Aidi, Hishaam (2003) ‘Let Us Be Moors: Islam, race and "connected histories"’, Middle East Report, 229: 42-53
‘Let Us Be Moors: Islam, race and "connected histories"’
Middle East Report
229
42
53
Baudrillard, Jean (1988) ‘Simulacra and Simulation’ in Mark Poster (ed.) Jean Baudrillard, Selected Writings, Stanford: Stanford University Press, pp. 166-84
Jean Baudrillard, Selected Writings
166
84
Berlant, Lauren (2008) The Female Complaint: the unfinished business of sentimentality in American culture, London: Duke University Press
The Female Complaint: the unfinished business of sentimentality in American culture
‘Bio’, The Pussycat Dolls Website http://www.pcdmusic.com/bio/default.aspx
Burkart, Patrick & McCourt, Tom (2004) ‘Infrastructure for the Celestial Jukebox’, Popular Music, 23:3: 349-62
‘Infrastructure for the Celestial Jukebox’
Popular Music
23
349
62
Carlton, Donna (1994) Looking for Little Egypt, Bloomington, IN: IDD Books
Looking for Little Egypt
Çelink, Zeynip and Kinney, Leila (1990) ‘Ethnography and Exhibitionism at the Expositions Universelles’, Assemblage, 13: 34-59
‘Ethnography and Exhibitionism at the Expositions Universelles’
Assemblage
13
34
59
Dalton, Karen C.C. & Gates Jr., Henry Louis (1998) ‘Josephine Baker and Paul Colin: Dance seen through Parisian eyes’, Critical Inquiry, 24: 903-34
‘Josephine Baker and Paul Colin: Dance seen through Parisian eyes’
Critical Inquiry
24
903
34
Desmond, Jane (1991) ‘Dancing out the Different: Cultural imperialism and Ruth St. Denis Rhada of 1906’, Signs, 17:1: 28-49
‘Dancing out the Different: Cultural imperialism and Ruth St. Denis Rhada of 1906’
Signs
17
28
49
Devine, D. (2005) ‘The Pussycat Dolls’, Western Mail, 25 November, p. 27
‘The Pussycat Dolls’
Western Mail
27
Erlewine, Stephen Thomas (2007) ‘PCD’, All Music Guide, http://www.artistdirect.com/nad/store/artist/album/0,3405543,00.html (accessed 17.10.2007) http://www.artistdirect.com/nad/store/artist/album/0,3405543,00.html
‘PCD’
All Music Guide
‘Fatima’, Venus Belly Dance http://www.venusbellydance.com/Fatima.htm
Feld, Steven (2000) ‘The Poetics and Politics of Pygmy Pop’ in Georgina Born & David Hesmondhalgh (eds) (2000) Western Music and Its Others: Difference, representation, and appropriation in music, Berkeley: University of California Press, pp. 254-79
Western Music and Its Others: Difference, representation, and appropriation in music
254
79
Frith, Simon (2000) ‘The Discourse of World Music’ in Georgina Born & David Hesmondhalgh (eds) (2000) Western Music and Its Others: Difference, representation, and appropriation in music, Berkeley: University of California Press, pp. 305-22
Western Music and Its Others: Difference, representation, and appropriation in music
305
22
Garofalo, Reebee (1993) ‘Whose World, What Beat: Transnational music industry, identity and cultural imperialism’, World of Music, 35:2: 16-32
‘Whose World, What Beat: Transnational music industry, identity and cultural imperialism’
World of Music
35
16
32
Gish, Jennifer (2007) ‘Be Sexy, but not Stripper Sexy …’, Gazette [Montreal], 21 April 2007, E12
‘Be Sexy, but not Stripper Sexy …’
Gazette [Montreal]
E12
