Abaius, Cole. ‘Hollywood Studios Are Outsourcing Audience Jobs to China’. Film School Rejects, 26 Mar 2012. www.filmschoolrejects.com/news. Accessed 16 May 2012. www.filmschoolrejects.com/news
‘Hollywood Studios Are Outsourcing Audience Jobs to China’
Film School Rejects
Abrams, Rachel. ‘China's Film Quota Cracked: Hollywood Sees China Move as First Step’. Variety, 20 Feb 2012. www.variety.com/article. Accessed 16 May 2012. www.variety.com/article
‘China's Film Quota Cracked: Hollywood Sees China Move as First Step’
Variety
Anderson, Chris. ‘John Carter: China Box Office Surprisingly Strong’. The Huffington Post, 29 Mar 2012. www.huffingtonpost.com/2012/03/29. Accessed 28 Oct 2012. www.huffingtonpost.com/2012/03/29
‘John Carter: China Box Office Surprisingly Strong’
The Huffington Post
Berry, Chris. ‘The Sacred, the Profane, and the Domestic in Cui Zi'en's Cinema’. Positions 12.1 (2004): 195-201.
‘The Sacred, the Profane, and the Domestic in Cui Zi'en's Cinema’
Positions
12
195
201
Bombourg, Nicolas. ‘China Film Industry Report, 2011’. PR Newswire, 27 Sep 2011. www.prnewswire.com/news-releases. Accessed 26 Oct 2012. www.prnewswire.com/news-releases
‘China Film Industry Report, 2011’
PR Newswire
Brown, Todd. ‘Three Years and a Hundred and Thirty Million Dollars Later, All We Get Is Olga Kurylenko with a Shell on Her Head. First Trailer for Fantasy Fiasco Empires of the Deep’. Twitch, 23 Oct 2012. http://twitchfilm.com. Accessed 23 Oct 2012. http://twitchfilm.com
‘Three Years and a Hundred and Thirty Million Dollars Later, All We Get Is Olga Kurylenko with a Shell on Her Head. First Trailer for Fantasy Fiasco Empires of the Deep’
Twitch
Cain, Robert. ‘Hey, You've Got to Hide Your @#!* Away: The Rules of Film Censorship in China’. China Film Biz, 27 Nov 2011. http://chinafilmbiz.wordpress.com. Accessed 17 May 2012. http://chinafilmbiz.wordpress.com
‘Hey, You've Got to Hide Your @#!* Away: The Rules of Film Censorship in China’
China Film Biz
Cain, Robert. ‘What Types of Films Over-Perform in China?’ China Film Biz, 4 Dec 2011. http://chinafilmbiz.wordpress.com. Accessed 17 May 2012. http://chinafilmbiz.wordpress.com
‘What Types of Films Over-Perform in China?’
China Film Biz
Child, Ben. ‘Can Kung Fu Cyborg kick Transformers’ arse?' The Guardian, 29 Jul 2009. www.guardian.co.uk/film/filmblog/2009/jul/29. Accessed 28 Oct 2012. www.guardian.co.uk/film/filmblog/2009/jul/29
‘Can Kung Fu Cyborg kick Transformers’ arse?'
The Guardian
‘China box office takings top $2bn in 2011’. BBC, 2 Feb 2012. http://www.bbc.co.uk/news
Chu, Yiu-Wai. ‘One Country True Cultures? Post-1997 Hong Kong Cinema and co-productions’. Hong Kong Culture: Word and Image. Ed. Kam Louie. Hong Kong: Hong Kong UP, 2010. 131-46.
Hong Kong Culture: Word and Image
131
46
Cui, Shuqin. ‘Dislocation’. Encyclopedia of Chinese Film. Ed. Yingjin Zhang and Zhiwei Xiao. London: Routledge, 1998. 143.
