Writing and the Revolution

BookWriting and the Revolution

Writing and the Revolution

Venezuelan Metafiction 2004-2012

Liverpool Latin American Studies, 20

2019

June 25th, 2019

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In contrast to recent theories of the ‘global’ Latin American novel, this book reveals the enduring importance of the national in contemporary Venezuelan fiction, arguing that the novels studied respond to both the nationalist and populist cultural policies of the Bolivarian Revolution and Venezuela’s literary isolation. The latter results from factors including the legacy of the Boom and historically low levels of emigration from Venezuela. Grounded in theories of metafiction and intertextuality, the book provides a close reading of eight novels published between 2004 (the year in which the first Minister for Culture was appointed) and 2012 (the last full year of President Chávez’s life), relating these novels to the context of their production. Each chapter explores a way in which these novels reflect on writing, from the protagonists as readers and writers in different contexts, through appearances from real life writers, to experiments with style and popular culture, and finally questioning the boundaries between fiction and reality. This literary analysis complements overarching studies of the Bolivarian Revolution by offering an insight into how Bolivarian policies and practices affect people on an individual, emotional and creative level. In this context, self-reflexive narratives afford their writers a form of political agency.

Author Information

Katie Brown is a Lecturer in Latin American Studies at the University of Exeter.

Table of Contents

Table of Contents
Section TitlePagePrice
Cover1
Contents5
Acknowledgements7
Introduction9
1. Writing for the State53
2. Writing and Distinction69
3. Challenging the National Narrative89
4. Making Literary Connections113
5. Form and Popular Culture135
6. Fiction and Reality156
Conclusion179
Bibliography183
Index203