Music, Sound, and the Moving Image

Book Reviews

Music, Sound, and the Moving Image (2013), 7, (2), 195–218.

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Abbate, Carolyn (1991) Unsung Voices: opera and musical narrative in the nineteenth century, Princeton, NJ; Oxford: Princeton University Press Unsung Voices: opera and musical narrative in the nineteenth century Google Scholar

Adorno, Theodor and Eisler, Hanns (1947/r. 1994) Composing for the Films, London: Athlone Composing for the Films Google Scholar

Adorno, Theodor (1981) In Search of Wagner, trans. Rodney Livingstone, London: NLB In Search of Wagner Google Scholar

Flinn, Caryl (1992) Strains of Utopia: Gender, Nostalgia and Hollywood Film Music Princeton, NJ; Oxford: Princeton University Press Strains of Utopia: Gender, Nostalgia and Hollywood Film Music Google Scholar

Gorbman, Claudia (1987) Unheard Melodies: narrative film music, London: BFI Unheard Melodies: narrative film music Google Scholar

Huyssen, Andreas (1986) After The Great Divide: Modernism, Mass Culture and Postmodernism, Bloomington: Indiana University Press After The Great Divide: Modernism, Mass Culture and Postmodernism Google Scholar

Kalinak, Kathryn (1992) Settling the Score: Music and the Classical Hollywood Film, Madison, WI; London: University of Wisconsin Press Settling the Score: Music and the Classical Hollywood Film Google Scholar

Kassabian, Anahid (2001) Hearing Film: tracking identifications in Hollywood film music, London: Routledge Hearing Film: tracking identifications in Hollywood film music Google Scholar

Laing, Heather (2007) The Gendered Score: music and gender in 1940s melodrama and the woman's film, Aldershot: Ashgate The Gendered Score: music and gender in 1940s melodrama and the woman's film Google Scholar

Long, Michael (2008) Beautiful Monsters: Imagining the Classic in Musical Media, Berkeley, CA; London: University of California Press Beautiful Monsters: Imagining the Classic in Musical Media Google Scholar

McClary, Susan (1991) Feminine Endings: music, gender, and sexuality, Minneapolis: University of Minnesota Press Feminine Endings: music, gender, and sexuality Google Scholar

Eisenstein, Sergei (1939) ‘Vertical Montage’ in The Film Sense, trans. by Jay Leyda, New York: Harcourt, Brace, 1942. The Film Sense Google Scholar

Gorbman, Claudia (1987) Unheard Melodies: Narrative Film Music, London: British Film Institute, 117, 127 and 174 Unheard Melodies: Narrative Film Music 117 Google Scholar

Morrison, Simon (2008) The People's Artist: Prokofiev's Soviet Years, New York: Oxford University Press The People's Artist: Prokofiev's Soviet Years Google Scholar

Prendergast, R. M. (1992) Film Music: A Neglected Art, New York: W. W. Norton & Co, 107 Film Music: A Neglected Art 107 Google Scholar

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