Harrington, Richard (2006) ‘The Cat's Meow: Give the Dolls their due’, Washington Post, 21 April 2007, T06, http://www.washingtonpost.com/wp-dyn/content/article/2006/04/20/AR2006042000653.html (accessed 14.08.2012) http://www.washingtonpost.com/wp-dyn/content/article/2006/04/20/AR2006042000653.html
‘The Cat's Meow: Give the Dolls their due’
Washington Post
T06
Jameson, Fredric (1991) Postmodernism, or, The Cultural Logic of Late-Capitalism, Durham, NC: Duke University Press
Postmodernism, or, The Cultural Logic of Late-Capitalism
Kalinak, Kathryn (2000) ‘Disciplining Josephine Baker: Gender, race and the limits of disciplinarity’ in James Buhler, Caryl Flinn, & David Neumeyer (eds) Music and Cinema, London: Wesleyan University Press
Music and Cinema
‘L.A. Rocks: Eleven acts that shatter the cliché that L.A.'s a one-note town’ (2002), interview with Christina Applegate, BNET.com, November 2002 http://findarticles.com/p/articles/mi_m1285/is_10_32/ai_93211541/
Lessig, Lawrence (2008) Remix: Making art and commerce thrive in the hybrid economy, New York: Penguin Press
Remix: Making art and commerce thrive in the hybrid economy
Levine, Philippa (2000) ‘Orientalist Sociology and the Creation of Colonial Sexualities’, Feminist Review, 65: 5-21
‘Orientalist Sociology and the Creation of Colonial Sexualities’
Feminist Review
65
5
21
Levy, Ariel (2005) Female Chauvinist Pigs: Women and the rise of raunch culture, New York: Free Press
Female Chauvinist Pigs: Women and the rise of raunch culture
Locke, Ralph P. (2009) Musical Exoticism: Images and reflections, Cambridge: Cambridge University Press
Musical Exoticism: Images and reflections
Loti, Pierre (1903) India, trans. George A.F. Inman, ed. Robert Harborough Sherard, London: T. Werner Laurie
India
Maira, Sunaina (2008) ‘Belly Dancing: Arab-face, Orientalist feminism, and U.S. empire’, American Quarterly, 60:2: 317-45
‘Belly Dancing: Arab-face, Orientalist feminism, and U.S. empire’
American Quarterly
60
317
45
‘Meet the New Pussycat Dolls! Girls will Debut at Super Bowl 2012’ (2012), 2 February, in International Business Times.com http://www.ibtimes.com/articles/291869/20120202/pussycat-dolls-photo-super-bowl-2012-go.htm
Musser, Charles (1997) Edison Motion Pictures, 1890-1900: an annotated filmography, Washington DC: Smithsonian Institution Press
Edison Motion Pictures, 1890-1900: an annotated filmography
‘The Official Adam Carolla Show Blog’ (2007), 13 March http://adamradio.wordpress.com/2007/03/13/adam-with-annie-laurie-gaylor-dr-gary-alter-robin-antin-%E2%80%93-march-13-2007
Pensado, David (2006) ‘Secrets of the Mix Engineer’, Sound on Sound.com, http://www.soundonsound.com/sos/jan07/articles/insidetrack_0107.htm (accessed 19.10.2007) http://www.soundonsound.com/sos/jan07/articles/insidetrack_0107.htm
‘Secrets of the Mix Engineer’
Sound on Sound.com
‘Pussycat Dolls’, Artist Direct.com http://www.artistdirect.com/nad/store/artist/album/0,3405543,00.html
‘The Pussycat Dolls’, Billboard.com http://www.billboard.com/bbcom/esearch/searchResult.jsp?No=30&Ntt=pussycat+dolls&Ntk=Keyword&an=bbcom&Ntx=mode+matchallpartial&Ex=1&N=39&Ns=FORMATTED_DATE|1
‘The Pussycat Dolls: Puuurfect girl power pop’, MusicOmh.com http://www.musicomh.com/interviews/pussycat-dolls_1105.htm
