Love on the Dole (1933), the iconic novel about 1930s British working-class life, has a significant place in British cultural history. Its author, Walter Greenwood, went from unemployed Salford man to best-selling writer, and the novel has never been out of print. The 1935 stage adaptation was said to have been seen by three million people by 1940, including the King and Queen. Greenwood proposed a film adaption in 1936, but the story was pronounced too ‘sordid’ and depressing’ by the British Board of Film Censors. However, in 1940 the Ministry of Information decided that this story of pre-war economic and social failure should be filmed as a contribution to the ‘people’s war’. It was widely regarded as one of the best British wartime productions – and all three versions of Love on the Dole were frequently referenced during wartime debate about how a reconstructed post-war society should make a repetition of the 1930s impossible.
This study explores in detail what made this important text so influential, analyses the considerable differences between the novel, play and film versions and places the public response to Love on the Dole in its full historical context. It examines Greenwood’s whole literary career and his continuing success until the 1960s: casting new light on his subsequent novels, plays and non-fiction works, few of which have received critical attention.
'A fascinating, comprehensive and vital study. It rehabilitates Greenwood as an artist, it analyses 1930s’ culture, and it provides some engaging reflections on the history of Salford.'
Dr Claire Warden, Reader in Drama, De Montfort University
Reviews‘Ten years in the making, Chris Hopkins’s book was certainly worth waiting for. It is an exhaustively researched, painstakingly analytical and compulsively readable work which is essential for anyone interested in the social and cultural history of Britain in the first half of the twentieth century.’
Jeffrey Richards, Journal of Cinema and Television Studies