Encyclopedia of Chinese Film
143
Eagan, Daniel. ‘Hollywood Goes to China’. The Smithsonian, 10 May 2012. http://blogs.smithsonianmag.com/movies/2012/05. Accessed 16 May 2012. http://blogs.smithsonianmag.com/movies/2012/05
‘Hollywood Goes to China’
The Smithsonian
Goldberg, Matt. ‘Trailer for Empires of the Deep or "How to Throw Away $130 Million"’. Collider, 23 Oct 2012. http://collider.com. Accessed 26 Oct 2012. http://collider.com
‘Trailer for Empires of the Deep or "How to Throw Away $130 Million"’
Collider
Horn, John, and Dan Levin. ‘DVD pirates running rampant in China’. Los Angeles Times, 22 March 2012. http://articles.latimes.com/2011/mar/22. Accessed 16 May 2012. http://articles.latimes.com/2011/mar/22
‘DVD pirates running rampant in China’
Los Angeles Times
‘Infotainment Cannes News Letter’. Infotainment, 5 Jun 2009. www.infotainmentchina.com/09Cannes
Khoo, Olivia. ‘Remaking the Past, Interrupting the Present: The Spaces of Technology and Futurity in Contemporary Chinese Blockbusters’. Futures of Chinese Cinema: Technologies and Temporalities in Chinese Screen Cultures. Ed. Sean Metzger and Olivia Khoo. Bristol: Intellect, 2009. 241-63.
Futures of Chinese Cinema: Technologies and Temporalities in Chinese Screen Cultures
241
63
King, Geoff, and Tanya Krzywinska. Science Fiction Cinema: From Outerspace to Cyberspace. London: Wallflower, 2000.
Science Fiction Cinema: From Outerspace to Cyberspace
Kuoshu, Harry K. Metro Movies: Cinematic Urbanism in Post-Mao China. Carbondale and Edwardsville: Southern Illinois UP, 2009.
Metro Movies: Cinematic Urbanism in Post-Mao China
Landreth, Jonathon. ‘China Bans Time Travel Films and Shows, Citing Disrespect of History’. The Hollywood Reporter, 13 Apr 2011. www.hollywoodreporter.com/news. Accessed 17 May 2012. www.hollywoodreporter.com/news
‘China Bans Time Travel Films and Shows, Citing Disrespect of History’
The Hollywood Reporter
Landreth, Jonathon. ‘Report: China's Top Online Search Engine Baidu Encourages Music and Movie Piracy’. The Hollywood Reporter, 1 Mar 2011. www.hollywoodreporter.com/news. Accessed 28 Oct 2012. www.hollywoodreporter.com/news
‘Report: China's Top Online Search Engine Baidu Encourages Music and Movie Piracy’
The Hollywood Reporter
Landreth, Jonathon, and Stephen Zeitchik. ‘Hollywood gripped by pressure system from China’. Los Angeles Times, 23 May 2012. www.latimes.com/entertainment/news/movies. Accessed 18 Jun 2012. www.latimes.com/entertainment/news/movies
‘Hollywood gripped by pressure system from China’
Los Angeles Times
Larson, Wendy. ‘The Fifth Generation: A Reassessment’. The Chinese Cinema Book. Ed. Song Hwee Lim and Julian Ward. London: Palgrave Macmillian, 2011. 113-21.
The Chinese Cinema Book
113
21
Latham, Kevin. Pop Culture China! Media, Arts, and Lifestyle. Santa Barbara: ABC-CLIO, 2007.
Pop Culture China! Media, Arts, and Lifestyle
Link, Eugene P. The Uses of Literature: Life in the Socialist Chinese Literary System. Princeton: Princeton UP, 2000.
The Uses of Literature: Life in the Socialist Chinese Literary System
Lu, Sheldon. Transnational Chinese Cinemas: Identity, Nationhood, Gender. Honolulu: U of Hawaii P, 1997.
Transnational Chinese Cinemas: Identity, Nationhood, Gender
Markley, Robert. Dying Planet: Mars in Science and the Imagination. Durham: Duke UP, 2005.
