Science Fiction Film & Television

Review article

Martian montage: Chris Marker's sf

Science Fiction Film & Television (2012), 5, (2), 273–286.

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Ballard, J. G. ‘La jetée’. A User's Guide to the Millennium: Essays and Reviews. London: HarperCollins, 1996. 28-9. A User's Guide to the Millennium: Essays and Reviews 28 9 Google Scholar

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Derrida, Jacques. The Animal That Therefore I Am. New York: Fordham UP, 2008. The Animal That Therefore I Am Google Scholar

Hirsch, Joshua. After Image: Film, Trauma and the Holocaust. Philadelphia: Temple UP, 2004. After Image: Film, Trauma and the Holocaust Google Scholar

Jameson, Fredric. Archaeologies of the Future: The Desire Called Utopia and Other Science Fictions. London: Verso, 2007. Archaeologies of the Future: The Desire Called Utopia and Other Science Fictions Google Scholar

Lupton, Catherine. Chris Marker: Memories of the Future. London: Reaktion, 2005. Chris Marker: Memories of the Future Google Scholar

Marker, Chris. ‘Sixties’. Critical Inquiry 50.3 (2008): 26-32. [Text reproduces the liner notes written for the new release of A Grin without a Cat.] ‘Sixties’ Critical Inquiry 50 26 32 Google Scholar

Murray, Timothy. ‘Wounds of Repetition in the Age of the Digital: Chris Marker's Cinematic Ghosts’. Cultural Critique 46 (2000): 102-23. ‘Wounds of Repetition in the Age of the Digital: Chris Marker's Cinematic Ghosts’ Cultural Critique 46 102 23 Google Scholar

Pratt, Mary Louise. Imperial Eyes: Writing and Transculturation. 2nd edn. London: Routledge, 2007. Imperial Eyes: Writing and Transculturation Google Scholar

Rascaroli, Laura. The Personal Camera: Subjective Cinema and the Essay Film. London: Wallflower, 2009. The Personal Camera: Subjective Cinema and the Essay Film Google Scholar

Renov, Michael. The Subject of Documentary. Minneapolis: U of Minnesota P, 2004. The Subject of Documentary Google Scholar

Vint, Sherryl. Animal Alterity: Science Fiction and the Question of the Animal. Liverpool: Liverpool UP, 2010. Animal Alterity: Science Fiction and the Question of the Animal Google Scholar

Walker, Janet. Trauma Cinema: Documenting Incest and the Holocaust. Berkeley: U of California P, 2005. Trauma Cinema: Documenting Incest and the Holocaust Google Scholar

Ballard, J. G. ‘La jetée’. A User's Guide to the Millennium: Essays and Reviews. London: HarperCollins, 1996. 28-9. A User's Guide to the Millennium: Essays and Reviews 28 9 Google Scholar

Bazin, André. ‘Letter from Siberia’ Review (1958). Reprinted Film Comment (July 2003): 44-5. Google Scholar

Bloch, Ernst. The Principle of Hope. Trans. N. Plaice, S. Plaice and P. Knight. 3 vols. Oxford: Blackwell, 1986. The Principle of Hope 3 Google Scholar

Corrigan, Timothy. The Essay Film from Montaigne, after Marker. Oxford: Oxford UP, 2011. The Essay Film from Montaigne, after Marker Google Scholar

Csicsery-Ronay, Jr, Istvan. The Seven Beauties of Science Fiction. Middleton: Wesleyan UP, 2008. The Seven Beauties of Science Fiction Google Scholar

Derrida, Jacques. ‘Archive Fever: A Freudian Impression’. Diacritics 25.2 (1995): 9-63. ‘Archive Fever: A Freudian Impression’ Diacritics 25 9 63 Google Scholar

Derrida, Jacques. The Animal That Therefore I Am. New York: Fordham UP, 2008. The Animal That Therefore I Am Google Scholar

Hirsch, Joshua. After Image: Film, Trauma and the Holocaust. Philadelphia: Temple UP, 2004. After Image: Film, Trauma and the Holocaust Google Scholar

Jameson, Fredric. Archaeologies of the Future: The Desire Called Utopia and Other Science Fictions. London: Verso, 2007. Archaeologies of the Future: The Desire Called Utopia and Other Science Fictions Google Scholar

Lupton, Catherine. Chris Marker: Memories of the Future. London: Reaktion, 2005. Chris Marker: Memories of the Future Google Scholar

Marker, Chris. ‘Sixties’. Critical Inquiry 50.3 (2008): 26-32. [Text reproduces the liner notes written for the new release of A Grin without a Cat.] ‘Sixties’ Critical Inquiry 50 26 32 Google Scholar

Murray, Timothy. ‘Wounds of Repetition in the Age of the Digital: Chris Marker's Cinematic Ghosts’. Cultural Critique 46 (2000): 102-23. ‘Wounds of Repetition in the Age of the Digital: Chris Marker's Cinematic Ghosts’ Cultural Critique 46 102 23 Google Scholar

Pratt, Mary Louise. Imperial Eyes: Writing and Transculturation. 2nd edn. London: Routledge, 2007. Imperial Eyes: Writing and Transculturation Google Scholar

Rascaroli, Laura. The Personal Camera: Subjective Cinema and the Essay Film. London: Wallflower, 2009. The Personal Camera: Subjective Cinema and the Essay Film Google Scholar

Renov, Michael. The Subject of Documentary. Minneapolis: U of Minnesota P, 2004. The Subject of Documentary Google Scholar

Vint, Sherryl. Animal Alterity: Science Fiction and the Question of the Animal. Liverpool: Liverpool UP, 2010. Animal Alterity: Science Fiction and the Question of the Animal Google Scholar

Walker, Janet. Trauma Cinema: Documenting Incest and the Holocaust. Berkeley: U of California P, 2005. Trauma Cinema: Documenting Incest and the Holocaust Google Scholar

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Luckhurst, Roger