Music, Sound, and the Moving Image

References

Allen, Graham (2000) Intertextuality: The New Critical Idiom. London and New York: Routledge. Google Scholar

Arnold, Gina, Cookney, Daniel, Fairclough, Kirsty & Goddard, Michael (eds) (2017) ‘Introduction: The Persistence of the Music Video Form from MTV to Twenty-First-Century Social Media’. In: Music/Video: Histories, Aesthetics, Media. London and New York: Bloomsbury, pp.1–19. Google Scholar

Ashby, Arved (ed.) (2013) Popular Music and the New Auteur: Visionary Filmmakers After MTV. Oxford and New York: Oxford University Press. Google Scholar

Austerlitz, Saul (2007) Money for Nothing: A History of the Music Video from the Beatles to the White Stripes. London and New York: Continuum. Google Scholar

Bakhtin, M.M. (1981) Dialogic Imagination: Four Essays. Ed. Michael Holquist. Trans. Caryl Emerson. Austin: University of Texas Press. Google Scholar

Bal, Mieke (2002) Travelling Concepts in the Humanities: A Rough Guide. Toronto: University of Toronto Press. Google Scholar

Born, Georgina (2011) ‘Music and the Materialization of Identities’, Journal of Material Culture, 16 (4), pp.376–388. Google Scholar

Born, Georgina (2019) ‘On Nonhuman Sound – Sound as Relation’. In: Steintrager, James A. & Chow, Rey (eds). Sound Objects. Durham and London: Duke University Press, pp.185–207. Google Scholar

Burns, Lori & Hawkins, Stan (eds) (2019) The Bloomsbury Handbook of Popular Music Video Analysis. New York, London, Oxford, New Delhi & Sydney: Bloomsbury Academic. Google Scholar

Burns, Lori & Lacasse, Serge (2018) The Pop Palimpsest: Intertextuality in Recorded Popular Music. Ann Arbor: University of Michigan Press. Google Scholar

Calavita, Marco (2007) ‘“MTV Aesthetics” at the Movies: Interrogating a Film Criticism Fallacy’, Journal of Film and Video, 59 (3), pp.15–31. Google Scholar

Chow, Rey (2019) ‘Listening after Acousmaticity: Notes on a Transdisciplinary Problematic’. In: Steintrager, James A. & Chow, Rey (eds). Sound Objects. Durham and London: Duke University Press, pp.113–129. Google Scholar

Cutchins, Dennis (2017) ‘Bakhtin, Intertextuality and Adaptation’. In: Leitch, Thomas (ed.). The Oxford Handbook of Adaptation Studies. London: Oxford University Press, pp.71–86. Google Scholar

Edmond, Maura (2013) ‘Here We Go Again: Music Videos after YouTube’, Television & New Media, 15 (4), pp.305–320. Google Scholar

Guattari, Félix ([1990] 2013) ‘Towards a Post-Media Era’. Trans. Sebti, Alya & Apprich, Clemens. In: Apprich, Clemens, Berry Slater, Josephine, Iles, Anthony & Schultz, Oliver Lerone (eds). Provocative Alloys: A Post-media Anthology. Lüneburg: Post-Media Lab; London: Mute Books, pp.26–27. Google Scholar

Hediger, Vinzenz & De Rosa, Miriam (2016) ‘Post-what? Post-when? A Conversation on the “Posts” of Post-media and Post-cinema’, Cinema&Cie, 16 (26/27), pp.9–20. Google Scholar

Holquist, Michael (2002) Dialogism: Bakhtin and His World. London and New York: Routledge. Google Scholar

Keazor, Henry (2018) ‘Portable Music Videos? Music Video Aesthetics for Handheld Devices’, Volume! La revue des musiques populaires, 14 (2), special issue Watching Music, pp.201–210. Google Scholar

Korsgaard, Mathias Bonde (2013) ‘Music Video Transformed’. In: Richardson, John, Gorbman, Claudia & Vernallis, Carol (eds). The Oxford Handbook of New Audiovisual Aesthetics. Oxford and New York: Oxford University Press, pp.501–521. Google Scholar

Korsgaard, Mathias Bonde (2017) Music Video after MTV: Audiovisual Studies, New Media, and Popular Music. London and New York: Routledge. Google Scholar

Korsgaard, Mathias Bonde (2019) ‘Changing Dynamics and Diversity in Music Video Production and Distribution’. In: Burns, Lori & Hawkins, Stan (eds). The Bloomsbury Handbook of Popular Music Video Analysis. London and New York: Bloomsbury, pp.13–26. Google Scholar

Liikkanen, Lassi A. & Salovaara, Antti (2015) ‘Music on YouTube: User Engagement with Traditional, User-appropriated and Derivative Videos’, Computers in Human Behavior, 50, pp.108–124. Google Scholar

Railton, Diane & Watson, Paul (2011) Music Video and the Politics of Representation. Edinburgh: Edinburgh University Press. Google Scholar

Shaviro, Steven (2017) Digital Music Videos. New Brunswick, Camden, and Newark, NJ, and London: Rutgers University Press. Google Scholar

Snickars, Pelle & Vonderau, Patrick (eds) (2009) ‘Introduction’. In: The YouTube Reader. Stockholm: National Library of Sweden, pp.9–21. Google Scholar

Straw, Will (1988) ‘Music Video in Its Contexts: Popular Music and Post-Modernism in the 1980s’, Popular Music, 7 (3), pp.247–266. Google Scholar

Straw, Will (2018) ‘Music Video in Its Contexts: 30 Years Later’, Volume! La revue des musiques populaires, 14 (2), special issue Watching Music, pp.187–192. Google Scholar

Tagg, Philip (2009) ‘Music Analysis for “non-Musos”: Popular Perception as a Basis for Understanding Musical Structure and Signification’. Available from: http://www.tagg.org/xpdfs/CardiffLBH2.pdf (Accessed: 24 August 2019). Google Scholar

Tannenbaum, Rob & Marks, Craig (2011) I Want My MTV: The Uncensored Story of the Music Video Revolution. New York: Dutton. Google Scholar

Vernallis, Carol (2004) Experiencing Music Video: Aesthetics and Cultural Context. New York: Columbia University Press. Google Scholar

Vernallis, Carol (2007) ‘Strange People, Weird Objects: The Nature of Narrativity, Character, and Editing in Music Videos’. In: Beebe, Roger & Middleton, Jason (eds). Medium Cool: Music Videos from Soundies to Cellphones. Durham, NC, and London: Duke University Press, pp.111–151. Google Scholar

Vernallis, Carol (2013) Unruly Media: YouTube, Music Video, and the New Digital Cinema. New York: Oxford University Press. Google Scholar

Media Cited

‘A Million Ways’ [music video], OK Go, USA, 2005. Google Scholar

‘APES**T’ [music video], The Carters, Ricky Saiz, USA, 2018. Google Scholar

‘Here It Goes Again’ [music video], OK Go, Trish Sie, USA, 2005. Google Scholar

‘I Won’t Let You Down’ [music video], OK Go, Kulash and Kazuaki Seki, Japan, 2014. Google Scholar

‘Needing/Getting’ [music video], OK Go, Brian L. Perkins, USA, 2012. Google Scholar

‘On GP’ [music video], Death Grips, 2015. Google Scholar

‘WTF?’ [music video], OK Go, Tim Nackashi, USA, 2009. Google Scholar