the Rebel Cafe: Interviews with Ed Sanders is a collection of interviews with Ed Sanders. Interviews
have been selected representing each decade of Sanders’s career from the 1960s
up to the present. All are previously published except for one conducted by a
historian about Sanders’s involvement in the peace movement. Interviews have
been selected for historical significance (such as his first interview, his
appearance on William F. Buckley’s Firing Line TV program, history of
the Fugs, history of the Lower East Side avant-garde, the evolution of his
poetry) and for the depth and quality of the discussion of his work (interviews
by poets and literary critics). Read in chronological order, the interviews
constitute a career biography of Sanders as a writer, musician, and activist. In
his own words, Sanders chronicles his transition as a poet from lyric to
historical narrative to epic, the development of his fiction and journalism,
the creation and revival of the Fugs (his satirical folk rock band), his role
in the art and counter-culture of the 1960s, his subsequent historical
assessment of the era, and his continuing social commitments. In addition to the interviews, the
book includes a critical introduction to Sanders’s life and work, a chronology
of Sanders’ career, a bibliography of his publications, and a discography of
Fugs and Sanders albums.
A collection of interviews with Ed
Sanders with additional information about his life and work.
Jennie Skerl is a Founding Board member and Past President of the Beat Studies Association. She is on the editorial board of the Journal of Beat Studies. She has published William S. Burroughs (Twayne, 1985), William S. Burroughs at the Front: Critical Reception, 1959-1989 (co-edited with Robin Lydenberg, Southern Illinois University Press, 1991), A Tawdry Place of Salvation: The Art of Jane Bowles (Southern Illinois University Press, 1997), Reconstructing the Beats (Palgrave Macmillan, 2004), and The Transnational Beat Generation, (co-edited with Nancy M. Grace, Palgrave Macmillan, 2012). Dr. Skerl edited the Winter 2000 special issue of College Literature on Teaching Beat Literature and has published invited introductions to the 25th anniversary edition of Naked Lunch (Grove, 1984), Speed by William Burroughs, Jr. (Overlook Press, 1984), William S. Burroughs: Time-Place-Word (Brown University exhibit catalog, ed. Eric Shoaf, 2000), and the foreword to Retaking the Universe: William Burroughs in the Age of Globalization (ed. Davis Shneiderman and Philip Walsh, Pluto, 2004). She was a contributor of the Dictionary of Literary Biography volume on the Beats (edited by Ann Charters, 1983), the Encyclopedia of Beat Literature (edited by Kurt Hemmer, 2007), and Naked Lunch @ 50 (edited by Oliver Harris and Ian Macfadyen, Southern Illinois University Press, 2009). Her essay on Ed Sanders entitled “Sappho Comes to the Lower East Side: Ed Sanders, the Sixties Avant-garde, and Fictions of Sappho” was recently published in Hip Sublime: Beat Writers and the Classical Tradition (edited by Sheila Murnaghan and Ralph M. Rosen, Ohio State UP, 2018), and her interview with Sanders was published in the Journal of Beat Studies, (volume 6, 2018). Dr. Skerl has also taught courses, delivered guest lectures, and organized conference panels on Beat writers. She retired as Associate Dean of the College of Arts and Sciences at West Chester University.