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Bennett, Susan, Theatre Audiences (London, New York: Routledge, 1990). Theatre Audiences Google Scholar

Bryden, Ronald, 'Dramatic Leaps from Stage to Page', Globe and Mail, 30 November 1991: C6. Google Scholar

Case, Sue-Ellen, Feminism and Theatre (London: MacMillan, 1988). Feminism and Theatre Google Scholar

Cole, Susan G., Program (Theatre Passe Muraille, January/February 1992). Google Scholar

Cole, Susan G., A Fertile Imagination (unpublished play, 1991). Google Scholar

Cole, Susan G., 'A Very Fertile Imagination: Interview', Night Talk 2:2 (Winter 1991), 1, 3. Google Scholar

Dolan, Jill, The Feminist Spectator as Critic (Ann Arbor: Univerisy of Michigan Press, 1988). The Feminist Spectator as Critic Google Scholar

Gilbert, Reid, 'Computers and Theatre: Mimesis, Simulation and Interconnectivity', Canadian Theatre Review 81 (Winter 1994), 10–15. Google Scholar

Grace, Sherrill, 'Review of The Theatre of Form', Essays in Theatre 18:2 (May 2000): 181–83. Google Scholar

Griffiths, Linda, The Darling Family (Winnipeg: Blizzard, 1991a). The Darling Family Google Scholar

Griffiths, Linda, Program (Theatre Passe Muraille Backspace, January 1991b). Google Scholar

Griffiths, Stephanie, 'Dykes with Tykes', The Eyeopener, 6 February 1991. Google Scholar

Haar, Sandra, 'Breeding Ground: Dyke Sensibility Weeded out of Play's Production', RITES (April 1991), 15. Google Scholar

Haraway, Donna J., Simians, Cyborgs and Women: The Reinvention of Nature (New York: Routledge, 1991). Simians, Cyborgs and Women: The Reinvention of Nature Google Scholar

Herst, Beth, 'Review', Canadian Theatre Review 98 (Spring 1999), 66–8. Google Scholar

Kaplan, Jon, 'Feminism Fuels Director's Vision for Fertile Comedy', NOW Weekly, 31 January–6 February 1991, 22. Google Scholar

Kirkley, Richard Bruce, 'Images and Imagination: The Concept of Electronic Theatre', Canadian Theatre Review 64 (Fall 1990), 4–12. Google Scholar

Knowles, Ric, The Theatre of Form and the Production of Meaning: Contemporary Canadian Dramaturgies (Toronto: ECW Press, 1991). The Theatre of Form and the Production of Meaning: Contemporary Canadian Dramaturgies Google Scholar

Rudakoff, Judith and Rita Much, Fair Play: 12 Women Speak: Conversations with Canadian Playwrights (Toronto: Simon & Pierre, 1990). Fair Play: 12 Women Speak: Conversations with Canadian Playwrights Google Scholar

Scott, Shelley, 'Review of Sheer Nerve', Theatre Research in Canada 21:1 (Spring 2000), 84–90. Google Scholar

Scott, Shelley, 'Collective Creation and the Changing Mandate of Nightwood Theatre', Theatre Research in Canada 18:2 (Fall 1997), 191–207. Google Scholar

Taylor, Deanne, '2nd Nature', Theatrum (February/March 1991a), S1–S15. Google Scholar

Taylor, Deanne, Program (Theatre Passe Muraille, 1991b). Program Google Scholar

Wagner, Vit, 'A Shallow Look at Sexual Politics', The Toronto Star, 7 February 1991, B5. Google Scholar

Wilson, Ann, 'Bored to Distraction: Auto-performance and the Perniciousness of Presence', Canadian Theatre Review 79/80 (Fall 1994), 33–7. Google Scholar

Winsor, Christopher, 'A Political Three-ring Circus – With Drinks!' eye Magazine, 14 October 1993, 23. Google Scholar