Altman, Rick. Film/Genre. London: British Film Institute, 1999. Print. Film/Genre Google Scholar

Baetens, Jan and Mark Lits. "La novellisation: au delà des lieux communs." La Novellisation: Du Film Au Roman. Ed. Jan Baetens. Leuven: Leuven University Press, 2004. 9-18. Print. La Novellisation: Du Film Au Roman 9 18 Google Scholar

"The Beast Within. The Making of Alien"(supplementary material on DVD release of Alien Director's Cut. Collector editon). Dir. Charles De Lauzirika. 20th Century Fox Home Entertainment, 2003. DVD. Google Scholar

Berenstein, Rhona. "Horror for sale. The marketing and reception of classic horror cinema." Horror, the film reader. Ed. Mark Jancovich. London, New York: Routledge, 2002. 137-50. Print. Horror, the film reader 137 50 Google Scholar

Bordwell, David. Narration in the fiction film. London: Mehuen, 1985. Print. Narration in the fiction film Google Scholar

Bordwell, David, Janet Staiger and Kristin Thompson. Classical Hollywood Cinema, Film Style & Mode of Production to 1960. New York: Routledge, 1988. Print. Classical Hollywood Cinema, Film Style & Mode of Production to 1960 Google Scholar

Brohy, Phil. "Horrality - The Textuality of Contemporary Horror Films." The Horror Reader. Ed. Ken Gelder. New York, London: Routledge, 2000. 276-84. Print. The Horror Reader 276 84 Google Scholar

Byers, Thomas B. "Commodity Future." Alien Zone. Cultural theory and Contemporary Science Fiction Cinema. Ed. Annette Kuhn. London: Verso, 1990. 39-50. Print. Alien Zone. Cultural theory and Contemporary Science Fiction Cinema 39 50 Google Scholar

Carroll, Noel. The Philosophy of Horror. Routledge: New York, 1990. Print. The Philosophy of Horror Google Scholar

Chatelain, Danièle and George Slusser. "Flying to the Moon in French and American science fiction." Space and beyond. The frontier theme in science fiction. Ed. Gary W. Whesfahl. Westport: Greenwood Publishing, 2000. 25-33. Print. Space and beyond. The frontier theme in science fiction 25 33 Google Scholar

Christiansen, Hans-Christian. "Comics and Film: A Narrative Perspective." Magnussen, Anne and Hans-Christian Christiansen. Comics & Culture. Google Scholar

 Google Scholar

Clover, Carol. Men, women and chain saws. Gender in the modern horror film. London: BFI Publishing, 1992. Print. Men, women and chain saws. Gender in the modern horror film Google Scholar

Dufour, Eric. Le cinéma d'horreur et ses figures. Paris: PUF, 2006. Print. Le cinéma d'horreur et ses figures Google Scholar

Eaton, Michael. "Born Again." Sight and Sound December 1997: 6-9. Print. Born Again Sight and Sound 6 9 Google Scholar

Flanagan, Martin. "The Alien Series and Generic Hybridity." Alien Identities. Exploring Difference in Film and Fiction. Ed. Deborah Cartmell, et al. London: Pluto Press, 1999. 156-71. Print. Alien Identities. Exploring Difference in Film and Fiction 156 71 Google Scholar

Foster, Alan Dean and Randall, D. Larson. "Interview with Alan Dean Foster." Interzone February 1994: 53-55. Print. Interview with Alan Dean Foster Interzone 53 55 Google Scholar

Gallardo, Ximena and Jason C. Smith. AlienWoman. The Making of Lt. Ellen Ripley. New York: Continuum, 2004. Print. AlienWoman. The Making of Lt. Ellen Ripley Google Scholar

Gardner, Jared. Projections. Comics and the history of twenty-first century storytelling. Stanford: Stanford University Press, 2012. Print. Projections. Comics and the history of twenty-first century storytelling Google Scholar

Gardner, Jared. "Storylines." SubStance 40.1 (2011): 53-69. Project Muse. Web. 17 March 2014. Storylines SubStance 40 53 69 Google Scholar

Genette, Gérard. Seuils. Paris: Editions du Seuil, 1987. Print. Seuils Google Scholar

Gordon, Ian, Mark Jancovich and Matthew P. McAllister. Film and Comic Books. Jackson: University of Mississippi Press, 2007. Print. Film and Comic Books Google Scholar

Gough, Kerry. "Translation Creativity and Alien Econ(c)omics. From Hollywood Blockbuster to Dark Horse Comic Book." Film and Comic Books. Ed. Ian Gordon, Mark Jancovich and Matthew P. McAllister. Jackson: University Press of Mississippi, 2007. 37-63. Print. Film and Comic Books 37 63 Google Scholar

