Mike Morris is Co-Director of Writing on the Wall, organiser of the George Garrett Archive Project and Playwright. Tony Wailey is a writer, historian and former advisor and teacher of mature students at Adult Education Colleges and Universities of Middlesex, East London and University of the Arts. Andrew Davies is Lecturer in Human Geography at the University of Liverpool.
George Garrett’s autobiographical work Ten Years On The Parish, published here in full for the first time since it was written in the late 1930s, shines a light on the hardships and poverty endured by many in the years between the wars. Garrett was a merchant seaman, writer, playwright and radical activist, who was central to working class politics and culture in the 1920s and 30s in Liverpool and beyond. He travelled the world, wrote a series of documentary reports about poverty and struggle in the 1920s and 30s, three plays influenced by the new realism of Eugene O’Neill, and a series of short stories, which led George Orwell, who met him while researching The Road to Wigan Pier, to say he was ‘very greatly impressed by Garrett’. In the late 1930s he was a founder member of Liverpool’s Unity Theatre.
In Ten Years On The Parish Garrett touches upon his time in New York in the early 1920s, gives a graphic account of the unemployed struggles in Liverpool, including The First Hunger March in 1922, and reveals how he personally, as well as others in the working classes, struggled to survive in Liverpool as it was caught up in the great depression of the 1930s. Published alongside Ten Years On The Parish are a series of letters exchanged from January 1935 to July 1940 between Garrett and New Writing editor John Lehmann, which reveal a unique insight into the relationship between a working-class writer and his editor. Both original texts have extensive introductions by the editors, as well as a foreword by Frank Cottrell-Boyce, which establishes the context and importance of Garrett’s work. This publication gives long-overdue credence to Garrett’s importance as a writer and radical, whose work occupies a unique and significant position as the central point of a compass linking Liverpool's radical, literary, cultural, and maritime history.
Reviews‘Probably the most significant working-class writer of his generation.’
John Lucas, Professor Emeritus at the Universities of Loughborough and Nottingham Trent
'Garrett was all about truth. He worked hard to discover truth. He worked harder to express it. And most of all, he lived it.’
'Alan O’Toole claims that George Garrett’s time at the Unity Theatre was ‘an enterprise which took both literature and the ‘message’ straight to the people on the streets.’ Now, thanks to this formidable book, we gain an insight into the man, his life and struggles. I only wish he was here to see this book finally in print – and for the record, I believe it is better than the George Orwell book!'
John Maguire, Ten Million Hardbacks
'Although extracts from Ten Years on the Parish have previously been published in selections of Garrett’s work edited variously by Alan O’Toole, Jerry Dawson and Michael Murphy, this is the first time that the whole of the MS has been published. The editors are to be congratulated for putting the book into print, with a helpful apparatus of notes.'
Andy Croft, Soundings
'This book is a welcome addition to the recent revival of interest in George Garrett, Liverpool writer and radical internationalist. It publishes Garrett’s autobiography in full for the first time, as well as a series of letters he exchanged with the literary journal editor John Lehmann [...] The editors of this volume, and all those who worked on the Garrett Archive project, have made an important contribution. This book moves us some way forward in understanding George Garrett, his work and his times, and in opening up his writing for further research and study.'
Dr Graeme J. Milne, Transactions of the Historic Society of Lancashire & Cheshire