Journal of Romance Studies

Appadurai, Arjun (ed.) (1986) The Social Life of Things: Commodities in a Cultural Perspective (Cambridge: Cambridge University Press). The Social Life of Things: Commodities in a Cultural Perspective Google Scholar

Bossay, Claudia, and María Paz Peirano (2017) ‘Parando la olla documental: Women and contemporary Chilean documentary film’, in Latin American Women Filmmakers: Production, Policies, Poetics, ed. Deborah Martin and Deborah Shaw (London: I.B. Tauris), 70–95. ‘Parando la olla documental: Women and contemporary Chilean documentary film’ Latin American Women Filmmakers: Production, Policies, Poetics 70 95 Google Scholar

Bossy, Michelle, and Constanza Vergara (2010) Documentales autobiográficos chilenos (Santiago: self-published). Documentales autobiográficos chilenos Google Scholar

Brown, Wendy (2005) Edgework: Critical Essays on Knowledge and Politics (Princeton: Princeton University Press). Edgework: Critical Essays on Knowledge and Politics Google Scholar

Deren, Maya (1960) ‘Cinematography: The creative use of reality’, Daedalus 89.1: 150–167. ‘Cinematography: The creative use of reality’ Daedalus 89 Daedalus 150 167 Google Scholar

Di Tella, Andrés (2006) Cine documental y archivo personal: Conversación en Princeton, ed. Paul Firbas and Pedro Meira Monteiro (Buenos Aires: Siglo XXI). Cine documental y archivo personal: Conversación en Princeton Google Scholar

‘Filmmaker Jonas Mekas on poetry, ordinary moments, and turning 90 for MOCAtv (video)’, Huffington Post, 30 November 2012. http://www.huffingtonpost.com/2012/11/30/filmmaker-jonas-mekas-on-mocatv_n_2211666.html (accessed 30 September 2016). Google Scholar

Grossman, Alyssa (2014) ‘Memory objects, memory dialogues: Common-sense experiments in visual anthropology’, in Experimental Film and Anthropology, ed. Caterina Pasqualino and Arnd Schneider (London: Bloomsbury Academic), 131–146. ‘Memory objects, memory dialogues: Common-sense experiments in visual anthropology’ Experimental Film and Anthropology 131 146 Google Scholar

Harvey, David (2005) A Brief History of Neoliberalism (Oxford: Oxford University Press). A Brief History of Neoliberalism Google Scholar

Klein, Naomi (2008) The Shock Doctrine: The Rise of Disaster Capitalism (London: Penguin). The Shock Doctrine: The Rise of Disaster Capitalism Google Scholar

Lebow, Alisa (2012) The Cinema of Me: The Self and Subjectivity in First Person Documentary (New York: Wallflower Press). The Cinema of Me: The Self and Subjectivity in First Person Documentary Google Scholar

Lippit, Akira (2012) Ex-Cinema: From a Theory of Experimental Film and Video (Berkeley: University of California Press). Ex-Cinema: From a Theory of Experimental Film and Video Google Scholar

Morris, William (1915) ‘Useful work versus useless toil’, in The Collected Works of William Morris, Vol. 23 (London: Longmans Green), 98–120. ‘Useful work versus useless toil’ The Collected Works of William Morris, Vol. 23 98 120 Google Scholar

Pasqualino, Caterina, and Arnd Schneider (eds) (2014) Experimental Film and Anthropology (London: Bloomsbury Academic). Experimental Film and Anthropology Google Scholar

Petrolle, Jean, and Virginia Wexman (2005) Women and Experimental Filmmaking (Urbana and Champaign: University of Illinois). Women and Experimental Filmmaking Google Scholar

Pinto, Iván (2009) ‘Cine, política, memoria. Nuevos entramados en el documental chileno’, Revista La Fuga. http://www.lafuga.cl/ (accessed 13 December 2017). Google Scholar

Marks, Laura (2000) The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses (London: Duke University Press). The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses Google Scholar

Naficy, Hamid (2001) An Accented Cinema: Exilic and Diasporic Filmmaking (New Jersey: Princeton University Press). An Accented Cinema: Exilic and Diasporic Filmmaking Google Scholar

