Music, Sound, and the Moving Image

Fifty Years of British Music video

Music, Sound, and the Moving Image (2017), 11, (1), 1–9.

Abstract

This article was published open access under a CC BY license https://creativecommons.org/licenses/by/4.0/

Fifty Years of British Music video

Abstract

This article was published open access under a CC BY license https://creativecommons.org/licenses/by/4.0/

Aust, Michael P. & Kothenschulte, Daniel (2011) The Art of the Pop Video. Koln: Distanz. The Art of the Pop Video Google Scholar

Austerlitz, Saul (2008) Money for Nothing: A History of the Music Video from the Beatles to the White Stripes. New York: Continuum. Money for Nothing: A History of the Music Video from the Beatles to the White Stripes Google Scholar

Banks, Jack (1996) Monopoly Television: MTV’s Quest to Control the Music. Colorado: Westview Press. Monopoly Television: MTV’s Quest to Control the Music Google Scholar

Barron, Steve (2014) Egg n Chips & Billie Jean: A Trip Through the Eighties. CreateSpace Independent Publishing Platform. Egg n Chips & Billie Jean: A Trip Through the Eighties Google Scholar

Bechky, Beth A. (2006) ‘Gaffers, Gofers, and Grips: Role-Based Coordination in Temporary Organizations’, Organization Science, 17 (1), pp.3–12. Gaffers, Gofers, and Grips: Role-Based Coordination in Temporary Organizations Organization Science 17 3 12 Google Scholar

Born, Georgina (2004) Uncertain Vision: Birt, Dyke and the Reinvention of the BBC. London: Secker & Warburg. Uncertain Vision: Birt, Dyke and the Reinvention of the BBC Google Scholar

Born, Georgina (2010) ‘The social and the aesthetic: for a post-Bourdieuian theory of cultural production’, Cultural Sociology, 4(2), pp.171–208. The social and the aesthetic: for a post-Bourdieuian theory of cultural production Cultural Sociology 4 171 208 Google Scholar

Caldwell, John Thornton (2008) Production Culture: Industrial Reflexivity and Critical Practice in Film and Television. Durham and London: Duke University Press. Production Culture: Industrial Reflexivity and Critical Practice in Film and Television Google Scholar

Caldwell, John Thornton (2009) ‘“Both Sides of the Fence”: Blurred Distinctions in Scholarship and Production (a Portfolio of Interviews)’. In: Mayer, Vicky, Banks, Miranda J & Caldwell, John T. (eds). Production Studies: Cultural Studies of Media Industries. New York: Routledge, pp.214–216. “Both Sides of the Fence”: Blurred Distinctions in Scholarship and Production (a Portfolio of Interviews) Production Studies: Cultural Studies of Media Industries 214 216 Google Scholar

Caldwell, John Thornton (2014) ‘Para-Industry, Shadow Academy’, Cultural Studies, 28 (4), pp.720–740. Para-Industry, Shadow Academy Cultural Studies 28 720 740 Google Scholar

Caston, Emily, Parti, Nisha, Walker, Nijico & Sutton, Carrie (2000) ‘Report on the Music Video Industry in 1998 and 1999’, Promo, April, pp.6–7. Report on the Music Video Industry in 1998 and 1999 Promo 6 7 Google Scholar

Denisoff, R. Serge (1987) Inside MTV. New Brunswick: Transaction Publishers. Inside MTV Google Scholar

Donnelly, Kevin (2007) ‘Experimental Music Video and Television’. In: Mulvey, Laura & Sexton, Jamie (eds). Experimental British Television. Manchester: Manchester University Press, pp.166–179. Experimental Music Video and Television Experimental British Television 166 179 Google Scholar

Fletcher, Winston (2008) Powers of Persuasion: The Inside Story of British Advertising. Oxford: Oxford University Press. Powers of Persuasion: The Inside Story of British Advertising Google Scholar

Grainge, Paul & Johnson, Catherine (2015) Promotional Screen Industries. London and New York: Routledge. Promotional Screen Industries Google Scholar

Hesmondhalgh, David (2007) The Cultural Industries. London: Sage. The Cultural Industries Google Scholar

