Appadurai, Arjun (ed.) (1986) The Social Life of Things: Commodities in a Cultural Perspective (Cambridge: Cambridge University Press).
The Social Life of Things: Commodities in a Cultural Perspective
Bossay, Claudia, and María Paz Peirano (2017) ‘Parando la olla documental: Women and contemporary Chilean documentary film’, in Latin American Women Filmmakers: Production, Policies, Poetics, ed. Deborah Martin and Deborah Shaw (London: I.B. Tauris), 70–95.
‘Parando la olla documental: Women and contemporary Chilean documentary film’
Latin American Women Filmmakers: Production, Policies, Poetics
70
95
Bossy, Michelle, and Constanza Vergara (2010) Documentales autobiográficos chilenos (Santiago: self-published).
Documentales autobiográficos chilenos
Brown, Wendy (2005) Edgework: Critical Essays on Knowledge and Politics (Princeton: Princeton University Press).
Edgework: Critical Essays on Knowledge and Politics
Deren, Maya (1960) ‘Cinematography: The creative use of reality’, Daedalus 89.1: 150–167.
‘Cinematography: The creative use of reality’
Daedalus
89
Daedalus
150
167
Di Tella, Andrés (2006) Cine documental y archivo personal: Conversación en Princeton, ed. Paul Firbas and Pedro Meira Monteiro (Buenos Aires: Siglo XXI).
Cine documental y archivo personal: Conversación en Princeton
‘Filmmaker Jonas Mekas on poetry, ordinary moments, and turning 90 for MOCAtv (video)’, Huffington Post, 30 November 2012. http://www.huffingtonpost.com/2012/11/30/filmmaker-jonas-mekas-on-mocatv_n_2211666.html (accessed 30 September 2016).
Grossman, Alyssa (2014) ‘Memory objects, memory dialogues: Common-sense experiments in visual anthropology’, in Experimental Film and Anthropology, ed. Caterina Pasqualino and Arnd Schneider (London: Bloomsbury Academic), 131–146.
‘Memory objects, memory dialogues: Common-sense experiments in visual anthropology’
Experimental Film and Anthropology
131
146
Harvey, David (2005) A Brief History of Neoliberalism (Oxford: Oxford University Press).
A Brief History of Neoliberalism
Klein, Naomi (2008) The Shock Doctrine: The Rise of Disaster Capitalism (London: Penguin).
The Shock Doctrine: The Rise of Disaster Capitalism
Lebow, Alisa (2012) The Cinema of Me: The Self and Subjectivity in First Person Documentary (New York: Wallflower Press).
The Cinema of Me: The Self and Subjectivity in First Person Documentary
Lippit, Akira (2012) Ex-Cinema: From a Theory of Experimental Film and Video (Berkeley: University of California Press).
Ex-Cinema: From a Theory of Experimental Film and Video
Morris, William (1915) ‘Useful work versus useless toil’, in The Collected Works of William Morris, Vol. 23 (London: Longmans Green), 98–120.
‘Useful work versus useless toil’
The Collected Works of William Morris, Vol. 23
98
120
Pasqualino, Caterina, and Arnd Schneider (eds) (2014) Experimental Film and Anthropology (London: Bloomsbury Academic).
Experimental Film and Anthropology
Petrolle, Jean, and Virginia Wexman (2005) Women and Experimental Filmmaking (Urbana and Champaign: University of Illinois).
Women and Experimental Filmmaking
Pinto, Iván (2009) ‘Cine, política, memoria. Nuevos entramados en el documental chileno’, Revista La Fuga. http://www.lafuga.cl/ (accessed 13 December 2017).
Marks, Laura (2000) The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses (London: Duke University Press).
The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses
Naficy, Hamid (2001) An Accented Cinema: Exilic and Diasporic Filmmaking (New Jersey: Princeton University Press).
An Accented Cinema: Exilic and Diasporic Filmmaking
Ramírez, Elizabeth (2010) ‘Estrategias para (no) olvidar. Notas sobre dos documentales chilenos de la post-dictadura’, Aiesthesis 47: 45–63.
‘Estrategias para (no) olvidar. Notas sobre dos documentales chilenos de la post-dictadura’
Aiesthesis
47
Aiesthesis
45
63
Rascaroli, Laura (2009) The Personal Camera: Subjective Cinema and the Essay Film (New York: Wallflower Press).
The Personal Camera: Subjective Cinema and the Essay Film
Renov, Michael (2004) The Subject of Documentary (Minneapolis and London: University of Minnesota Press).
The Subject of Documentary
Renov, Michael (2008) ‘First-person films. Some theses of self-inscription’, in Rethinking Documentary. New Perspectives and Practices, ed. Thomas Austin and Wilma De Jong (Maidenhead: McGraw-Hill Education), 39–50.
‘First-person films. Some theses of self-inscription’
Rethinking Documentary. New Perspectives and Practices
39
50
Rothberg, Michael (2009) Multidirectional Memory: Remembering the Holocaust in the Age of Decolonization (Stanford: Stanford University Press).
Multidirectional Memory: Remembering the Holocaust in the Age of Decolonization
Russell, Catherine (1999) Experimental Ethnography (London: Duke University Press).
Experimental Ethnography
Rutherford, Anne (2003) ‘Cinema and embodied affect’, Senses of Cinema 25: 1–14. http://sensesofcinema.com/2003/feature-articles/embodied_affect/ (accessed 13 January 2017).
Sennett, Richard (2009) The Craftsman (London: Penguin).
The Craftsman
Zimmermann, Patricia (1995) Reel Families: A Social History of Amateur Film (Bloomington: Indiana University Press).