‘Pussycat Dolls Robin Antin and Mikey Minden Spill Finale Scoop’, The CW Source http://blogs.trb.com/network/cwsource/2007/04/pussycat_dolls_robin_antin_and.html
Said, Edward (1985) ‘Orientalism Reconsidered’, Cultural Critique, 1: 89-107
‘Orientalism Reconsidered’
Cultural Critique
1
89
107
Said, Edward (1995) [1978] Orientalism, London: Penguin Books
Orientalism
Scott, Derek B. (1997) ‘Orientalism and Musical Style’, Critical Musicology: A Transdisciplinary Online Journal, http://www.leeds.ac.uk/music/Info/critmus/articles/1997/02/01.html (accessed 01.06.2012) http://www.leeds.ac.uk/music/Info/critmus/articles/1997/02/01.html
‘Orientalism and Musical Style’
Critical Musicology: A Transdisciplinary Online Journal
Shay, Anthony, & Sellers-Young, Barbara (2005) Belly Dance: Orientalism, transnationalism, and harem fantasy, Cost Mesa, CA: Mazda Publishers
Belly Dance: Orientalism, transnationalism, and harem fantasy
Shelton, Suzanne (1981) Ruth St. Denis: a biography of the divine dancer, Austin: University of Texas Press
Ruth St. Denis: a biography of the divine dancer
Shohat, Ella (1997) ‘Gender and Culture of Empire: Toward a feminist ethnography of the cinema’ in Matthew Bernstein & Gaylyn Studlar (eds) (1997) Visions of the East: Orientalism in film, New Haven: Rutgers University Press, pp. 19-68
Visions of the East: Orientalism in film
19
68
‘Snake Dancer at Victoria: the Princess Rajah was discovered on Fourteenth Street’, New York Times, 20 January 1909, p. 2
Swedenburg, Ted (2004) ‘The Arab Wave in World Music after 9/11’, Anthropologica, 46:2: 177-88
‘The Arab Wave in World Music after 9/11’
Anthropologica
46
177
88
Taylor, Timothy D. (2007) Beyond Exoticism: Western music and the world, Durham, NC: Duke University Press
Beyond Exoticism: Western music and the world
van Nieuwkerk, Karin (1995) A Trade Like Any Other - Female Singers and Dancers in Egypt, Austin: University of Texas Press
A Trade Like Any Other - Female Singers and Dancers in Egypt
Wald, Gayle (2002) ‘Just a Girl? Rock music, feminism, and the cultural construction of female youth’ in Roger Beebe, Denise Fullbrook, & Ben Saunders (eds) Rock over the Edge: Transformations in popular music culture, Durham, NC: Duke University Press, pp. 191-215
Rock over the Edge: Transformations in popular music culture
191
215
Wallace, Michele (1990) ‘Modernism, Postmodernism and the Problem of the Visual in Afro-American Culture’ in Russell Ferguson, Martha Gever, Trinh T. Minh-Ha, & Cornel West (eds) Out There: Marginalization and contemporary cultures, Cambridge, MA: MIT Press
Out There: Marginalization and contemporary cultures
‘Wm. Hammerstein's Find: Discovers Cleopatra dancer in dime museum and says she's a wonder’, New York Times, 6 January 1909, p. 11
Wynne, F. (2006) ‘Men Don't Seem to Fancy Us’, The Sun [England], 25 May
‘Men Don't Seem to Fancy Us’
The Sun [England]
The Blue Angel, Josef von Sternberg, Weimar Republic, 1930
Cabaret, Bob Fosse, USA, 1972
Cleopatra, Cecil B. DeMille, USA, 1934
The Gang's All Here, Busby Berkeley, USA, 1943
Party Girl, Nicholas Ray, USA, 1958
Popstars, The WB Television Network, USA, 2001
Slumdog Millionaire, Danny Boyle, UK, 2008
Sweet Charity, Bob Fosse, USA, 1969