Hesmondhalgh, David (2014) ‘The Menace of Instrumentalism in Media Industries Research and Education’, Media Industries Journal, 1 (1), pp.21–26. The Menace of Instrumentalism in Media Industries Research and Education Media Industries Journal 1 21 26 Google Scholar

Hesmondhalgh, David & Baker, Sarah (2011) Creative Labour: Media Work in Three Cultural Industries. Abingdon, Oxon: Routledge. Creative Labour: Media Work in Three Cultural Industries Google Scholar

Hutton, Will, O’Keeffe, Áine, Schneider, Phillipe, Andari, Robert & Bakhshi, Hasan (2007) Staying Ahead: The Economic Performance of the UK’s Creative Industries. London: DCMS. Staying Ahead: The Economic Performance of the UK’s Creative Industries Google Scholar

Mayer, Vicky, Banks, Miranda J., & Caldwell, John T. (eds) (2009) Production Studies: Cultural Studies of Media Industries. New York: Routledge. Production Studies: Cultural Studies of Media Industries Google Scholar

Negus, Keith (1992) Producing Pop: Culture and Conflict in the Popular Music Industry, New York: Oxford University Press. Producing Pop: Culture and Conflict in the Popular Music Industry Google Scholar

Negus, Keith (1997) ‘The Production of Culture’. In: Du Gay, Paul (ed.). Production of Culture / Cultures of Production. London: Sage Publications, pp.67–118. The Production of Culture Production of Culture / Cultures of Production 67 118 Google Scholar

Negus, Keith (1999) Music Genres and Corporate Cultures. London: Routledge. Music Genres and Corporate Cultures Google Scholar

Negus, Keith & Pickering, Michael J. (2004) Creativity, Communication and Cultural Value. London: Sage. Creativity, Communication and Cultural Value Google Scholar

Railton, Diane & Watson, Paul (2011) Music Video and the Politics of Representation. Edinburgh: Edinburgh University Press. Music Video and the Politics of Representation Google Scholar

Schwartz, Lara M. (2007) Making Music Videos: Everything You Need to Know from the Best in the Business. New York: Watson-Guptill. Making Music Videos: Everything You Need to Know from the Best in the Business Google Scholar

Vernallis, Carol (2001) ‘The Kindest Cut: Functions and Meanings of Music Video Editing’, Screen, 42 (1), pp.21–48. The Kindest Cut: Functions and Meanings of Music Video Editing Screen 42 21 48 Google Scholar

Vernallis, Carol (2002) ‘The Functions of Lyrics in Music Video’, Journal of Popular Music Studies, 14 (1), pp.11–31. The Functions of Lyrics in Music Video Journal of Popular Music Studies 14 11 31 Google Scholar

Vernallis, Carol (2004) Experiencing Music Video: Aesthetics and Cultural Context. New York: Columbia University Press. Experiencing Music Video: Aesthetics and Cultural Context Google Scholar

Vernallis, Carol (2007) ‘Strange People, Weird Objects: The Nature of Narrativity, Character, and Editing in Music Videos’. In: Beebe, Roger & Middleton, Jason (eds). Medium Cool: Music Videos from Soundies to Cellphones. Durham & London: Duke University Press, pp.303–328. Strange People, Weird Objects: The Nature of Narrativity, Character, and Editing in Music Videos Medium Cool: Music Videos from Soundies to Cellphones 303 328 Google Scholar

Vernallis, Carol (2008) ‘Music Video, Songs, Sound: Experience, Technique and Emotion in Eternal Sunshine of the Spotless Mind’, Screen, 49 (3), pp.277–297. Music Video, Songs, Sound: Experience, Technique and Emotion in Eternal Sunshine of the Spotless Mind Screen 49 277 297 Google Scholar

Vernallis, Carol (2013a) Unruly Media: YouTube, Music Video and the New Digital Cinema. Oxford: Oxford University Press. Unruly Media: YouTube, Music Video and the New Digital Cinema Google Scholar

Vernallis, Carol (2013b) ‘Music Video’s Second Aesthetic?’. In: Richardson, John, Gorbman, Claudia, & Vernallis, Carol (eds). The Oxford Handbook of New Audiovisual Aesthetics. Oxford: Oxford University Press, pp.437–465. Music Video’s Second Aesthetic? The Oxford Handbook of New Audiovisual Aesthetics 437 465 Google Scholar