Reel Families: A Social History of Amateur Film
Appadurai, Arjun (ed.) (1986) The Social Life of Things: Commodities in a Cultural Perspective (Cambridge: Cambridge University Press).
The Social Life of Things: Commodities in a Cultural Perspective
Bossay, Claudia, and María Paz Peirano (2017) ‘Parando la olla documental: Women and contemporary Chilean documentary film’, in Latin American Women Filmmakers: Production, Policies, Poetics, ed. Deborah Martin and Deborah Shaw (London: I.B. Tauris), 70–95.
‘Parando la olla documental: Women and contemporary Chilean documentary film’
Latin American Women Filmmakers: Production, Policies, Poetics
70
95
Bossy, Michelle, and Constanza Vergara (2010) Documentales autobiográficos chilenos (Santiago: self-published).
Documentales autobiográficos chilenos
Brown, Wendy (2005) Edgework: Critical Essays on Knowledge and Politics (Princeton: Princeton University Press).
Edgework: Critical Essays on Knowledge and Politics
Deren, Maya (1960) ‘Cinematography: The creative use of reality’, Daedalus 89.1: 150–167.
‘Cinematography: The creative use of reality’
Daedalus
89
Daedalus
150
167
Di Tella, Andrés (2006) Cine documental y archivo personal: Conversación en Princeton, ed. Paul Firbas and Pedro Meira Monteiro (Buenos Aires: Siglo XXI).
Cine documental y archivo personal: Conversación en Princeton
‘Filmmaker Jonas Mekas on poetry, ordinary moments, and turning 90 for MOCAtv (video)’, Huffington Post, 30 November 2012. http://www.huffingtonpost.com/2012/11/30/filmmaker-jonas-mekas-on-mocatv_n_2211666.html (accessed 30 September 2016).
Grossman, Alyssa (2014) ‘Memory objects, memory dialogues: Common-sense experiments in visual anthropology’, in Experimental Film and Anthropology, ed. Caterina Pasqualino and Arnd Schneider (London: Bloomsbury Academic), 131–146.
‘Memory objects, memory dialogues: Common-sense experiments in visual anthropology’
Experimental Film and Anthropology
131
146
Harvey, David (2005) A Brief History of Neoliberalism (Oxford: Oxford University Press).
A Brief History of Neoliberalism
Klein, Naomi (2008) The Shock Doctrine: The Rise of Disaster Capitalism (London: Penguin).
The Shock Doctrine: The Rise of Disaster Capitalism
Lebow, Alisa (2012) The Cinema of Me: The Self and Subjectivity in First Person Documentary (New York: Wallflower Press).
The Cinema of Me: The Self and Subjectivity in First Person Documentary
Lippit, Akira (2012) Ex-Cinema: From a Theory of Experimental Film and Video (Berkeley: University of California Press).
Ex-Cinema: From a Theory of Experimental Film and Video
Morris, William (1915) ‘Useful work versus useless toil’, in The Collected Works of William Morris, Vol. 23 (London: Longmans Green), 98–120.
‘Useful work versus useless toil’
The Collected Works of William Morris, Vol. 23
98
120
Pasqualino, Caterina, and Arnd Schneider (eds) (2014) Experimental Film and Anthropology (London: Bloomsbury Academic).
Experimental Film and Anthropology
Petrolle, Jean, and Virginia Wexman (2005) Women and Experimental Filmmaking (Urbana and Champaign: University of Illinois).
Women and Experimental Filmmaking
Pinto, Iván (2009) ‘Cine, política, memoria. Nuevos entramados en el documental chileno’, Revista La Fuga. http://www.lafuga.cl/ (accessed 13 December 2017).
Marks, Laura (2000) The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses (London: Duke University Press).
The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses
Naficy, Hamid (2001) An Accented Cinema: Exilic and Diasporic Filmmaking (New Jersey: Princeton University Press).
An Accented Cinema: Exilic and Diasporic Filmmaking
Ramírez, Elizabeth (2010) ‘Estrategias para (no) olvidar. Notas sobre dos documentales chilenos de la post-dictadura’, Aiesthesis 47: 45–63.
‘Estrategias para (no) olvidar. Notas sobre dos documentales chilenos de la post-dictadura’
Aiesthesis
47
Aiesthesis
45
63
Rascaroli, Laura (2009) The Personal Camera: Subjective Cinema and the Essay Film (New York: Wallflower Press).
The Personal Camera: Subjective Cinema and the Essay Film
Renov, Michael (2004) The Subject of Documentary (Minneapolis and London: University of Minnesota Press).
The Subject of Documentary
Renov, Michael (2008) ‘First-person films. Some theses of self-inscription’, in Rethinking Documentary. New Perspectives and Practices, ed. Thomas Austin and Wilma De Jong (Maidenhead: McGraw-Hill Education), 39–50.
‘First-person films. Some theses of self-inscription’
Rethinking Documentary. New Perspectives and Practices
39
50
Rothberg, Michael (2009) Multidirectional Memory: Remembering the Holocaust in the Age of Decolonization (Stanford: Stanford University Press).
Multidirectional Memory: Remembering the Holocaust in the Age of Decolonization
Russell, Catherine (1999) Experimental Ethnography (London: Duke University Press).
Experimental Ethnography
Rutherford, Anne (2003) ‘Cinema and embodied affect’, Senses of Cinema 25: 1–14. http://sensesofcinema.com/2003/feature-articles/embodied_affect/ (accessed 13 January 2017).
Sennett, Richard (2009) The Craftsman (London: Penguin).
The Craftsman
Zimmermann, Patricia (1995) Reel Families: A Social History of Amateur Film (Bloomington: Indiana University Press).
Reel Families: A Social History of Amateur Film