Bataille, Georges. ‘The Meaning of General Economy’. Trans. Robert Hurley. The Accursed Share: Vol. 1 Consumption. Cambridge: Zone, 1991. 19-41.
The Accursed Share: Vol. 1 Consumption
19
41
Ellington, Annlee. ‘The Cell’. Boxoffice 136 (1 Oct 2000): 72.
‘The Cell’
Boxoffice
136
72
Foucault, Michel. ‘Man and His Doubles’. The Order of Things: An Archaeology of the Human Sciences. New York: Routledge, 2002. 330-75.
The Order of Things: An Archaeology of the Human Sciences
330
75
Foucault, Michel. Abnormal. Trans. Graham Burchell. New York: Verso, 2003.
Abnormal
Kassabian, Anahid. ‘Point of Audition in The Cell’. Lowering the Boom. Ed. Jay Beck and Tony Grajeda. Chicago: U of Illinois P, 2008. 299-305.
Lowering the Boom
299
305
Latour, Bruno. We Have Never Been Modern. Trans. Catherine Porter. Cambridge: Harvard UP, 1993.
We Have Never Been Modern
Martin-Jones, David. ‘Movement-images, Time-images and Hybrid Images in Cinema’. Deleuze Reframed. Ed. Damian Sutton and David Martin-Jones. London: I. B. Tauris & Co. Ltd, 2008. 91-106.
Deleuze Reframed
91
106
Tuck, Greg. ‘"It is only because I love you that I can kill you": The Madonna, Mother Love and Infanticide in The Cell (Tarsem Singh: USA, 1998)’. Cinemascope - Independent Film Journal 4 (Jan-Apr 2006): 1-9.
‘"It is only because I love you that I can kill you": The Madonna, Mother Love and Infanticide in The Cell (Tarsem Singh: USA, 1998)’
Cinemascope - Independent Film Journal
4
1
9
Bataille, Georges. ‘The Meaning of General Economy’. Trans. Robert Hurley. The Accursed Share: Vol. 1 Consumption. Cambridge: Zone, 1991. 19-41.
The Accursed Share: Vol. 1 Consumption
19
41
Ellington, Annlee. ‘The Cell’. Boxoffice 136 (1 Oct 2000): 72.
‘The Cell’
Boxoffice
136
72
Foucault, Michel. ‘Man and His Doubles’. The Order of Things: An Archaeology of the Human Sciences. New York: Routledge, 2002. 330-75.
The Order of Things: An Archaeology of the Human Sciences
330
75
Foucault, Michel. Abnormal. Trans. Graham Burchell. New York: Verso, 2003.
Abnormal
Kassabian, Anahid. ‘Point of Audition in The Cell’. Lowering the Boom. Ed. Jay Beck and Tony Grajeda. Chicago: U of Illinois P, 2008. 299-305.
Lowering the Boom
299
305
Latour, Bruno. We Have Never Been Modern. Trans. Catherine Porter. Cambridge: Harvard UP, 1993.
We Have Never Been Modern
Martin-Jones, David. ‘Movement-images, Time-images and Hybrid Images in Cinema’. Deleuze Reframed. Ed. Damian Sutton and David Martin-Jones. London: I. B. Tauris & Co. Ltd, 2008. 91-106.
Deleuze Reframed
91
106
Tuck, Greg. ‘"It is only because I love you that I can kill you": The Madonna, Mother Love and Infanticide in The Cell (Tarsem Singh: USA, 1998)’. Cinemascope - Independent Film Journal 4 (Jan-Apr 2006): 1-9.
‘"It is only because I love you that I can kill you": The Madonna, Mother Love and Infanticide in The Cell (Tarsem Singh: USA, 1998)’
Cinemascope - Independent Film Journal
4
1
9