Aust, Michael P. & Kothenschulte, Daniel (2011) The Art of the Pop Video. Koln: Distanz. The Art of the Pop Video Google Scholar

Austerlitz, Saul (2008) Money for Nothing: A History of the Music Video from the Beatles to the White Stripes. New York: Continuum. Money for Nothing: A History of the Music Video from the Beatles to the White Stripes Google Scholar

Banks, Jack (1996) Monopoly Television: MTV’s Quest to Control the Music. Colorado: Westview Press. Monopoly Television: MTV’s Quest to Control the Music Google Scholar

Barron, Steve (2014) Egg n Chips & Billie Jean: A Trip Through the Eighties. CreateSpace Independent Publishing Platform. Egg n Chips & Billie Jean: A Trip Through the Eighties Google Scholar

Bechky, Beth A. (2006) ‘Gaffers, Gofers, and Grips: Role-Based Coordination in Temporary Organizations’, Organization Science, 17 (1), pp.3–12. Gaffers, Gofers, and Grips: Role-Based Coordination in Temporary Organizations Organization Science 17 3 12 Google Scholar

Born, Georgina (2004) Uncertain Vision: Birt, Dyke and the Reinvention of the BBC. London: Secker & Warburg. Uncertain Vision: Birt, Dyke and the Reinvention of the BBC Google Scholar

Born, Georgina (2010) ‘The social and the aesthetic: for a post-Bourdieuian theory of cultural production’, Cultural Sociology, 4(2), pp.171–208. The social and the aesthetic: for a post-Bourdieuian theory of cultural production Cultural Sociology 4 171 208 Google Scholar

Caldwell, John Thornton (2008) Production Culture: Industrial Reflexivity and Critical Practice in Film and Television. Durham and London: Duke University Press. Production Culture: Industrial Reflexivity and Critical Practice in Film and Television Google Scholar

Caldwell, John Thornton (2009) ‘“Both Sides of the Fence”: Blurred Distinctions in Scholarship and Production (a Portfolio of Interviews)’. In: Mayer, Vicky, Banks, Miranda J & Caldwell, John T. (eds). Production Studies: Cultural Studies of Media Industries. New York: Routledge, pp.214–216. “Both Sides of the Fence”: Blurred Distinctions in Scholarship and Production (a Portfolio of Interviews) Production Studies: Cultural Studies of Media Industries 214 216 Google Scholar

Caldwell, John Thornton (2014) ‘Para-Industry, Shadow Academy’, Cultural Studies, 28 (4), pp.720–740. Para-Industry, Shadow Academy Cultural Studies 28 720 740 Google Scholar

Caston, Emily, Parti, Nisha, Walker, Nijico & Sutton, Carrie (2000) ‘Report on the Music Video Industry in 1998 and 1999’, Promo, April, pp.6–7. Report on the Music Video Industry in 1998 and 1999 Promo 6 7 Google Scholar

Denisoff, R. Serge (1987) Inside MTV. New Brunswick: Transaction Publishers. Inside MTV Google Scholar

Donnelly, Kevin (2007) ‘Experimental Music Video and Television’. In: Mulvey, Laura & Sexton, Jamie (eds). Experimental British Television. Manchester: Manchester University Press, pp.166–179. Experimental Music Video and Television Experimental British Television 166 179 Google Scholar

Fletcher, Winston (2008) Powers of Persuasion: The Inside Story of British Advertising. Oxford: Oxford University Press. Powers of Persuasion: The Inside Story of British Advertising Google Scholar

Grainge, Paul & Johnson, Catherine (2015) Promotional Screen Industries. London and New York: Routledge. Promotional Screen Industries Google Scholar

Hesmondhalgh, David (2007) The Cultural Industries. London: Sage. The Cultural Industries Google Scholar

Hesmondhalgh, David (2014) ‘The Menace of Instrumentalism in Media Industries Research and Education’, Media Industries Journal, 1 (1), pp.21–26. The Menace of Instrumentalism in Media Industries Research and Education Media Industries Journal 1 21 26 Google Scholar

