Music, Sound, and the Moving Image

Kassabian, Anahid (2013) Ubiquitous Listening, Berkeley and London: University of California Press Ubiquitous Listening Google Scholar

Altman, Rick (1987) The American Film Musical, Bloomington: Indiana University Press The American Film Musical Google Scholar

Glynn, Stephen (2004) A Hard Day’s Night, London: I.B. Tauris A Hard Day’s Night Google Scholar

Eisler, Hans and Theodor Adorno (2007) [1947] Composing for the Films, London: Continuum Composing for the Films Google Scholar

Flinn, Caryl (1992) Strains of Utopia: Gender, Nostalgia and the Hollywood Film, Princeton, NJ: Princeton University Press Strains of Utopia: Gender, Nostalgia and the Hollywood Film Google Scholar

Gorbman, Claudia (1987) Unheard Melodies: Narrative Film Music, London: BFI Unheard Melodies: Narrative Film Music Google Scholar

Kalinak, Kathryn (1992) Settling the Score: Music and the Classical Hollywood Film, Madison: University of Wisconsin Press Settling the Score: Music and the Classical Hollywood Film Google Scholar

Kassabian, Anahid (2001) Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music, London: Routledge Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music Google Scholar

Lerner, Neil (2004) ‘Nostalgia, Masculinist Discourse and Authoritarianism in John Williams’ Scores for Star Wars and Close Encounters of the Third Kind’ in Philip Hayward (ed.) Off the Planet: Music, Sound and Science Fiction Cinema, Eastleigh: John Libbey, pp. 96–108 Nostalgia, Masculinist Discourse and Authoritarianism in John Williams’ Scores for Star Wars and Close Encounters of the Third Kind’ Off the Planet: Music, Sound and Science Fiction Cinema 96 108 Google Scholar

Cooke, Mervyn (2008) A History of Film Music, New York: Cambridge University Press A History of Film Music Google Scholar

Wierzbicki, James (2009) Film Music: A History, New York and London: Routledge Film Music: A History Google Scholar

Kassabian, Anahid (2013) Ubiquitous Listening, Berkeley and London: University of California Press Ubiquitous Listening Google Scholar

Altman, Rick (1987) The American Film Musical, Bloomington: Indiana University Press The American Film Musical Google Scholar

Glynn, Stephen (2004) A Hard Day’s Night, London: I.B. Tauris A Hard Day’s Night Google Scholar

Eisler, Hans and Theodor Adorno (2007) [1947] Composing for the Films, London: Continuum Composing for the Films Google Scholar

Flinn, Caryl (1992) Strains of Utopia: Gender, Nostalgia and the Hollywood Film, Princeton, NJ: Princeton University Press Strains of Utopia: Gender, Nostalgia and the Hollywood Film Google Scholar

Gorbman, Claudia (1987) Unheard Melodies: Narrative Film Music, London: BFI Unheard Melodies: Narrative Film Music Google Scholar

Kalinak, Kathryn (1992) Settling the Score: Music and the Classical Hollywood Film, Madison: University of Wisconsin Press Settling the Score: Music and the Classical Hollywood Film Google Scholar

Kassabian, Anahid (2001) Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music, London: Routledge Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music Google Scholar

Lerner, Neil (2004) ‘Nostalgia, Masculinist Discourse and Authoritarianism in John Williams’ Scores for Star Wars and Close Encounters of the Third Kind’ in Philip Hayward (ed.) Off the Planet: Music, Sound and Science Fiction Cinema, Eastleigh: John Libbey, pp. 96–108 Nostalgia, Masculinist Discourse and Authoritarianism in John Williams’ Scores for Star Wars and Close Encounters of the Third Kind’ Off the Planet: Music, Sound and Science Fiction Cinema 96 108 Google Scholar

Cooke, Mervyn (2008) A History of Film Music, New York: Cambridge University Press A History of Film Music Google Scholar

Wierzbicki, James (2009) Film Music: A History, New York and London: Routledge Film Music: A History Google Scholar