Aidi, Hishaam (2003) ‘Let Us Be Moors: Islam, race and "connected histories"’, Middle East Report, 229: 42-53
‘Let Us Be Moors: Islam, race and "connected histories"’
Middle East Report
229
42
53
Baudrillard, Jean (1988) ‘Simulacra and Simulation’ in Mark Poster (ed.) Jean Baudrillard, Selected Writings, Stanford: Stanford University Press, pp. 166-84
Jean Baudrillard, Selected Writings
166
84
Berlant, Lauren (2008) The Female Complaint: the unfinished business of sentimentality in American culture, London: Duke University Press
The Female Complaint: the unfinished business of sentimentality in American culture
‘Bio’, The Pussycat Dolls Website http://www.pcdmusic.com/bio/default.aspx
Burkart, Patrick & McCourt, Tom (2004) ‘Infrastructure for the Celestial Jukebox’, Popular Music, 23:3: 349-62
‘Infrastructure for the Celestial Jukebox’
Popular Music
23
349
62
Carlton, Donna (1994) Looking for Little Egypt, Bloomington, IN: IDD Books
Looking for Little Egypt
Çelink, Zeynip and Kinney, Leila (1990) ‘Ethnography and Exhibitionism at the Expositions Universelles’, Assemblage, 13: 34-59
‘Ethnography and Exhibitionism at the Expositions Universelles’
Assemblage
13
34
59
Dalton, Karen C.C. & Gates Jr., Henry Louis (1998) ‘Josephine Baker and Paul Colin: Dance seen through Parisian eyes’, Critical Inquiry, 24: 903-34
‘Josephine Baker and Paul Colin: Dance seen through Parisian eyes’
Critical Inquiry
24
903
34
Desmond, Jane (1991) ‘Dancing out the Different: Cultural imperialism and Ruth St. Denis Rhada of 1906’, Signs, 17:1: 28-49
‘Dancing out the Different: Cultural imperialism and Ruth St. Denis Rhada of 1906’
Signs
17
28
49
Devine, D. (2005) ‘The Pussycat Dolls’, Western Mail, 25 November, p. 27
‘The Pussycat Dolls’
Western Mail
27
Erlewine, Stephen Thomas (2007) ‘PCD’, All Music Guide, http://www.artistdirect.com/nad/store/artist/album/0,3405543,00.html (accessed 17.10.2007) http://www.artistdirect.com/nad/store/artist/album/0,3405543,00.html
‘PCD’
All Music Guide
‘Fatima’, Venus Belly Dance http://www.venusbellydance.com/Fatima.htm
Feld, Steven (2000) ‘The Poetics and Politics of Pygmy Pop’ in Georgina Born & David Hesmondhalgh (eds) (2000) Western Music and Its Others: Difference, representation, and appropriation in music, Berkeley: University of California Press, pp. 254-79
Western Music and Its Others: Difference, representation, and appropriation in music
254
79
Frith, Simon (2000) ‘The Discourse of World Music’ in Georgina Born & David Hesmondhalgh (eds) (2000) Western Music and Its Others: Difference, representation, and appropriation in music, Berkeley: University of California Press, pp. 305-22
Western Music and Its Others: Difference, representation, and appropriation in music
305
22
Garofalo, Reebee (1993) ‘Whose World, What Beat: Transnational music industry, identity and cultural imperialism’, World of Music, 35:2: 16-32
‘Whose World, What Beat: Transnational music industry, identity and cultural imperialism’
World of Music
35
16
32
Gish, Jennifer (2007) ‘Be Sexy, but not Stripper Sexy …’, Gazette [Montreal], 21 April 2007, E12
‘Be Sexy, but not Stripper Sexy …’
Gazette [Montreal]
E12
