Revisionary Narratives

BookRevisionary Narratives

Revisionary Narratives

Moroccan Women’s Auto/Biographical and Testimonial Acts

Contemporary French and Francophone Cultures, 64

2019

September 26th, 2019

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Revisionary Narratives examines the historical and formal evolutions of Moroccan women’s auto/biography in the last four decades, particularly its conflation with testimony and its expansion beyond literary texts. The book analyzes life narratives in Arabic, colloquial Moroccan Darija, French, and English in the fields of prison narratives, visual arts, theater, and digital media. The various case studies highlight narrative strategies women use to relate their experiences of political violence, migration, displacement, and globalization, while engaging patriarchal and (neo)imperial norms and practices. Using a transdisciplinary interpretative lens, the analyses focus on how women authors, artists, and activists collapse the boundaries between autobiography, biography, testimony, and sociopolitical commentary to revise dominant conventions of authorship, transgress oppressive definitions of gender roles and relations, and envision change.
Revisionary Narratives marks auto/biography and testimony as a specific field of inquiry within the study of women’s postcolonial cultural productions in the Moroccan and, more broadly, the Maghrebi and Middle Eastern contexts.

Reviews

‘This work presents an original study and critique of current cultural production by Moroccan women as a response to the repressive Years of Lead …The qualities of the work are exceptional and it will add a dimension to the studies on Moroccan women’s cultural production that has not been addressed before.'
Valérie K. Orlando, University of Maryland

'This book's central focus on auto/biography and testimony in works of cultural production by women of Morocco makes a valuable contribution to recent scholarship in life writing/life narratives critically departing from the mostly male-centred repertoire of the sovereign subject. By including photographic and accompanying artistic practices, Hachad extends the field of auto/biographical studies beyond the preoccupation with writing.'
Norman Saadi Nikro, University of Potsdam

Author Information

Naïma Hachad is an Assistant Professor of French and Francophone Studies at American University.

Table of Contents

Table of Contents
Section TitlePagePrice
Cover1
Contents7
Note on Translations9
List of Figures10
Acknowledgments11
Introduction: Moroccan Women’s Auto/Biographical and Testimonial Acts in Context15
Part I: The Ethics and Politics of Moroccan Women’s Gendered Shahada39
1. The Rise of a Feminist Consciousness in Saïda Menebhi’s Prison Writings41
2. (Re)writing the Woman Resister: Violence, Gender, and Legitimacy in Fatna El Bouih’s and Malika Oufkir's Testimonies74
3. Speaking for the Voiceless: Political and Ethical Considerations of Moroccan Women’s ‘Collective Testimonial Self'104
Part II: Trans-Acting Moroccan Identity and Femininity: Auto/Biography, Testimony, and Subjectivity in the Transglobal Age135
4. Visual, Cultural, and Geopolitical Thresholds in Lalla Essaydi’s Depiction of Moroccan Women137
5. Carolle Bénitah’s Photo-Embroidery: Remembering, Reframing, Disfiguring, and Embellishing the Past173
6. Modes of Feminine Resistance and Testimony in the Wake of the Mudawana Reform and the Arab Uprisings: Contemporary Discourses of Contestation in Naïma Zitan’s Play Dialy and Fedwa Misk’s Webzine Qandisha206
Conclusion: The Future of Moroccan Women’s Auto/Biography and Testimony239
Bibliography251
Index267