Music, Sound, and the Moving Image

Introduction: Gender, Sexuality, and the Soundtrack

Music, Sound, and the Moving Image (2012), 6, (2), 113–135.

Abstract

Access Token
£25.00
If you have private access to this content, please log in with your username and password here

Altman, Rick (1987) The American Film Musical, Bloomington: Indiana University Press The American Film Musical Google Scholar

Bennett, Tony & Woollacott, Janet (1987) Bond and Beyond: the political career of a popular hero, London: Macmillan Bond and Beyond: the political career of a popular hero Google Scholar

Born, Georgina, & Hesmondhalgh, David (2000) Western Music and Its Others: Difference, representation, and appropriation in music, Berkeley, Los Angeles, and London: University of California Press Western Music and Its Others: Difference, representation, and appropriation in music Google Scholar

Brett, Philip (1994) ‘Musicality, Essentialism, and the Closet’ in Philip Brett, Elizabeth Wood, & Gary Thomas (eds) Queering the Pitch: the new gay and lesbian musicology, New York: Routledge, pp. 9-26 Queering the Pitch: the new gay and lesbian musicology 9 26 Google Scholar

Brown, Royal S. (1994) Overtones and Undertones: Reading film music, Berkeley and London: University of California Press Overtones and Undertones: Reading film music Google Scholar

Butler, David (2002) Jazz Noir: Listening to music from ‘Phantom Lady’ to ‘The Last Seduction’, Westport, CT and London: Praeger Jazz Noir: Listening to music from ‘Phantom Lady’ to ‘The Last Seduction’ Google Scholar

Butler, Judith (2006) Gender Trouble: Feminism and the subversion of identity, New York and London: Routledge Gender Trouble: Feminism and the subversion of identity Google Scholar

Cheng, William (forthcoming) ‘Acoustemologies of the Closet’, in Mark Grimshaw (ed.) The Oxford Handbook of Virtuality, Oxford: Oxford University Press The Oxford Handbook of Virtuality Google Scholar

Cheng, William (2012) ‘Role-Playing toward a Virtual Musical Democracy in The Lord of the Rings Online’, Ethnomusicology, 56:1: 31-62 ‘Role-Playing toward a Virtual Musical Democracy in The Lord of the Rings Online’ Ethnomusicology 56 31 62 Google Scholar

Chion, Michel (1994) Audio-Vision: Sound on screen, trans. Claudia Gorbman, New York and Chichester: Columbia University Press Audio-Vision: Sound on screen Google Scholar

Chion, Michel (1999) The Voice in Cinema, trans. Claudia Gorbman, New York: Columbia University Press The Voice in Cinema Google Scholar

Clover, Carol (1987) ‘Her Body, Himself: Gender in the Slasher Film’, Representations, 20: 187-228 ‘Her Body, Himself: Gender in the Slasher Film’ Representations 20 187 228 Google Scholar

Cohan, Steven (1993) ‘"Feminizing" The Song and Dance Man: Fred Astaire and the Spectacle of Masculinity in the Hollywood Musical’ in Steven Cohan & Ina Rae Hark (eds) Screening the Male: Exploring masculinities in Hollywood cinema, London and New York: Routledge, pp. 46-69 Screening the Male: Exploring masculinities in Hollywood cinema 46 69 Google Scholar

Collins, Karen (2008) Game Sound: an introduction to the history, theory, and practice of video game music and sound design, Cambridge, MA and London: MIT Press Game Sound: an introduction to the history, theory, and practice of video game music and sound design Google Scholar

Doane, Mary Ann (1991) Femmes Fatales: Feminism, film theory, psychoanalysis, New York and London: Routledge Femmes Fatales: Feminism, film theory, psychoanalysis Google Scholar

Dyer, Richard (1998) ‘Resistance through Charisma: Rita Hayworth and Gilda’ in E. Ann Kaplan (ed.) Women in Film Noir, new edn, London: British Film Institute, pp. 115-22 Women in Film Noir 115 22 Google Scholar

Dyer, Richard (2002) ‘Entertainment and Utopia’ in Steven Cohan (ed.) Hollywood Musicals: the film reader, London and New York: Routledge, pp. 19-30 Hollywood Musicals: the film reader 19 30 Google Scholar

Feuer, Jane (1993) The Hollywood Musical, 2nd edn, Houndmills and London: Macmillan Press The Hollywood Musical Google Scholar

