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Tembeck, Iro. “Politics and Dance in Montreal, 1940s to 1980s: The Imaginary Maginot Line between Anglophone and Francophone Dancers.” Canadian Dance: Vision and Stories, edited by Odom and Warner. Dance Collection Danse, 2004, pp. 271–286. Politics and Dance in Montreal, 1940s to 1980s: The Imaginary Maginot Line between Anglophone and Francophone Dancers. Canadian Dance: Vision and Stories 271 286 Google Scholar

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“Bagne: Sortir de nos prisons.” Dansedanse.ca, 16 Aug. 2018, https://www.dansedanse.ca/fr/pps-danse-bagne-recreation-jeff-hall-pierre-paul-savoie. Google Scholar

Basile, Jean. “Danse: Louis Guillemette: un art d’expression où les corps se mêlent.” Sortie. Danse: Louis Guillemette: un art d’expression où les corps se mêlent. Sortie Google Scholar

Batson, Charles R. “Panique celtique: Manau’s Celtic Rap, Breton Cultural Expression, and Contestatory Performance in Contemporary France.” French Politics, Culture and Society, vol. 27, no. 2, 2009, pp. 63–83. Panique celtique: Manau’s Celtic Rap, Breton Cultural Expression, and Contestatory Performance in Contemporary France. French Politics, Culture and Society 27 63 83 Google Scholar

Batson, Charles R. “Dis/locating Dominion: Being at Home with Claude and Re-membering a Queer Montreal.” Contemporary French Civilization, vol. 37, nos. 2–3, 2012, pp. 159–175. Dis/locating Dominion: Being at Home with Claude and Re-membering a Queer Montreal. Contemporary French Civilization 37 159 175 Google Scholar

Batson, Charles R., and Denis M. Provencher. “Feeling, Doing, Acting, Seeing, Being Queer in Québec: Michel Marc Bouchard, Rodrigue Jean, and the Queer Québec Colloquium.” Québec Studies, vol. 60, Fall–Winter 2015, pp. 3–22. Feeling, Doing, Acting, Seeing, Being Queer in Québec: Michel Marc Bouchard, Rodrigue Jean, and the Queer Québec Colloquium. Québec Studies 60 3 22 Google Scholar

Boullé, Denis-Daniel. “Retour sur ‘Bagne Re-création,’ une oeuvre majeure de la danse québécoise.” Fugues, 16 Aug. 2018, http://www.fugues.com/244030-7237-articleretour-sur-bagne-re-creation-une-oeuvre-majeure-de-la-danse-quebecoise.html. Google Scholar

Fisher, Dominique. “Vic + Flo ont vu un ours de Denis Côté: Histoire de femmes cruelles ou esthétique de la cruauté?” Québec Studies, vol. 60, pp. 67–82. Vic + Flo ont vu un ours de Denis Côté: Histoire de femmes cruelles ou esthétique de la cruauté? Québec Studies 60 67 82 Google Scholar

Gagnon, Marie-Pier. “Hommes en cage.” La Vitrine, 16 Aug. 2018, https://blogue.lavitrine.com/2015/10/hommes-en-cage/. Google Scholar

Gilpin, Heidi. “Lifelessness in Movement, or How Do the Dead Move? Tracing Displacement and Disappearance for Movement Performance.” Corporealities, edited by Susan Foster, Routledge, 1996, pp. 106–128. Lifelessness in Movement, or How Do the Dead Move? Tracing Displacement and Disappearance for Movement Performance. Corporealities 106 128 Google Scholar

Howe-Beck, Linde. “Dancer delivers his own ideas.” The Gazette, 1 Jun. 1979. Dancer delivers his own ideas. The Gazette Google Scholar

Howe-Beck, Linde. “Feeling isolation for the bonds of humankind.” New York Times, 16 Aug. 2018, https://www.nytimes.com/2000/10/01/arts/dance-fleeing-isolation-for-the-bondsof-humankind.html. Google Scholar

Lapointe, Bruno. “Bagne fait peau neuve après 22 ans.” Journal de Montréal, 16 Aug. 2018, https://www.journaldemontreal.com/2015/10/16/bagne-fait-peau-neuve-apres-22-ans. Google Scholar

Michel, Mario. “Corrélien.” Le B, Jun. 1981, pp. 58–59. Corrélien. Le B 58 59 Google Scholar

Naoufal, Nayla. “Les prisons intérieures.” Le devoir, 16 Aug. 2018, https://www.ledevoir.com/culture/danse/452658/les-prisons-interieures. Google Scholar

Odom, Selma Landen, and Mary Jane Warner. Canadian Dance: Vision and Stories. Dance Collection Danse, 2004. Canadian Dance: Vision and Stories Google Scholar

Phelan, Peggy. Mourning Sex: Performing Public Memories. Routledge, 1997. Mourning Sex: Performing Public Memories Google Scholar

Schwartzwald, Robert. “Fear of Federasty: Québec’s Inverted Fictions.” Comparative American Identities: Race, Sex, and Nationality in the Modern Text, edited by Hortense J. Spillers, Routledge, 1991, pp. 175–195. Fear of Federasty: Québec’s Inverted Fictions. Comparative American Identities: Race, Sex, and Nationality in the Modern Text 175 195 Google Scholar

Schwartzwald, Robert. “From Authenticity to Ambivalence: Michel Tremblay’s Hosanna.” American Review of Canadian Studies, Winter 1992, pp. 499–510. From Authenticity to Ambivalence: Michel Tremblay’s Hosanna. American Review of Canadian Studies 499 510 Google Scholar

Schwartzwald, Robert. “‘Symbolic’ Homosexuality, ‘False Feminine,’ and the Problematics of Identity in Québec.” Fear of a Queer Planet: Queer Politics and Social Theory, edited by Michael Warner, U of Minnesota P, 1993, pp. 264–299. ‘Symbolic’ Homosexuality, ‘False Feminine,’ and the Problematics of Identity in Québec. Fear of a Queer Planet: Queer Politics and Social Theory 264 299 Google Scholar

Schwartzwald, Robert. C.R.A.Z.Y.: A Queer Film Classic. Arsenal Pulp P, 2015. C.R.A.Z.Y.: A Queer Film Classic Google Scholar

Tembeck, Iro. Danser à Montréal. PU Montreal, 1991. Danser à Montréal Google Scholar

Tembeck, Iro. “Politics and Dance in Montreal, 1940s to 1980s: The Imaginary Maginot Line between Anglophone and Francophone Dancers.” Canadian Dance: Vision and Stories, edited by Odom and Warner. Dance Collection Danse, 2004, pp. 271–286. Politics and Dance in Montreal, 1940s to 1980s: The Imaginary Maginot Line between Anglophone and Francophone Dancers. Canadian Dance: Vision and Stories 271 286 Google Scholar

Vézina, Marie. “Au delà des mots, Bagne transcende toutes les frontières.” Liaison, 16 Aug. 2018, https://www.usherbrooke.ca/liaison_vol29-37/vol31/v31n13/BAGNE.html. Google Scholar

Waugh, Thomas. The Romance of Transgression in Canada: Queering Sexualities, Nations, Cinemas. McGill-Queen’s UP, 2006. The Romance of Transgression in Canada: Queering Sexualities, Nations, Cinemas Google Scholar