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A Critical Retrospective of Hans Walter Gabler’s Critical and Synoptic Edition of Ulysses
Ebook available to libraries as part of
Ebook available to libraries exclusively as part of the JSTOR Path to Open initiative.
2024 is the 40th anniversary of Hans Walter Gabler’s critical and synoptic edition of James Joyce’s Ulysses, published in 1984 by Garland. Ulysses Forty Years brings together a collection of essays from the world’s foremost Joyce scholars that serves as a critical retrospective on the Gabler Ulysses. This collection of essays encompasses the field of Joyce studies, editorial theory and practice, and textual criticism; examining the impact and legacy of the Gabler Ulysses in the context of Joyce Studies and beyond in terms of its wider impact in the context of textual criticism, digital editing, translation studies and editorial theory.
Georgina Nugent is a Marie Skłodowska-Curie Postdoctoral Fellow at the University of Vienna. She is the author of The Making of Samuel Beckett’s Company/ Compagnie (Bloomsbury Academic/UPA, 2021) and Beckett and Stein (Cambridge University Press, 2023), and the editor of a special issue of the Journal of Beckett Studies that focuses on ‘Beckett’s Women Contemporaries’ (Edinburgh University Press, 2023). Her research focuses on modernism, with a particular interest in Samuel Beckett, Gertrude Stein, and James Joyce. She has published essays in Samuel Beckett Today/Aujhourd’hui, Journal of Beckett Studies, James Joyce Quarterly, and The Southern Review, among others. Her current book project is a comparative study of James Joyce and Gertrude Stein.
Like the eponymous Joyce scholar of the novel The Death of a Joyce Scholar, Sam Slote is a Professor at Trinity College Dublin and lives in the Liberties in Dublin. He is the author of Annotations to James Joyce’s ‘Ulysses’ (Oxford, 2022), Joyce’s Nietzschean Ethics (Palgrave, 2013), and is the co-editor, with Luca Crispi, of How Joyce Wrote ‘Finnegans Wake’ (Wisconsin, 2007). In addition to Joyce and Beckett, he has written on Virginia Woolf, Vladimir Nabokov, Raymond Queneau, Antonin Artaud, Dante, Mallarmé, and Elvis.
Acknowledgements List of Tables & Illustrations List of Abbreviations Note on Citation Practice |
Introduction: Ulysses at Forty Georgina Nugent & Sam Slote |
Section 1: Editing and Editorial Theory 1. A Question of Authority: The Critical and Synoptic Edition of Ulysses and Theories of Scholarly Editing Wim Van Mierlo 2. Work, Text, Book, Author: Divergences and Intersections Paola Pugliatti |
Section 2: Reading Ulysses; Reading the UCSE |
1. Reading the Synoptic Display and the Reading Text Together: Towards an Understanding of the Modernist Self-Reflexivity of Ulysses Shinjini Chattopadhyay |
2. If he had smiled why would he have smiled?: “Ithaca,” Lists and the Text-in-Progress Matthew Creasy |
3. A Portrait of the Editor as Arranger Sam Slote |
Section 3: Beyond Ulysses |
1. Reading Ulysses onto Dubliners and A Portrait of the Artist as a Young Man: The Impact of the Gabler Synoptic and Critical Editions on Editions of Joyce’s Earlier Texts Elizabeth M. Bonapfel |
2. This translation and the other translation: the impact of the Gabler text on translations of Ulysses Jolanta Wawrzycka |
3. Copyright and the Gabler Ulysses Robert Spoo |
Coda 9. Ulysses 1984: To Edit and Read in Flow of Composition Hans Walter Gabler |
Appendix: Hans Walter Gabler: “Love, yes. Word known to all men.” |
Notes |
Index |