Flinn, Caryl (1992) Strains of Utopia: Gender, nostalgia, and Hollywood film music, Princeton, NJ: Princeton University Press Strains of Utopia: Gender, nostalgia, and Hollywood film music Google Scholar

Ford, Phil (2008) ‘Jazz Exotica and the Naked City’, Journal of Musicological Research, 27:2: 113-33 ‘Jazz Exotica and the Naked City’ Journal of Musicological Research 27 113 33 Google Scholar

Franklin, Peter (2011) Seeing through Music: Gender and modernism in classic Hollywood film scores, Oxford: Oxford University Press Seeing through Music: Gender and modernism in classic Hollywood film scores Google Scholar

Gabbard, Krin (1996) Jammin' at the Margins: Jazz and the American cinema, Chicago and London: University of Chicago Press Jammin' at the Margins: Jazz and the American cinema Google Scholar

Gorbman, Claudia (1987) Unheard Melodies: Narrative film music, London: BFI Publishing Unheard Melodies: Narrative film music Google Scholar

Greene, Liz (2009) ‘Speaking, Singing, Screaming: Controlling the Female Voice in American Cinema’, The Soundtrack, 2:1: 63-76 ‘Speaking, Singing, Screaming: Controlling the Female Voice in American Cinema’ The Soundtrack 2 63 76 Google Scholar

Jamieson, Daryl (2007) ‘Marketing Androgyny: The Evolution of the Backstreet Boys’, Popular Music, 26:2: 245-58 ‘Marketing Androgyny: The Evolution of the Backstreet Boys’ Popular Music 26 245 58 Google Scholar

Johnson, Fern & Young, Karren (2002) ‘Gendered Voices in Children's Television Advertising’, Critical Studies in Media Communication, 19:4: 461-80 ‘Gendered Voices in Children's Television Advertising’ Critical Studies in Media Communication 19 461 80 Google Scholar

Jones, Stacy Holman (2002) ‘Emotional Space: Performing the Resistive Possibilities of Torch Singing’, Qualitative Inquiry, 8:6: 738-59 ‘Emotional Space: Performing the Resistive Possibilities of Torch Singing’ Qualitative Inquiry 8 738 59 Google Scholar

Kalinak, Kathryn (1982) ‘Musical Stereotyping in Hollywood Films’ in Film Reader 5, [n.p.]: [n.pub.], pp. 76-82 Google Scholar

Kalinak, Kathryn (1992) Settling the Score: Music and the classical Hollywood film, Madison: University of Wisconsin Press Settling the Score: Music and the classical Hollywood film Google Scholar

Kalinak, Kathryn (2000) ‘Disciplining Josephine Baker: Gender, Race, and the Limits of Disciplinarity’ in James Buhler, Caryl Flinn, & David Neumeyer (eds) Music and Cinema, London and Hanover: Weslyan University Press, pp. 316-35 Music and Cinema 316 35 Google Scholar

Kassabian, Anahid (2001) Hearing Film: Tracking identifications in contemporary Hollywood film music, New York and London: Routledge Hearing Film: Tracking identifications in contemporary Hollywood film music Google Scholar

Kassabian, Anahid (2003) ‘The Sound of a New Film Form’ in Ian Inglis (ed.) Popular Music and Film, London: Wallflower Press, pp. 91-101 Popular Music and Film 91 101 Google Scholar

Kuhn, Annette (1982) Women's Pictures: Feminism and cinema, London: Routledge and Keegan Paul Women's Pictures: Feminism and cinema Google Scholar

Laing, Heather (2000) ‘Emotion by Numbers: Music, Song and the Musical’ in Bill Marshall & Robynn Stilwell (eds) Musicals: Hollywood and beyond, Exeter and Portland: Intellect, pp. 5-13 Musicals: Hollywood and beyond 5 13 Google Scholar

Laing, Heather (2007) Onscreen Musicians, Unseen Emotions: Music and gender in 1940s melodrama and the woman's film, Aldershot: Ashgate Onscreen Musicians, Unseen Emotions: Music and gender in 1940s melodrama and the woman's film Google Scholar

