Adorno, Theodor, 2001. The Culture Industry: Selected Essays on Mass Culture (London: Routledge).
The Culture Industry: Selected Essays on Mass Culture
Anderson, Benedict, 1991. Imagined Communities: Reflections on the Origins and Spread of Nationalism. Ed. rev. (Londres y Nueva York: Verso).
Imagined Communities: Reflections on the Origins and Spread of Nationalism
Antón, Jacinto, 2013. ‘Pérez-Reverte y la airada banda del aerosol’, El País, 28 noviembre.
Pérez-Reverte y la airada banda del aerosol
El País
Disponible en: >http://elpais.com/elpais/2013/11/28/eps/1385648075_655083.html [consultado el 5 de diciembre de 2016].
Arpaia, Bruno, 2006. The Angel of History, trad. Minna Proctor de L’Angelo della Storia, Milano: Guanda, 2001. (Edimburgo: Canongate).
The Angel of History
Baudrillard, Jean, 1983. ‘The Ecstasy of Communication’, en ANTI-AESTHETIC: Essays on Postmodern Culture, ed. y introd. Hal Foster. (Seattle, WA: Bay Press), pp. 126–34.
The Ecstasy of Communication
ANTI-AESTHETIC: Essays on Postmodern Culture
126
34
Bennett, Dionne, y Marcyliena Morgan, 2011. ‘Hip-Hop & the Global Imprint of a Black Cultural Form’, Daedalus, 140.2 (Spring): 176.
Hip-Hop & the Global Imprint of a Black Cultural Form
Daedalus
140.2
176
Canfora, Luciano, 2013. La historia falsa y otros escritos, trad. Inés Campillo Poza, Antonio Antón y Regina López Muñoz de La storia falsa, Milano: Rizzoli, 2009. (Madrid: Capitán Swing).
La historia falsa y otros escritos
De Franceschi, Guido, 2009. ‘Luciano Canfora: el historiador, el juez, y el detective’. Entrevista a Luciano Canfora. L’Occidentale. 4 enero. Disponible en: >https://clionauta.wordpress.com/2009/01/19/luciano-canfora-el-historiador-el-juez-y-el-detective/> [consultado el 5 de diciembre de 2016].
Ellis, Robert Richmond, 2006. ‘Detectives, Mad Bookmen, and the Devil’s Disciples: A Reading of ‘El club Dumas, la novena puerta of Arturo Pérez-Reverte’, Anales de la Literatura Española Contemporánea, 31.1: 29–45.
Detectives, Mad Bookmen, and the Devil’s Disciples: A Reading of ‘El club Dumas, la novena puerta of Arturo Pérez-Reverte
Anales de la Literatura Española Contemporánea
31.1
29
45
Fanon, Frantz, 1967. Black Skin, White Masks, trad. Charles Lam Markmann (Nueva York: Grove Press).
Black Skin, White Masks
Fenoglio, Beppe, 1968. Il partigiano Johnny (Turín: Einaudi).
Il partigiano Johnny
Foreign Policy 2012. ‘Is Graffiti Art?’, Foreign Policy, 191 (January–February), 17. [En línea – Academic OneFile.] Disponible en: http://go.galegroup.com/ps/i.do?id=GALE%7CA278509607&v=2.1&u=wash89460&it=r&p=AONE&sw=w&asid=ae0bb94d350d83ff0f15ce4624872f1a [consultado el 5 de diciembre de 2016].
Foucault, Michel, 1986 [1984]. The History of Sexuality. Vol. II, The Use of Pleasure, trad. Robert Hurley. 3 vols. (Londres: Viking).
The History of Sexuality
Foundation for Cultural Review, 2011. ‘Defacement Art’, New Criterion, 29.9: 2. [En línea – Academic OneFile.] Disponible en: http://go.galegroup.com/ps/i.do?id=GALE%7CA256172904&v=2.1&u=wash89460&it=r&p=AONE&sw=w&asid=e0c07f6dc0cdee2fee4a2d6204eb8de8 [consultado el 5 de diciembre de 2014].
Gramsci, Antonio, 1996. Prison Notebooks, vol. 2. 3 vols. (Nueva York: Columbia University Press).
Prison Notebooks
Hart, Patricia, 1987. The Spanish Sleuth: The Detective in Spanish Fiction (Rutherford, NJ: Fairleigh Dickenson University Press).
The Spanish Sleuth: The Detective in Spanish Fiction
Jameson, Fredric, 1981. The Political Unconscious: Narrative as a Socially Symbolic Act (Londres y Nueva York: Routledge).