Harrington, Richard (2006) ‘The Cat's Meow: Give the Dolls their due’, Washington Post, 21 April 2007, T06, http://www.washingtonpost.com/wp-dyn/content/article/2006/04/20/AR2006042000653.html (accessed 14.08.2012) http://www.washingtonpost.com/wp-dyn/content/article/2006/04/20/AR2006042000653.html
‘The Cat's Meow: Give the Dolls their due’
Washington Post
T06
Jameson, Fredric (1991) Postmodernism, or, The Cultural Logic of Late-Capitalism, Durham, NC: Duke University Press
Postmodernism, or, The Cultural Logic of Late-Capitalism
Kalinak, Kathryn (2000) ‘Disciplining Josephine Baker: Gender, race and the limits of disciplinarity’ in James Buhler, Caryl Flinn, & David Neumeyer (eds) Music and Cinema, London: Wesleyan University Press
Music and Cinema
‘L.A. Rocks: Eleven acts that shatter the cliché that L.A.'s a one-note town’ (2002), interview with Christina Applegate, BNET.com, November 2002 http://findarticles.com/p/articles/mi_m1285/is_10_32/ai_93211541/
Lessig, Lawrence (2008) Remix: Making art and commerce thrive in the hybrid economy, New York: Penguin Press
Remix: Making art and commerce thrive in the hybrid economy
Levine, Philippa (2000) ‘Orientalist Sociology and the Creation of Colonial Sexualities’, Feminist Review, 65: 5-21
‘Orientalist Sociology and the Creation of Colonial Sexualities’
Feminist Review
65
5
21
Levy, Ariel (2005) Female Chauvinist Pigs: Women and the rise of raunch culture, New York: Free Press
Female Chauvinist Pigs: Women and the rise of raunch culture
Locke, Ralph P. (2009) Musical Exoticism: Images and reflections, Cambridge: Cambridge University Press
Musical Exoticism: Images and reflections
Loti, Pierre (1903) India, trans. George A.F. Inman, ed. Robert Harborough Sherard, London: T. Werner Laurie
India
Maira, Sunaina (2008) ‘Belly Dancing: Arab-face, Orientalist feminism, and U.S. empire’, American Quarterly, 60:2: 317-45
‘Belly Dancing: Arab-face, Orientalist feminism, and U.S. empire’
American Quarterly
60
317
45
‘Meet the New Pussycat Dolls! Girls will Debut at Super Bowl 2012’ (2012), 2 February, in International Business Times.com http://www.ibtimes.com/articles/291869/20120202/pussycat-dolls-photo-super-bowl-2012-go.htm
Musser, Charles (1997) Edison Motion Pictures, 1890-1900: an annotated filmography, Washington DC: Smithsonian Institution Press
Edison Motion Pictures, 1890-1900: an annotated filmography
‘The Official Adam Carolla Show Blog’ (2007), 13 March http://adamradio.wordpress.com/2007/03/13/adam-with-annie-laurie-gaylor-dr-gary-alter-robin-antin-%E2%80%93-march-13-2007
Pensado, David (2006) ‘Secrets of the Mix Engineer’, Sound on Sound.com, http://www.soundonsound.com/sos/jan07/articles/insidetrack_0107.htm (accessed 19.10.2007) http://www.soundonsound.com/sos/jan07/articles/insidetrack_0107.htm
‘Secrets of the Mix Engineer’
Sound on Sound.com
‘Pussycat Dolls’, Artist Direct.com http://www.artistdirect.com/nad/store/artist/album/0,3405543,00.html
‘The Pussycat Dolls’, Billboard.com http://www.billboard.com/bbcom/esearch/searchResult.jsp?No=30&Ntt=pussycat+dolls&Ntk=Keyword&an=bbcom&Ntx=mode+matchallpartial&Ex=1&N=39&Ns=FORMATTED_DATE|1
‘The Pussycat Dolls: Puuurfect girl power pop’, MusicOmh.com http://www.musicomh.com/interviews/pussycat-dolls_1105.htm