Landman, Jane (1996) ‘See the Girl, Watch that Scene: Fantasy and Desire in Muriel's Wedding’, Continuum: Journal of Media & Cultural Studies, 10:2: 111-22 ‘See the Girl, Watch that Scene: Fantasy and Desire in Muriel's Wedding’ Continuum: Journal of Media & Cultural Studies 10 111 22 Google Scholar

Lawrence, Amy (1991) Echo and Narcissus: Women's voices in classical Hollywood cinema, Berkeley, Los Angeles, and Oxford: University of California Press Echo and Narcissus: Women's voices in classical Hollywood cinema Google Scholar

Lewis, Lisa A. (1993) ‘Being Discovered: The Emergence of Female Address on MTV’ in Simon Frith, Andrew Goodwin, & Lawrence Grossberg (eds) Sound and Vision: the music video reader, London: Routledge, pp. 129-51 Sound and Vision: the music video reader 129 51 Google Scholar

Matthews, Nicole (2000) ‘Kitsch on the Fringe: Reimaginings of Suburbia in Recent Australian Comedy’ in Roger Webster (ed.) Expanding Suburbia: Reviewing suburban narratives, New York: Berghahn Books, pp. 173-85 Expanding Suburbia: Reviewing suburban narratives 173 85 Google Scholar

McCabe, Janet (2004) Feminist Film Studies: Writing the woman into cinema, London and New York: Wallflower Press Feminist Film Studies: Writing the woman into cinema Google Scholar

McDonald, Paul (1997) ‘Feeling and Fun: Romance, Dance and the Performing Male Body in the Take That Videos’ in Sheila Whiteley (ed.) Sexing the Groove: Popular music and gender, London and New York: Routledge, pp. 277-94 Sexing the Groove: Popular music and gender 277 94 Google Scholar

McLean, Adrienne L. (1993) ‘"It's Only That I Do What I Love and Love What I Do": Film Noir and the Musical Woman’, Cinema Journal, 33:1: 3-16 ‘"It's Only That I Do What I Love and Love What I Do": Film Noir and the Musical Woman’ Cinema Journal 33 3 16 Google Scholar

Mera, Miguel (2009) ‘Invention/Re-Invention’, Music, Sound, and the Moving Image, 3:1: 1-20 ‘Invention/Re-Invention’ Music, Sound, and the Moving Image 3 1 20 Google Scholar

Mera, Miguel (2012) ‘Outing the Score: Music, Narrative and Collaborative Process in Little Ashes’, Music, Sound, and the Moving Image, 6:1: 93-109 ‘Outing the Score: Music, Narrative and Collaborative Process in Little Ashes’ Music, Sound, and the Moving Image 6 93 109 Google Scholar

Mikula, Maja (2003) ‘Gender and Videogames: The Political Valency of Lara Croft’, Continuum: Journal of Media & Cultural Studies, 17:1: 79-87 ‘Gender and Videogames: The Political Valency of Lara Croft’ Continuum: Journal of Media & Cultural Studies 17 79 87 Google Scholar

Paulin, Scott D. (1997) ‘Unheard Sexualities? Queer Theory and the Soundtrack’, Spectator, 17:2: 36-49 ‘Unheard Sexualities? Queer Theory and the Soundtrack’ Spectator 17 36 49 Google Scholar

Place, Janey (1998) ‘Women in Film Noir’ in E. Ann Kaplan (ed.) Women in Film Noir, new edn, London: British Film Institute, pp. 47-68 Women in Film Noir 47 68 Google Scholar

Rayner, Jonathan (2006) ‘Stardom, Reception and the ABBA Musical’ in Ian Conrich & Estella Tincknell (eds) Film's Musical Moments, Edinburgh: Edinburgh University Press, pp. 99-111 Film's Musical Moments 99 111 Google Scholar

Rodger, Gillian (2004) ‘Drag, Camp and Gender Subversion in the Music and Videos of Annie Lennox’, Popular Music, 23:1: 17-29 ‘Drag, Camp and Gender Subversion in the Music and Videos of Annie Lennox’ Popular Music 23 17 29 Google Scholar

Rosar, William H. (2009) ‘Film Studies in Musicology: Disciplinarity vs. Interdisciplinarity’, The Journal of Film Music, 2:2-4: 99-125 ‘Film Studies in Musicology: Disciplinarity vs. Interdisciplinarity’ The Journal of Film Music 2 99 125 Google Scholar

