Being Contemporary is a volume of original essays by 23 preeminent scholars of French and Comparative literature, hailing from both sides of the Atlantic, in response to the editors’ invitation to “think through the contemporary.” The volume offers a sustained critical reflection on the contemporary as a concept, a category, a condition, and a set of relationships to others and to one’s own time. Being Contemporary emerges from a sense of a critical urgency to probe the notion of “the contemporary,” and the place of the contemporary critic, in French literary and cultural studies today. Its point of departure is Susan Suleiman’s book Risking Who One Is (Harvard, 1994), which proposed two decades ago that “being contemporary” offers a heuristic category for assessing the role of the scholar and critic, for studying the current moment in literature, art, and culture, and for engaging with historical and philosophical questions in a way that resonates with readers in the present day. Returning to these ideas with renewed vigor, the thought-provoking essays that comprise this volume center on 20th- and 21st-century French literature, politics, memory, and history, and problematize the contemporary as a critical position with respect to the current moment.
Lia Brozgal and Sara Kippur’s edited volume is impressive in its scope and in the intellectual level of its essays...providing useful theoretical concepts and models of thought that other scholars can productively apply to their own areas and objects of study.David Petterson, H-France Review
This volume is, therefore, a foundational consideration of the academic’s position in time as well as a fitting tribute to Susan Suleiman, one of our field’s most influential, humane, and engaged scholars.
Kathryn Kleppinger, Bulletin of Francophone Postcolonial Studies
As a book exploring how Susan Rubin Suleiman’s thought continues to orient and inspire research in a number of disciplines, Being Contemporary is nothing short of excellent.
Lucas Hollister, French Review