as a whole. Arguing that Spenser’s relationship to literary tradition is more complex than is often thought, Brown suggests that Spenser was a self-conscious innovator whose gradual move away from traditional poetics is exhibited by the different texts in the Complaints. He further suggests that the Complaints are a ‘poetics in practice’, which progress from traditional ideas of poetry to a new poetry that emerges through Spenser’s transformation of traditional complaint.

Author Information

Richard Brown is a Lecturer at The Open University. His publications include The New Poet: Novelty and Tradition in Spenser’s Complaints (Liverpool University Press, 1999) and Debating Twentieth-Century Literature: The Cherry Orchard to Labyrinths (Routledge, 2004).

Table of Contents

Table of Contents
Section TitlePagePrice
Title Page3
Contents5
Acknowledgements7
Preface8
Abbreviations10
Introduction: 'Subject unto chaunge': Spenser's Complaints and the New Poetry11
Part One: The Translations47
1: 'Clowdie teares': Poetic and Doctrinal Tensions in Virgils Gnat49
2: Forming the 'first garland of free Poësie' in France and England, 1558-9173
Part Two: The Major Complaints107
3: The Major Complaints109
4: Poetry's 'liuing tongue' in The Teares of the Muses143
5: Cracking the Nut? Mother Hubberds Tale's Attack on Traditional Notions of Poetic Value179
6: 'Excellent device and wondrous slight': Muiopotmos and Complaints' Poetics223
7: The New Poetry beyond the Complaints265
Appendix: Urania-Astraea and 'Divine Elisa' in The Teares of the Muses (ll. 527-88)281
Bibliography285
Index299