The Political Unconscious: Narrative as a Socially Symbolic
Jameson, Fredric, 1983. ‘Postmodernism and Consumer Society’, in ANTI AESTHETIC: Essays on Postmodern Culture, ed. y introducción de Hal Foster (Seattle, WA: Bay Press), pp. 111–25.
Postmodernism and Consumer Society
ANTI AESTHETIC: Essays on Postmodern Culture
111
25
Jameson, Fredric, 1988. The Ideologies of Theory. Essays 1971–1986. Vol. 2, The Syntax of History (Minneapolis: University of Minneapolis Press).
The Ideologies of Theory. Essays 1971–1986
Jiménez Barca, Antonio, 2012. ‘El arte callejero pinta el futuro de Lisboa’, El País, 29 abril. Disponible en: >http://cultura.elpais.com/cultura/2012/04/28/actualidad/1335631503_362590.html> [consultado el 5 de diciembre de 2015].
Kristeva, Julia, 1991. Strangers to Ourselves (Nueva York: Columbia University Press).
Strangers to Ourselves
Owens, Craig, 1983. ‘The Discourse of Others: Feminists and Postmodernism’, en The Anti-Aesthetic. Essays on Postmodern Culture, ed. Hal Foster (Seattle, WA: Bay Press), pp. 57–77.
The Discourse of Others: Feminists and Postmodernism
The Anti-Aesthetic. Essays on Postmodern Culture
57
77
Pérez-Reverte, Arturo, 1993. El club Dumas (Madrid: Alfaguara).
El club Dumas
Pérez-Reverte, Arturo, 2013. El francotirador paciente (Madrid: Alfaguara).
El francotirador paciente
Ramón García, Emilio, 2014. ‘Miradas noir de Barcelona: desde Vázquez Montalbán y Mendoza a Riera’, Dicenda. Cuadernos de Filología Hispánica, 32: 313–40.
Miradas noir de Barcelona: desde Vázquez Montalbán y Mendoza a Riera
Dicenda. Cuadernos de Filología Hispánica
32
313
40
Robertson, Roland, 1995, ‘Glocalization: Time–Space and Homogeneity–Heterogeneity’, en Global Modernities, ed. Mike Featherstone, Scott Lash y Roland Robertson (Londres: Sage), pp. 25–44.
Glocalization: Time–Space and Homogeneity–Heterogeneity
Global Modernities
25
44
Said, Edward, 1989. ‘Representing the Colonized: Anthropology’s Interlocutors’, Critical Inquiry, 15: 207–17.
Representing the Colonized: Anthropology’s Interlocutors
Critical Inquiry
15
207
17
Salinger, J. D., 1978. El guardián entre el centeno, trad. Manuel Mendez de Andes de The Catcher in the Rye, Nueva York: Little, Brown, 1951 (Barcelona: Edhesa).
El guardián entre el centeno
Santana, Mario, 2000, ‘Manuel Vázquez Montalbán’s Los mares del Sur and the Incrimination of the Spanish Transition’, Revista de Estudios Hispánicos, 34.3: 535–59.
Manuel Vázquez Montalbán’s Los mares del Sur and the Incrimination of the Spanish Transition
Revista de Estudios Hispánicos
34.3
535
59
Todorov, Tzvetan, 1977. ‘The Typology of Detective Fiction’, en The Poetics of Prose, trad. Richard Howard (Ithaca, NY: Cornell University Press), pp. 42–52.
The Typology of Detective Fiction
The Poetics of Prose
42
52
Tomasi di Lampedusa, Guiseppe, 1984. El gatopardo, trad. Fernando Gutiérrez de Il Gattopardo, Milano: Feltrinelli, 1958 (Barcelona: Seix Barral, 1984).
El gatopardo
Tsuchiya Akiko, 2001. ‘Discourse and the Strategies of Power in Carme Riera’s En el último azul: A Cultural Analysis of the Inquisition’, Journal of Iberian and Latin American Studies, 7.1: 77–84.
Discourse and the Strategies of Power in Carme Riera’s En el último azul: A Cultural Analysis of the Inquisition
Journal of Iberian and Latin American Studies
7.1
77
84
West, Cornel, 1995. ‘A Matter of Life and Death’, en The Identity in Question, ed. John Rajchman (Nueva York: Routledge), pp. 15–19.