Hesmondhalgh, David & Baker, Sarah (2011) Creative Labour: Media Work in Three Cultural Industries. Abingdon, Oxon: Routledge. Creative Labour: Media Work in Three Cultural Industries Google Scholar

Hutton, Will, O’Keeffe, Áine, Schneider, Phillipe, Andari, Robert & Bakhshi, Hasan (2007) Staying Ahead: The Economic Performance of the UK’s Creative Industries. London: DCMS. Staying Ahead: The Economic Performance of the UK’s Creative Industries Google Scholar

Mayer, Vicky, Banks, Miranda J., & Caldwell, John T. (eds) (2009) Production Studies: Cultural Studies of Media Industries. New York: Routledge. Production Studies: Cultural Studies of Media Industries Google Scholar

Negus, Keith (1992) Producing Pop: Culture and Conflict in the Popular Music Industry, New York: Oxford University Press. Producing Pop: Culture and Conflict in the Popular Music Industry Google Scholar

Negus, Keith (1997) ‘The Production of Culture’. In: Du Gay, Paul (ed.). Production of Culture / Cultures of Production. London: Sage Publications, pp.67–118. The Production of Culture Production of Culture / Cultures of Production 67 118 Google Scholar

Negus, Keith (1999) Music Genres and Corporate Cultures. London: Routledge. Music Genres and Corporate Cultures Google Scholar

Negus, Keith & Pickering, Michael J. (2004) Creativity, Communication and Cultural Value. London: Sage. Creativity, Communication and Cultural Value Google Scholar

Railton, Diane & Watson, Paul (2011) Music Video and the Politics of Representation. Edinburgh: Edinburgh University Press. Music Video and the Politics of Representation Google Scholar

Schwartz, Lara M. (2007) Making Music Videos: Everything You Need to Know from the Best in the Business. New York: Watson-Guptill. Making Music Videos: Everything You Need to Know from the Best in the Business Google Scholar

Vernallis, Carol (2001) ‘The Kindest Cut: Functions and Meanings of Music Video Editing’, Screen, 42 (1), pp.21–48. The Kindest Cut: Functions and Meanings of Music Video Editing Screen 42 21 48 Google Scholar

Vernallis, Carol (2002) ‘The Functions of Lyrics in Music Video’, Journal of Popular Music Studies, 14 (1), pp.11–31. The Functions of Lyrics in Music Video Journal of Popular Music Studies 14 11 31 Google Scholar

Vernallis, Carol (2004) Experiencing Music Video: Aesthetics and Cultural Context. New York: Columbia University Press. Experiencing Music Video: Aesthetics and Cultural Context Google Scholar

Vernallis, Carol (2007) ‘Strange People, Weird Objects: The Nature of Narrativity, Character, and Editing in Music Videos’. In: Beebe, Roger & Middleton, Jason (eds). Medium Cool: Music Videos from Soundies to Cellphones. Durham & London: Duke University Press, pp.303–328. Strange People, Weird Objects: The Nature of Narrativity, Character, and Editing in Music Videos Medium Cool: Music Videos from Soundies to Cellphones 303 328 Google Scholar

Vernallis, Carol (2008) ‘Music Video, Songs, Sound: Experience, Technique and Emotion in Eternal Sunshine of the Spotless Mind’, Screen, 49 (3), pp.277–297. Music Video, Songs, Sound: Experience, Technique and Emotion in Eternal Sunshine of the Spotless Mind Screen 49 277 297 Google Scholar

Vernallis, Carol (2013a) Unruly Media: YouTube, Music Video and the New Digital Cinema. Oxford: Oxford University Press. Unruly Media: YouTube, Music Video and the New Digital Cinema Google Scholar

Vernallis, Carol (2013b) ‘Music Video’s Second Aesthetic?’. In: Richardson, John, Gorbman, Claudia, & Vernallis, Carol (eds). The Oxford Handbook of New Audiovisual Aesthetics. Oxford: Oxford University Press, pp.437–465. Music Video’s Second Aesthetic? The Oxford Handbook of New Audiovisual Aesthetics 437 465 Google Scholar


Details

Author details

Caston, Emily

Smith, Justin