Theatre and the Novel, from Behn to Fielding

BookTheatre and the Novel, from Behn to Fielding

Theatre and the Novel, from Behn to Fielding

Oxford University Studies in the Enlightenment, 2015:07

2015

July 9th, 2015

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Ever since Ian Watt’s The Rise of the novel (1957), many critics have argued that a constitutive element of the early ‘novel’ is its embrace of realism. Anne F. Widmayer contends, however, that Restoration and early eighteenth-century prose narratives employ techniques that distance the reading audience from an illusion of reality; irony, hypocrisy, and characters who are knowingly acting for an audience are privileged, highlighting the artificial and false in fictional works.
Focusing on the works of four celebrated playwright-novelists, Widmayer explores how the increased interiority of their prose characters is ridiculed by the use of techniques drawn from the theatre to throw into doubt the novel’s ability to portray an unmediated ‘reality’. Aphra Behn’s dramatic techniques question the reliability of female narrators, while Delarivier Manley undermines the impact of women’s passionate anger by suggesting the self-consciousness of their performances. In his later drama, William Congreve subverts the character of the apparently objective critic that is recurrent in his prose work, whilst Henry Fielding uses the figure of the satirical writer in his rehearsal plays to mock the novelist’s aspiration to control the way a reader reads the text. Through analysing how these writers satirize the reading public’s desire for clear distinctions between truth and illusion, Anne F. Widmayer also highlights the equally fluid boundaries between prose fiction and drama.

Reviews

‘Cet ouvrage s’attache à demontrer que les récits en prose, de la Restauration jusqu’au milieu du XVIIIe siècle, sont influencés en profondeur par des techniques empruntées au théâtre’ […] [Il est] très bien étayé sur des sources primaires et secondaires pertinentes’.
RSÉAA XVII-XVIII

‘One of the most interesting aspects of Widmayer’s study is her focus on the use of stage space by the four authors [Behn, Nanley, Fielding, Congreve] (…) but to different effects.’
Papers on Language and Literature

Table of Contents

Table of Contents
Section TitlePagePrice
Cover1
Title Page4
Copyright Page5
Contents8
List of tables10
Acknowledgements12
Introduction14
1. Aphra Behn's dramatic techniques in prose: credibility and female power38
i. Behn's and Southerne's Oroonokos: individuals and groups42
ii. Parallels between the narrator and Oroonoko54
iii. Echoes of Rover I72
2. Performed emotion in Delarivier Manley's works: actors and voyeurs86
i. Discovering emotion in Manley's plays92
ii. Scenes in Manley's prose103
iii. Validating female emotion in Memoirs of Europe and The Power of love115
3. Hybrid dramatic-narrative techniques: William Congreve's Incognita and The Old batchelor138
i. Staging lovers in Dryden'S Assignation and Congreve's Incognita147
ii. Scarron's influence upon Incognita155
iii. Heartwell as satirical commentator in The Old bauhewr164
4. Abandoning control over 'reality': author-characters in Henry Fielding's plays180
i. The satirist satirized in Fielding's author-character plays183
ii. Author-characters as Fielding's theatrical avatars191
5. Self-conscious anti-realism: readers as actor-authors in Henry Fielding's prose206
i. Fielding's self-ironizing author-characters220
ii. Novel characters who comment metatheatrically227
6. Conclusion244
Bibliography258
Index272