Russo, Vito (1987) The Celluloid Closet: Homosexuality in the movies, revd edn, New York: Harper and Row The Celluloid Closet: Homosexuality in the movies Google Scholar

Silverman, Kaja (1988) The Acoustic Mirror: the female voice in psychoanalysis and cinema, Bloomington and Indianapolis: Indiana University Press The Acoustic Mirror: the female voice in psychoanalysis and cinema Google Scholar

Sisco King, Claire (2009) ‘Ramblin’ Men and Piano Men: Crises of Music and Masculinity in the Exorcist' in Neil Lerner (ed.) Music in the Horror Film: Listening to fear, New York: Routledge, pp. 114-32 Music in the Horror Film: Listening to fear 114 32 Google Scholar

Smith, Jeff (1996) ‘Unheard Melodies? A Critique of Psychoanalytic Theories of Film Music’ in David Bordwell & Noël Carroll (eds) Post-Theory: Reconstructing film studies, Madison: University of Wisconsin Press, pp. 230-47 Post-Theory: Reconstructing film studies 230 47 Google Scholar

Smith, Jeff (1998) The Sounds of Commerce: Marketing popular film music, New York: Columbia University Press The Sounds of Commerce: Marketing popular film music Google Scholar

Solie, Ruth (1993) ‘Introduction: On "Difference"’ in Ruth Solie (ed.) Musicology and Difference: Gender and sexuality in music scholarship, Berkeley, Los Angeles, and London: University of California Press, pp. 1-20 Musicology and Difference: Gender and sexuality in music scholarship 1 20 Google Scholar

Stacey, Jackie (1994) Star Gazing: Hollywood cinema and female spectatorship, London and New York: Routledge Star Gazing: Hollywood cinema and female spectatorship Google Scholar

Stanfield, Peter (2005) Body and Soul: Jazz and blues in American film 1927-63, Urbana and Chicago: University of Illinois Press Body and Soul: Jazz and blues in American film 1927-63 Google Scholar

Stilwell, Robynn (2001) ‘Sound and Empathy: Subjectivity, Gender and the Cinematic Soundscape’ in Kevin Donnelly (ed.) Film Music: Critical approaches, New York: Continuum, pp. 167-87 Film Music: Critical approaches 167 87 Google Scholar

Wager, Jans B. (1999) Dangerous Dames: Women and representation in the Weimar street film and film noir, Athens, OH: Ohio University Press Dangerous Dames: Women and representation in the Weimar street film and film noir Google Scholar

Winters, Ben (2012) ‘Music and Narrative: An Introduction’, Music, Sound, and the Moving Image, 6:1: 3-7 ‘Music and Narrative: An Introduction’ Music, Sound, and the Moving Image 6 3 7 Google Scholar

‘Bewitched, Bothered, and Bewildered’, Buffy the Vampire Slayer (2.16), The WB Television Network, USA, 10 February 1998 Google Scholar

Blue Velvet, David Lynch, USA, 1986 Google Scholar

 Google Scholar

Diamonds are Forever, Guy Hamilton, UK, 1971 Google Scholar

The Exorcist, William Friedkin, USA, 1973 Google Scholar

Fable II [Xbox 360], Microsoft Game Studios, UK/USA, 2008 Google Scholar

Fable III [Xbox 360], Microsoft Game Studios, UK/USA, 2010 Google Scholar

Glee, Fox Network, USA, 2009-present Google Scholar

Goldfinger, Guy Hamilton, UK, 1964 Google Scholar

Laura, Otto Preminger, USA, 1944 Google Scholar

L.A. Noire [multiple platforms], Rockstar Games, UK/USA, 2011 Google Scholar

Little Ashes, Paul Morrison, Spain/UK, 2008 Google Scholar

Muriel's Wedding, P. J. Hogan, Australia, 1994 Google Scholar

Priscilla, Queen of the Desert, Stephan Elliot, Australia, 1994 Google Scholar

The Rocky Horror Picture Show, Jim Sharman, USA, 1975 Google Scholar

Something Wild, Jonathan Demme, USA, 1986. Google Scholar

The Talented Mr. Ripley, Anthony Minghella, USA, 1999 Google Scholar

 Google Scholar

A Woman's Secret, Nicholas Ray, USA, 1949 Google Scholar

If you have private access to this content, please log in with your username and password here

Details

Author details

Haworth, Catherine