Avant-Folk: Small Press Poetry Networks from 1950 to the Present

BookAvant-Folk: Small Press Poetry Networks from 1950 to the Present

Avant-Folk: Small Press Poetry Networks from 1950 to the Present

2016

November 1st, 2016

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Avant-Folk is the first comprehensive study of a loose collective of important British and American poets, publishers, and artists (including Lorine Niedecker, Ian Hamilton Finlay, and Jonathan Williams) and the intersection of folk and modernist, concrete and lyric poetics within the small press poetry networks that developed around these figures from the 1950s up to the present day. Avant-Folk argues that the merging of the demotic with the avant-garde is but one of the many consequences of a particularly vibrant period of creative exchange when this network of poets, publishers, and artists expanded considerably the possibilities of small press publishing. Avant-Folk explores how, from this still largely unexplored body of work, emerge new critical relations to place, space, and locale. Paying close attention to the transmission of demotic cultural expressions, this study of small press poetry networks also revises current assessments regarding the relationship between the cosmopolitan and the regional and between avant-garde and vernacular, folk aesthetics. Readers of Avant-Folk will gain an understanding of how small press publishing practices have revised these familiar terms and how they reconceive the broader field of twentieth-century British and American poetry.

Avant-Folk is extremely well researched, rich in detail, thought-provoking and highly readable.  
DURA

The homemade folk poetry publishing tradition is no obstacle to global recognition as Ross Hair shows in Avant-Folk: Small Press Poetry Networks from 1950 to the Present. Hair’s book points to the variety of ways that poetic networks can evolve and become important ways of sustaining ‘interpersonal relationships’ outside of the city.
Tears in the Fence

This is an intricate, painstaking and thorough book, stocked full of details about the minutiae of poets’ lives and works, as well as offering range of very interesting close readings... It offers an exciting array of detail about factors constituting poetic groupings, as well as providing tentative sketches towards a map of understanding the potent forces of marginality in constituting certain poetic identities and aesthetic styles.
Gareth Farmer, English Studies

About The Author

Ross Hair is a lecturer in American Studies at the University of East Anglia and author of 'Ronald Johnson’s Modernist Collage Poetry' (2010) and co-editor of 'Harry Smith’s Anthology of American Folk Music: America Changed Through Music' (2016).

Table of Contents

Table of Contents
Section TitlePagePrice
Cover1
Contents7
Acknowledgements9
Permissions11
Abbreviations13
Introduction15
Chapter One: The Avant-Folkways of Lorine Niedecker49
Chapter Two: Ian Hamilton Finlay: Scottish Futurist81
Chapter Three: Jonathan Williams: Beyond Black Mountain117
Chapter Four: Small is Quite Beautiful: Tarasque Press151
Chapter Five: Opening the Folds: A Pastoral Vanguard185
Chapter Six: Coracle’s Unpainted Landscapes215
Coda: Certain Trees253
Bibliography263
Index287