Dying Planet: Mars in Science and the Imagination
Mo, Chen, and Zhiwei Xiao. ‘Chinese Underground Films: Critical Views from China’. From Underground to Independent: Alternative Film Culture in Contemporary China. Ed. Paul G. Pickowicz and Yingjin Zhang. Oxford: Rowman & Littlefield, 2006. 143-60.
From Underground to Independent: Alternative Film Culture in Contemporary China
143
60
‘The monkey and the mouse: China's film market is proving tough for foreign studios to crack’. The Economist, 28 Oct 2012. www.economist.com
Morris, Paul. ‘Deep Pockets Don't Equal Movie Success’. Global Times, 23 Jun 2010. www.globaltimes.cn/beijing/two-cents/opinion. Accessed 17 May 2012. www.globaltimes.cn/beijing/two-cents/opinion
‘Deep Pockets Don't Equal Movie Success’
Global Times
‘Olga Kurylenko joins Empires of the Deep shoot in Beijing’. Screen Daily, 27 Apr 2010. www.screendaily.com/news/asia-pacific
Pickles, Dean. ‘China's first sci-fi movie: Death Ray on Coral Island’. Asia Obscura, 4 Feb 2011. http://asiaobscura.com/2011/02. Accessed 15 May 2012. http://asiaobscura.com/2011/02
‘China's first sci-fi movie: Death Ray on Coral Island’
Asia Obscura
Pickowicz, Paul G. ‘Huang Jianxin and Postsocialism’. New Chinese Cinemas: Forms, Identities. Ed. Nick Browne, Paul G. Pickowicz, Vivian Sobchack and Esther Yau. Cambridge: Cambridge UP, 1994. 57-87.
New Chinese Cinemas: Forms, Identities
57
87
Pidd, Helen. ‘Sci-fi blockbuster Looper achieves Chinese box office first’. The Guardian, 1 Oct 2012. www.guardian.co.uk/film/2012/oct/01. Accessed 26 Oct 2012. www.guardian.co.uk/film/2012/oct/01
‘Sci-fi blockbuster Looper achieves Chinese box office first’
The Guardian
Qiao, Michelle. ‘The metaphysics of film’. China Daily, 14 Jan 2004. www.chinadaily.com.cn/en/doc/2004-01/14. Accessed 11 Jun 2012. www.chinadaily.com.cn/en/doc/2004-01/14
‘The metaphysics of film’
China Daily
‘SARFT Reiterates Film Censor Criteria’. HKTDC, 1 Apr 2008. http://info.hktdc.com
Shackleton, Liz. ‘China may "punish" Cannes duo’. Screen Daily, 1 May 2003. www.screendaily.com. Accessed 13 Jun 2012. www.screendaily.com
‘China may "punish" Cannes duo’
Screen Daily
‘Trailer: Chinese Answer to "Transformers"’. Worst Previews, 29 Jul 2009. www.worstpreviews.com
Wong, Edward. ‘James Cameron on Chinese Filmmakers, Censorship and Potential Co-Productions’. New York Times, 5 May 5. http://mediadecoder.blogs.nytimes.com/2012/05/05. Accessed 18 May 2012. http://mediadecoder.blogs.nytimes.com/2012/05/05
‘James Cameron on Chinese Filmmakers, Censorship and Potential Co-Productions’
New York Times
5
Wu, Dingbo. ‘Looking Backward: An Introduction to Chinese Science Fiction’. Science Fiction from China. Ed. Dingbo Wu and Patrick D. Murphy. New York: Praeger, 1989. xi-xli.
Science Fiction from China
xi
xli
Xia You-wen. ‘High Movie Ticket Prices Not Audiences Fuel China's Box Office’. Want China Times, 2 Feb 2011. www.wantchinatimes.com. Accessed 28 Oct 2012. www.wantchinatimes.com
‘High Movie Ticket Prices Not Audiences Fuel China's Box Office’
Want China Times
Zhang, Xiaobei. ‘A Model of "Shan Zhai" Domestic Films’. Popular Cinema 17 (2008): 10-11.
‘A Model of "Shan Zhai" Domestic Films’
Popular Cinema
17
10
11