Groensteen, Thierry. "Du 7e art au 9e art: l'inventaire des singularités." Cinémaction 1990: 16-28. Print. Du 7e art au 9e art: l'inventaire des singularités Cinémaction 16 28 Google Scholar

Groensteen, Thierry. Système de la bande dessinée. Paris: PUF, 1999. Print. Système de la bande dessinée Google Scholar

Hatfield, Charles and Jared Gardner. "Charles & Jared Talk Comics and Narrative Theory." 19 April 2011. The Panelists. 5 October 2012. http://web.archive.org/web/20110504021109/http://thepanelists.org/2011/04/charles-jared-talk-comics-and-narrative-theory/ Google Scholar

Hutcheon, Linda. A Theory of Adaptation. London, New York: Routledge, 2006. Print. A Theory of Adaptation Google Scholar

Hutchings, Peter. Historical Dictionary of Horror Cinema. Lanham, Maryland: Scarecrow Press, 2008. Print. Historical Dictionary of Horror Cinema Google Scholar

Hutchings, Peter. The Horror Film. Harlow: Pearson, 2004. Print. The Horror Film Google Scholar

Hutchings, Peter. "The problem of British horror." Horror, the film reader. Ed. Mark Jancovich. London, New York: Routledge, 2002. 116-23. Print. Horror, the film reader 116 23 Google Scholar

Labarre, Nicolas. "Adapting Coppola's Dracula." 16 April 2012. The Comics Grid. 01 September 2012. http://www.comicsgrid.com/2012/04/adapting-coppolas-dracula/ Google Scholar

Lacassin, André. "The Comic Strip and Film Language." Film Quarterly 26.1 (1972):11-23. JSTOR. Online. 17 March 2014. The Comic Strip and Film Language Film Quarterly 26 11 23 Google Scholar

Lefèvre, Pascal. "Incompatible Visual Ontologies." Gordon, Jancovish and MacAllister [eds.]. Film and Comic Books. Jackson: University Press of Mississipi, 2007. 1-12. Print. Film and Comic Books 1 12 Google Scholar

Lefèvre, Pascal. "Some Medium-Specific Qualities of Graphic Sequences." SubStance 40.124 (2011): 14-33. Project Muse. Web. 17 March 2014. Some Medium-Specific Qualities of Graphic Sequences SubStance 40 14 33 Google Scholar

Malcolm, Derek. "Derek Malcolm's Alien review from 1979." 13 October 2009. The Guardian. 30 May 2012. Web. Google Scholar

McCloud, Scott. Understanding Comics: The Invisible Art. New York: Kitchen Sink Press, 2002. Print. Understanding Comics: The Invisible Art Google Scholar

Murray, Simone. "Materializing Adaptation Theory: The Adaption Industry." Literature-Film Quarterly (2008): 4-20. Academic Search Premier. Web. 17 March 2014. Materializing Adaptation Theory: The Adaption Industry Literature-Film Quarterly 4 20 Google Scholar

Nolen-Weathington, Eric and Roger Ash. Modern Masters vol. 8: Walt Simonson. Raleigh: TwoMorrows Publishers, 2006. Print. Modern Masters vol. 8: Walt Simonson Google Scholar

Pommier, Frederic. "La question du point de vue." Cinémaction 1990: 54-58. Print. Rich, Frank. "Cinema: Sell Job." 4 June 1979. Time Magazine. 30 May 2012. http://www.time.com/time/magazine/article/0,9171,946278,00.html Google Scholar

Smolderen, Thierry. Naissance de la bande dessinée de William Hogarth à Winsor McCay. Bruxelles: Les Impressions Nouvelles, 2009. Print. Naissance de la bande dessinée de William Hogarth à Winsor McCay Google Scholar

Sanders, Joe Sutliff. "Closure and power in Salem's Lot". Journal of the Fantastic in the Arts, 10.2 (1999): 142-54. Print. Closure and power in Salem's Lot" Journal of the Fantastic in the Arts 10 142 54 Google Scholar

Truffaut, François. Hitchock-Truffaut. Paris: Gallimard, 1993. Print. Hitchock-Truffaut Google Scholar

Turner, Graeme. Film as Social Practice, 4th edition. New York: Routledge, 2006. Print. Film as Social Practice, 4th edition Google Scholar

Wilkins, Peter. "Report: Comics Rock Conference, Day 2." 1 August 2012. The Comics Grid. 1 September 2012. http://www.comicsgrid.com/2012/08/day-2-comics-rock/ Google Scholar