Ramírez, Elizabeth (2010) ‘Estrategias para (no) olvidar. Notas sobre dos documentales chilenos de la post-dictadura’, Aiesthesis 47: 45–63. ‘Estrategias para (no) olvidar. Notas sobre dos documentales chilenos de la post-dictadura’ Aiesthesis 47 Aiesthesis 45 63 Google Scholar

Rascaroli, Laura (2009) The Personal Camera: Subjective Cinema and the Essay Film (New York: Wallflower Press). The Personal Camera: Subjective Cinema and the Essay Film Google Scholar

Renov, Michael (2004) The Subject of Documentary (Minneapolis and London: University of Minnesota Press). The Subject of Documentary Google Scholar

Renov, Michael (2008) ‘First-person films. Some theses of self-inscription’, in Rethinking Documentary. New Perspectives and Practices, ed. Thomas Austin and Wilma De Jong (Maidenhead: McGraw-Hill Education), 39–50. ‘First-person films. Some theses of self-inscription’ Rethinking Documentary. New Perspectives and Practices 39 50 Google Scholar

Rothberg, Michael (2009) Multidirectional Memory: Remembering the Holocaust in the Age of Decolonization (Stanford: Stanford University Press). Multidirectional Memory: Remembering the Holocaust in the Age of Decolonization Google Scholar

Russell, Catherine (1999) Experimental Ethnography (London: Duke University Press). Experimental Ethnography Google Scholar

Rutherford, Anne (2003) ‘Cinema and embodied affect’, Senses of Cinema 25: 1–14. http://sensesofcinema.com/2003/feature-articles/embodied_affect/ (accessed 13 January 2017). Google Scholar

Sennett, Richard (2009) The Craftsman (London: Penguin). The Craftsman Google Scholar

Zimmermann, Patricia (1995) Reel Families: A Social History of Amateur Film (Bloomington: Indiana University Press). Reel Families: A Social History of Amateur Film Google Scholar

Appadurai, Arjun (ed.) (1986) The Social Life of Things: Commodities in a Cultural Perspective (Cambridge: Cambridge University Press). The Social Life of Things: Commodities in a Cultural Perspective Google Scholar

Bossay, Claudia, and María Paz Peirano (2017) ‘Parando la olla documental: Women and contemporary Chilean documentary film’, in Latin American Women Filmmakers: Production, Policies, Poetics, ed. Deborah Martin and Deborah Shaw (London: I.B. Tauris), 70–95. ‘Parando la olla documental: Women and contemporary Chilean documentary film’ Latin American Women Filmmakers: Production, Policies, Poetics 70 95 Google Scholar

Bossy, Michelle, and Constanza Vergara (2010) Documentales autobiográficos chilenos (Santiago: self-published). Documentales autobiográficos chilenos Google Scholar

Brown, Wendy (2005) Edgework: Critical Essays on Knowledge and Politics (Princeton: Princeton University Press). Edgework: Critical Essays on Knowledge and Politics Google Scholar

Deren, Maya (1960) ‘Cinematography: The creative use of reality’, Daedalus 89.1: 150–167. ‘Cinematography: The creative use of reality’ Daedalus 89 Daedalus 150 167 Google Scholar

Di Tella, Andrés (2006) Cine documental y archivo personal: Conversación en Princeton, ed. Paul Firbas and Pedro Meira Monteiro (Buenos Aires: Siglo XXI). Cine documental y archivo personal: Conversación en Princeton Google Scholar

‘Filmmaker Jonas Mekas on poetry, ordinary moments, and turning 90 for MOCAtv (video)’, Huffington Post, 30 November 2012. http://www.huffingtonpost.com/2012/11/30/filmmaker-jonas-mekas-on-mocatv_n_2211666.html (accessed 30 September 2016). Google Scholar

