Edna O'Brien

BookEdna O'Brien

Edna O'Brien

Writers and Their Work

2003

June 1st, 2003

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Since the publication of her debut novel The Country Girls in 1960, Edna O’Brien has experimented with an impressive range of forms and genres. Her most recent trilogy, completed in 1999 with the publication of Wild Decembers, focuses on issues surrounding contemporary Ireland such as terrorism, decolonisation and abortion law. Concentrating mainly on the novels from 1960 to the present day Amanda Greenwood contests critical perceptions of O’Brien as a narrow chronicler of women’s inner lives, arguing that O’Brien’s writings are not only radical but deeply revealing of the position of women under patriarchy in Ireland and beyond; the later texts suggest the need for revisions of the social and symbolic orders. Drawing on ‘French’ feminism, gender issues, Irish studies and ecocriticism, Greenwood explores O’Brien’s representations and deconstruction of ‘femininity’, ‘masculinity’ and ‘Irishness'.

Author Information

Dr Amanda Greenwood has recently left the English Literature department at the University of Hull to take up a full-time teaching post at the Andrew Marvell School, Hull. Before that she taught at Queen’s University, Belfast, University of Huddersfield and Trinity and All Saint’s College, Leeds.

Table of Contents

Table of Contents
Section TitlePagePrice
Cover1
Half Title2
Title Page4
Copyright5
Dedication6
Contents8
Acknowledgements9
Biographical Outline10
Preface12
Abbreviations and References13
1 Edna O'Brien and Her Critics14
2 Edna O'Brien: 'Irish Woman Writer'24
3 Negative Romance and Glacial Nihilism: The 1960s9
4 'Woman Must Write Herself': A Pagan Place and Night48
5 'Another Birth': Mother Ireland and Virginia62
6 'An Other Landscape': The High Road76
7 'Might Before Right': The 1990s Trilogy89
8 'The Other Half of Ireland': James Joyce106
9 In the Forest: A Country Boy115
Notes121
Select Bibliography140
Index148