British Watercolours and Drawings

BookBritish Watercolours and Drawings

British Watercolours and Drawings

Lord Leverhulme's Collection in the Lady Lever Art Gallery

National Museums Liverpool

2010

October 21st, 2010

£35.00

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British Watercolours and Drawings provides a fully illustrated catalog raisonné of the important collection of over 300 British watercolours and drawings in the Lady Lever Art Gallery, which holds one of the best fine and decorative arts collections in the United Kingdom. This lavishly illustrated book will make accessible the whole collection, much of which remains unpublished since 1928. The collection illustrates the flowering of the British watercolour school in the eighteenth century and follows its development through the nineteenth to the early twentieth centuries. A fine collection from the eighteenth century includes works by Julius Caesar Ibbetson, Thomas Rowlandson, Francis Wheatley, John Robert Cozens, Richard Cosway, John ‘Warwick’ Smith, Francis Towne and Ozias Humphrey. Numerically, however, the strength of the collection lies in the nineteenth-century works. Jessica Feather’s meticulously researched book reveals the full glory of landscape watercolours by David Cox, Peter de Wint and J. M. W. Turner. Outstanding figurative works include paintings by George Pinwell and Frederick Walker, and the Pre-Raphaelites are also well represented with a large number of high quality drawings by Edward Burne-Jones, as well as works by Ford Madox Brown, John Evert Millais and Dante Gabriel Rossetti. The collection also includes twenty-six studies by Edward John Gregory for his well-known painting Boulter’s Lock, Sunday Afternoon, which is also in the Lady Lever Gallery. Gloriously illustrated throughout, this is a wonderful celebration of British drawings and watercolours at their finest.

British Watercolours and Drawings provides a fully illustrated catalogue raisonné of the important collection of over 300 British watercolours and drawings in the Lady Lever Art Gallery, Port Sunlight, Wirral, which holds one of the best fine and decorative arts collections in the United Kingdom. This lavishly illustrated book will make accessible the whole collection, much of which remains unpublished since 1928. The collection illustrates the flowering of the British watercolour school in the eighteenth century and follows its development through the nineteenth to the early twentieth centuries. A fine collection from the eighteenth century includes works by Julius Caesar Ibbetson, Thomas Rowlandson, Francis Wheatley, John Robert Cozens, Richard Cosway, John ‘Warwick’ Smith, Francis Towne and Ozias Humphrey. Numerically, however, the strength of the collection lies in the nineteenth-century works. Jessica Feather’s meticulously researched book reveals the full glory of landscape watercolours by David Cox, Peter DeWint and J. M. W. Turner. Outstanding figurative works include paintings by George Pinwell and Frederick Walker, and the Pre-Raphaelites are also well represented with a large number of high quality drawings by Edward Burne-Jones, as well as works by Ford Madox Brown, John Everett Millais and Dante Gabriel Rossetti. The collection also includes twenty-six studies by Edward John Gregory for his well-known painting Boulter’s Lock, Sunday Afternoon, which is also in the Lady Lever Gallery. Gloriously illustrated throughout, this is a wonderful celebration of British drawings and watercolours at their finest. A graduate of Cambridge University and the Courtauld Institute of Art, Jessica Feather was Curator of Works on Paper at the Walker Art Gallery, Liverpool from 2001 to 2009, where she was responsible for around 8000 drawings, watercolours and prints. She is currently based in London, where she is researching her PhD on early-twentieth-century collectors of watercolou

The catalogue is attractively produced, with excellent colour illustrations
Richard Green, The Burlington Magazine

The Burlington Magazine

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