A Matter of Life and Death
The Identity in Question
15
19
Adorno, Theodor, 2001. The Culture Industry: Selected Essays on Mass Culture (London: Routledge).
The Culture Industry: Selected Essays on Mass Culture
Anderson, Benedict, 1991. Imagined Communities: Reflections on the Origins and Spread of Nationalism. Ed. rev. (Londres y Nueva York: Verso).
Imagined Communities: Reflections on the Origins and Spread of Nationalism
Antón, Jacinto, 2013. ‘Pérez-Reverte y la airada banda del aerosol’, El País, 28 noviembre.
Pérez-Reverte y la airada banda del aerosol
El País
Disponible en: >http://elpais.com/elpais/2013/11/28/eps/1385648075_655083.html [consultado el 5 de diciembre de 2016].
Arpaia, Bruno, 2006. The Angel of History, trad. Minna Proctor de L’Angelo della Storia, Milano: Guanda, 2001. (Edimburgo: Canongate).
The Angel of History
Baudrillard, Jean, 1983. ‘The Ecstasy of Communication’, en ANTI-AESTHETIC: Essays on Postmodern Culture, ed. y introd. Hal Foster. (Seattle, WA: Bay Press), pp. 126–34.
The Ecstasy of Communication
ANTI-AESTHETIC: Essays on Postmodern Culture
126
34
Bennett, Dionne, y Marcyliena Morgan, 2011. ‘Hip-Hop & the Global Imprint of a Black Cultural Form’, Daedalus, 140.2 (Spring): 176.
Hip-Hop & the Global Imprint of a Black Cultural Form
Daedalus
140.2
176
Canfora, Luciano, 2013. La historia falsa y otros escritos, trad. Inés Campillo Poza, Antonio Antón y Regina López Muñoz de La storia falsa, Milano: Rizzoli, 2009. (Madrid: Capitán Swing).
La historia falsa y otros escritos
De Franceschi, Guido, 2009. ‘Luciano Canfora: el historiador, el juez, y el detective’. Entrevista a Luciano Canfora. L’Occidentale. 4 enero. Disponible en: >https://clionauta.wordpress.com/2009/01/19/luciano-canfora-el-historiador-el-juez-y-el-detective/> [consultado el 5 de diciembre de 2016].
Ellis, Robert Richmond, 2006. ‘Detectives, Mad Bookmen, and the Devil’s Disciples: A Reading of ‘El club Dumas, la novena puerta of Arturo Pérez-Reverte’, Anales de la Literatura Española Contemporánea, 31.1: 29–45.
Detectives, Mad Bookmen, and the Devil’s Disciples: A Reading of ‘El club Dumas, la novena puerta of Arturo Pérez-Reverte
Anales de la Literatura Española Contemporánea
31.1
29
45
Fanon, Frantz, 1967. Black Skin, White Masks, trad. Charles Lam Markmann (Nueva York: Grove Press).
Black Skin, White Masks
Fenoglio, Beppe, 1968. Il partigiano Johnny (Turín: Einaudi).
Il partigiano Johnny
Foreign Policy 2012. ‘Is Graffiti Art?’, Foreign Policy, 191 (January–February), 17. [En línea – Academic OneFile.] Disponible en: http://go.galegroup.com/ps/i.do?id=GALE%7CA278509607&v=2.1&u=wash89460&it=r&p=AONE&sw=w&asid=ae0bb94d350d83ff0f15ce4624872f1a [consultado el 5 de diciembre de 2016].
Foucault, Michel, 1986 [1984]. The History of Sexuality. Vol. II, The Use of Pleasure, trad. Robert Hurley. 3 vols. (Londres: Viking).
The History of Sexuality
Foundation for Cultural Review, 2011. ‘Defacement Art’, New Criterion, 29.9: 2. [En línea – Academic OneFile.] Disponible en: http://go.galegroup.com/ps/i.do?id=GALE%7CA256172904&v=2.1&u=wash89460&it=r&p=AONE&sw=w&asid=e0c07f6dc0cdee2fee4a2d6204eb8de8 [consultado el 5 de diciembre de 2014].
Gramsci, Antonio, 1996. Prison Notebooks, vol. 2. 3 vols. (Nueva York: Columbia University Press).
Prison Notebooks
Hart, Patricia, 1987. The Spanish Sleuth: The Detective in Spanish Fiction (Rutherford, NJ: Fairleigh Dickenson University Press).
The Spanish Sleuth: The Detective in Spanish Fiction
Jameson, Fredric, 1981. The Political Unconscious: Narrative as a Socially Symbolic Act (Londres y Nueva York: Routledge).
