Andrew O. Winckles is Assistant Professor of CORE Curriculum (Interdisciplinary Studies) at Adrian College. Angela Rehbein is Associate Professor of English at West Liberty University.
An Open Access edition of this book is available on the Liverpool University Press website and through Knowledge Unlatched. The eighteenth century witnessed the rapid expansion of social, political, religious and literary networks in Great Britain. Increased availability of and access to print combined with the ease with which individuals could correspond across distance ensured that it was easier than ever before for writers to enter into the marketplace of ideas. However, we still lack a complex understanding of how literary networks functioned, what the term ‘network’ means in context, and how women writers in particular adopted and adapted to the creative possibilities of networks. This collection of essays address these issues from a variety of perspectives, arguing that networks not only provided women with access to the literary marketplace, but fundamentally altered how they related to each other, to their literary production, and to the broader social sphere. By examining the texts and networks of authors as diverse as Sally Wesley, Elizabeth Hamilton, Susanna Watts, Elizabeth Heyrick, Joanna Baillie, Mary Berry, Mary Russell Mitford, Mary Shelley and Elizabeth Barrett Browning, this volume demonstrates that attention to the scope and influence of women’s literary networks upends long standing assumptions about gender, literary influence and authorial formation during the Romantic period. Furthermore, it suggests that we must rethink what counts as literature in the Romantic period, how we read it, and how we draw the boundaries of Romanticism.
'This is an excellent and eminently timely collection of essays, addressing a very real gap in scholarship. Both the guiding concept of the collection and its thoughtful organization attest to the critical, cultural, and scholarly acumen of the editors. The essays make a genuinely major contribution to scholarly inquiry, not just concerning ‘Romanticism’ in Britain, but also concerning women’s social, intellectual, aesthetic, and political affiliations.'
Professor Stephen C. Behrendt, University of Nebraska
‘Women’s Literary Networks and Romanticism is an important collection that I recommend to all scholars in Romanticism studies and history of the book and publishing, as well as women’s writing.’
Geraldine S. Friedman, European Romantic Review
Reviews‘Metaphors are our work, our capital, our nutriment, and our adhesive. The honey is sweet. I do wonder what happened to sugar. Work on eighteenth-century empire has migrated from the politics of such substances to philology, art, and figural practice; the bodies left behind are diseased ones, equally subject to obeah and galenic medicine. But if a hive, we are also, as Jonathan Swift skeptically aphorized in his 1704 satire The Battel of the Books, a web. The word of the year: networks. Meaning … what? Andrew O. Winckles and Angela Rehbein, editors of Women’s Literary Networks and Romanticism, like Susan Wolfson’s “web of reciprocally transforming and transformative creative subjects” (p. 8), and it’s a fine way to capture our increasingly disembodied, metaphor-minded, globalized, workaholic community of professional readers. God bless us every one.’
Jayne Lewis, Studies in English Literature 1500-1900