Grossman, Alyssa (2014) ‘Memory objects, memory dialogues: Common-sense experiments in visual anthropology’, in Experimental Film and Anthropology, ed. Caterina Pasqualino and Arnd Schneider (London: Bloomsbury Academic), 131–146. ‘Memory objects, memory dialogues: Common-sense experiments in visual anthropology’ Experimental Film and Anthropology 131 146 Google Scholar

Harvey, David (2005) A Brief History of Neoliberalism (Oxford: Oxford University Press). A Brief History of Neoliberalism Google Scholar

Klein, Naomi (2008) The Shock Doctrine: The Rise of Disaster Capitalism (London: Penguin). The Shock Doctrine: The Rise of Disaster Capitalism Google Scholar

Lebow, Alisa (2012) The Cinema of Me: The Self and Subjectivity in First Person Documentary (New York: Wallflower Press). The Cinema of Me: The Self and Subjectivity in First Person Documentary Google Scholar

Lippit, Akira (2012) Ex-Cinema: From a Theory of Experimental Film and Video (Berkeley: University of California Press). Ex-Cinema: From a Theory of Experimental Film and Video Google Scholar

Morris, William (1915) ‘Useful work versus useless toil’, in The Collected Works of William Morris, Vol. 23 (London: Longmans Green), 98–120. ‘Useful work versus useless toil’ The Collected Works of William Morris, Vol. 23 98 120 Google Scholar

Pasqualino, Caterina, and Arnd Schneider (eds) (2014) Experimental Film and Anthropology (London: Bloomsbury Academic). Experimental Film and Anthropology Google Scholar

Petrolle, Jean, and Virginia Wexman (2005) Women and Experimental Filmmaking (Urbana and Champaign: University of Illinois). Women and Experimental Filmmaking Google Scholar

Pinto, Iván (2009) ‘Cine, política, memoria. Nuevos entramados en el documental chileno’, Revista La Fuga. http://www.lafuga.cl/ (accessed 13 December 2017). Google Scholar

Marks, Laura (2000) The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses (London: Duke University Press). The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses Google Scholar

Naficy, Hamid (2001) An Accented Cinema: Exilic and Diasporic Filmmaking (New Jersey: Princeton University Press). An Accented Cinema: Exilic and Diasporic Filmmaking Google Scholar

Ramírez, Elizabeth (2010) ‘Estrategias para (no) olvidar. Notas sobre dos documentales chilenos de la post-dictadura’, Aiesthesis 47: 45–63. ‘Estrategias para (no) olvidar. Notas sobre dos documentales chilenos de la post-dictadura’ Aiesthesis 47 Aiesthesis 45 63 Google Scholar

Rascaroli, Laura (2009) The Personal Camera: Subjective Cinema and the Essay Film (New York: Wallflower Press). The Personal Camera: Subjective Cinema and the Essay Film Google Scholar

Renov, Michael (2004) The Subject of Documentary (Minneapolis and London: University of Minnesota Press). The Subject of Documentary Google Scholar

Renov, Michael (2008) ‘First-person films. Some theses of self-inscription’, in Rethinking Documentary. New Perspectives and Practices, ed. Thomas Austin and Wilma De Jong (Maidenhead: McGraw-Hill Education), 39–50. ‘First-person films. Some theses of self-inscription’ Rethinking Documentary. New Perspectives and Practices 39 50 Google Scholar

Rothberg, Michael (2009) Multidirectional Memory: Remembering the Holocaust in the Age of Decolonization (Stanford: Stanford University Press). Multidirectional Memory: Remembering the Holocaust in the Age of Decolonization Google Scholar

Russell, Catherine (1999) Experimental Ethnography (London: Duke University Press). Experimental Ethnography Google Scholar

Rutherford, Anne (2003) ‘Cinema and embodied affect’, Senses of Cinema 25: 1–14. http://sensesofcinema.com/2003/feature-articles/embodied_affect/ (accessed 13 January 2017). Google Scholar

Sennett, Richard (2009) The Craftsman (London: Penguin). The Craftsman Google Scholar

Zimmermann, Patricia (1995) Reel Families: A Social History of Amateur Film (Bloomington: Indiana University Press). Reel Families: A Social History of Amateur Film Google Scholar