The Political Unconscious: Narrative as a Socially Symbolic
Jameson, Fredric, 1983. ‘Postmodernism and Consumer Society’, in ANTI AESTHETIC: Essays on Postmodern Culture, ed. y introducción de Hal Foster (Seattle, WA: Bay Press), pp. 111–25.
Postmodernism and Consumer Society
ANTI AESTHETIC: Essays on Postmodern Culture
111
25
Jameson, Fredric, 1988. The Ideologies of Theory. Essays 1971–1986. Vol. 2, The Syntax of History (Minneapolis: University of Minneapolis Press).
The Ideologies of Theory. Essays 1971–1986
Jiménez Barca, Antonio, 2012. ‘El arte callejero pinta el futuro de Lisboa’, El País, 29 abril. Disponible en: >http://cultura.elpais.com/cultura/2012/04/28/actualidad/1335631503_362590.html> [consultado el 5 de diciembre de 2015].
Kristeva, Julia, 1991. Strangers to Ourselves (Nueva York: Columbia University Press).
Strangers to Ourselves
Owens, Craig, 1983. ‘The Discourse of Others: Feminists and Postmodernism’, en The Anti-Aesthetic. Essays on Postmodern Culture, ed. Hal Foster (Seattle, WA: Bay Press), pp. 57–77.
The Discourse of Others: Feminists and Postmodernism
The Anti-Aesthetic. Essays on Postmodern Culture
57
77
Pérez-Reverte, Arturo, 1993. El club Dumas (Madrid: Alfaguara).
El club Dumas
Pérez-Reverte, Arturo, 2013. El francotirador paciente (Madrid: Alfaguara).
El francotirador paciente
Ramón García, Emilio, 2014. ‘Miradas noir de Barcelona: desde Vázquez Montalbán y Mendoza a Riera’, Dicenda. Cuadernos de Filología Hispánica, 32: 313–40.
Miradas noir de Barcelona: desde Vázquez Montalbán y Mendoza a Riera
Dicenda. Cuadernos de Filología Hispánica
32
313
40
Robertson, Roland, 1995, ‘Glocalization: Time–Space and Homogeneity–Heterogeneity’, en Global Modernities, ed. Mike Featherstone, Scott Lash y Roland Robertson (Londres: Sage), pp. 25–44.
Glocalization: Time–Space and Homogeneity–Heterogeneity
Global Modernities
25
44
Said, Edward, 1989. ‘Representing the Colonized: Anthropology’s Interlocutors’, Critical Inquiry, 15: 207–17.
Representing the Colonized: Anthropology’s Interlocutors
Critical Inquiry
15
207
17
Salinger, J. D., 1978. El guardián entre el centeno, trad. Manuel Mendez de Andes de The Catcher in the Rye, Nueva York: Little, Brown, 1951 (Barcelona: Edhesa).
El guardián entre el centeno
Santana, Mario, 2000, ‘Manuel Vázquez Montalbán’s Los mares del Sur and the Incrimination of the Spanish Transition’, Revista de Estudios Hispánicos, 34.3: 535–59.
Manuel Vázquez Montalbán’s Los mares del Sur and the Incrimination of the Spanish Transition
Revista de Estudios Hispánicos
34.3
535
59
Todorov, Tzvetan, 1977. ‘The Typology of Detective Fiction’, en The Poetics of Prose, trad. Richard Howard (Ithaca, NY: Cornell University Press), pp. 42–52.
The Typology of Detective Fiction
The Poetics of Prose
42
52
Tomasi di Lampedusa, Guiseppe, 1984. El gatopardo, trad. Fernando Gutiérrez de Il Gattopardo, Milano: Feltrinelli, 1958 (Barcelona: Seix Barral, 1984).
El gatopardo
Tsuchiya Akiko, 2001. ‘Discourse and the Strategies of Power in Carme Riera’s En el último azul: A Cultural Analysis of the Inquisition’, Journal of Iberian and Latin American Studies, 7.1: 77–84.
Discourse and the Strategies of Power in Carme Riera’s En el último azul: A Cultural Analysis of the Inquisition
Journal of Iberian and Latin American Studies
7.1
77
84
West, Cornel, 1995. ‘A Matter of Life and Death’, en The Identity in Question, ed. John Rajchman (Nueva York: Routledge), pp. 15–19.
A Matter of Life and Death
The Identity in Question
15
19