"We Are the Walking Dead": Race, Time, and Survival in Zombie Narrative
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- Florian Krautkrämer, Mobilizing the undead: Zombie films and the discourse of otherness from the 1930s to post-millennial cinema, Atlantic Studies, 10.1080/14788810.2022.2125248, 20, 3, (464-478), (2023).
- Lisa Wade, Narratives of Outbreak and Survival in English-Language Cinema Prior to COVID-19, Socius: Sociological Research for a Dynamic World, 10.1177/23780231221078242, 8, (2022).
- Michael Truscello, Renae Watchman, Blood Quantum and Fourth Cinema: Post- and Paracolonial Zombies, Quarterly Review of Film and Video, 10.1080/10509208.2022.2026273, 40, 4, (462-483), (2022).
- Maia Gil’Adí, Fukú, Postapocalyptic Haunting, and Science-Fictional Embodiment in Junot Díaz’s “Monstro”, Posthumanism and Latin(x) American Science Fiction, 10.1007/978-3-031-11791-6_5, (91-122), (2022).
- Johannes Pause, Niels-Oliver Walkowski, Zombies, Conspiracies, and Esthetics in Crisis: A Computational Engagement with Genre Esthetics, Media and Genre, 10.1007/978-3-030-69866-9_9, (231-259), (2022).
- Alice Ray, La satire du zombie : Z Nation ou l’effondrement comme critique de nos sociétés capitalistes, Caliban, 10.4000/caliban.7390, 63, (119-139), (2021).
- Emiel Martens, The 1930s Horror Adventure Film on Location in Jamaica: ‘Jungle Gods’, ‘Voodoo Drums’ and ‘Mumbo Jumbo’ in the ‘Secret Places of Paradise Island’, Humanities, 10.3390/h10020062, 10, 2, (62), (2021).
- Todd K Platts, Producing zombie television: AMC, The Walking Dead , and the institutional dynamics of green-lighting hard-edged horror on cable , Critical Studies in Television: The International Journal of Television Studies, 10.1177/1749602020981373, 18, 3, (274-290), (2021).
- Justin L Mann, Black Insecurity at the End of the World, MELUS, 10.1093/melus/mlab029, 46, 3, (1-21), (2021).
- Mario Slugan, Pandemic (Movies): A Pragmatic Analysis of a Nascent Genre, Quarterly Review of Film and Video, 10.1080/10509208.2021.1890975, 39, 4, (890-918), (2021).