‘Pussycat Dolls Robin Antin and Mikey Minden Spill Finale Scoop’, The CW Source http://blogs.trb.com/network/cwsource/2007/04/pussycat_dolls_robin_antin_and.html
Said, Edward (1985) ‘Orientalism Reconsidered’, Cultural Critique, 1: 89-107
‘Orientalism Reconsidered’
Cultural Critique
1
89
107
Said, Edward (1995) [1978] Orientalism, London: Penguin Books
Orientalism
Scott, Derek B. (1997) ‘Orientalism and Musical Style’, Critical Musicology: A Transdisciplinary Online Journal, http://www.leeds.ac.uk/music/Info/critmus/articles/1997/02/01.html (accessed 01.06.2012) http://www.leeds.ac.uk/music/Info/critmus/articles/1997/02/01.html
‘Orientalism and Musical Style’
Critical Musicology: A Transdisciplinary Online Journal
Shay, Anthony, & Sellers-Young, Barbara (2005) Belly Dance: Orientalism, transnationalism, and harem fantasy, Cost Mesa, CA: Mazda Publishers
Belly Dance: Orientalism, transnationalism, and harem fantasy
Shelton, Suzanne (1981) Ruth St. Denis: a biography of the divine dancer, Austin: University of Texas Press
Ruth St. Denis: a biography of the divine dancer
Shohat, Ella (1997) ‘Gender and Culture of Empire: Toward a feminist ethnography of the cinema’ in Matthew Bernstein & Gaylyn Studlar (eds) (1997) Visions of the East: Orientalism in film, New Haven: Rutgers University Press, pp. 19-68
Visions of the East: Orientalism in film
19
68
‘Snake Dancer at Victoria: the Princess Rajah was discovered on Fourteenth Street’, New York Times, 20 January 1909, p. 2
Swedenburg, Ted (2004) ‘The Arab Wave in World Music after 9/11’, Anthropologica, 46:2: 177-88
‘The Arab Wave in World Music after 9/11’
Anthropologica
46
177
88
Taylor, Timothy D. (2007) Beyond Exoticism: Western music and the world, Durham, NC: Duke University Press
Beyond Exoticism: Western music and the world
van Nieuwkerk, Karin (1995) A Trade Like Any Other - Female Singers and Dancers in Egypt, Austin: University of Texas Press
A Trade Like Any Other - Female Singers and Dancers in Egypt
Wald, Gayle (2002) ‘Just a Girl? Rock music, feminism, and the cultural construction of female youth’ in Roger Beebe, Denise Fullbrook, & Ben Saunders (eds) Rock over the Edge: Transformations in popular music culture, Durham, NC: Duke University Press, pp. 191-215
Rock over the Edge: Transformations in popular music culture
191
215
Wallace, Michele (1990) ‘Modernism, Postmodernism and the Problem of the Visual in Afro-American Culture’ in Russell Ferguson, Martha Gever, Trinh T. Minh-Ha, & Cornel West (eds) Out There: Marginalization and contemporary cultures, Cambridge, MA: MIT Press
Out There: Marginalization and contemporary cultures
‘Wm. Hammerstein's Find: Discovers Cleopatra dancer in dime museum and says she's a wonder’, New York Times, 6 January 1909, p. 11
Wynne, F. (2006) ‘Men Don't Seem to Fancy Us’, The Sun [England], 25 May
‘Men Don't Seem to Fancy Us’
The Sun [England]
The Blue Angel, Josef von Sternberg, Weimar Republic, 1930
Cabaret, Bob Fosse, USA, 1972
Cleopatra, Cecil B. DeMille, USA, 1934
The Gang's All Here, Busby Berkeley, USA, 1943
Party Girl, Nicholas Ray, USA, 1958
Popstars, The WB Television Network, USA, 2001
Slumdog Millionaire, Danny Boyle, UK, 2008
Sweet Charity, Bob Fosse, USA, 1969