Journal of Romance Studies

Bachmann, Dieter (1996) Editorial in special issue on Lisbon’s literary scene in Du (9 September), 17. Editorial in special issue on Lisbon’s literary scene in Du 17 Google Scholar

Corrigan, Timothy (1994) New German Cinema: The Displaced Image, revised ed. (Bloomington & Indianapolis: University of Wisconsin Press). New German Cinema: The Displaced Image Google Scholar

França, José-Augusto (text) and Pedro Soares (photos) (1998) 28: Crónica de um percurso (Lisbon: Livros Horizonte). 28: Crónica de um percurso Google Scholar

Gemünden, Gert (1997) ‘Oedipal travels: gender in the cinema of Wim Wenders’, in Roger F. Cook and Gert Gemünden (eds), The Cinema of Wim Wenders: Image, Narrative, and the Postmodern Condition (Detroit: Wayne University Press), 205-21. Oedipal travels: gender in the cinema of Wim Wenders The Cinema of Wim Wenders: Image, Narrative, and the Postmodern Condition 205 21 Google Scholar

Medeiros, Paulo de (1995) ‘Augenblick: moment, vision, and the gift of time in Wim Wenders’s Bis ans Ende der Welt’, unpublished paper read at the German Film Session, NEMLA, Boston. Augenblick: moment, vision, and the gift of time in Wim Wenders’s Bis ans Ende der Welt Google Scholar

Medeiros, Paulo de (1996) ‘Tal como Lisboa: representação, Wenders e o espectro de alteridade’, in Literatura Comparada: Os Novos Paradigmas (Porto: Associação Portuguesa de Literatura Comparada), 671-8. Tal como Lisboa: representação, Wenders e o espectro de alteridade Literatura Comparada: Os Novos Paradigmas 671 8 Google Scholar

‘Pourquoi filmez-vous? 700 cinéastes du monde entier répondent’ (1987) Special isue of Libération (April), 9. Google Scholar

Wenders, Wim (1982a) Hammett (USA). Hammett Google Scholar

Wenders, Wim (1982b) Der Stand der Dinge [The State of Things ] (USA/Portugal). Der Stand der Dinge [The State of Things] Google Scholar

Wenders, Wim (1989) Der Himmel über Berlin [Wings of Desire ] (West Germany/France). Der Himmel über Berlin [Wings of Desire] Google Scholar

Wenders, Wim (1991) Bis ans Ende der Welt [Until the End of the World ] (Germany/France/Austria). Bis ans Ende der Welt [Until the End of the World] Google Scholar

Wenders, Wim (1992) The Act of Seeing. Texte und Gespräche (Frankfurt am Main: Verlag der Autoren). The Act of Seeing. Texte und Gespräche Google Scholar

Wenders, Wim (1993) In weiter Ferne, so nah! [Faraway, So Close ] (Germany). In weiter Ferne, so nah! [Faraway, So Close] Google Scholar

Wenders, Wim (1994) Einmal. Bilder und Geschichten (Frankfurt am Main: Verlag der Autoren). Einmal. Bilder und Geschichten Google Scholar

Wenders, Wim (1995) Lisbon Story (France/Portugal). Lisbon Story Google Scholar

Wenders, Wim (1998) The Buena Vista Social Club (Germany). The Buena Vista Social Club Google Scholar

Bachmann, Dieter (1996) Editorial in special issue on Lisbon’s literary scene in Du (9 September), 17. Editorial in special issue on Lisbon’s literary scene in Du 17 Google Scholar

Corrigan, Timothy (1994) New German Cinema: The Displaced Image, revised ed. (Bloomington & Indianapolis: University of Wisconsin Press). New German Cinema: The Displaced Image Google Scholar

França, José-Augusto (text) and Pedro Soares (photos) (1998) 28: Crónica de um percurso (Lisbon: Livros Horizonte). 28: Crónica de um percurso Google Scholar

Gemünden, Gert (1997) ‘Oedipal travels: gender in the cinema of Wim Wenders’, in Roger F. Cook and Gert Gemünden (eds), The Cinema of Wim Wenders: Image, Narrative, and the Postmodern Condition (Detroit: Wayne University Press), 205-21. Oedipal travels: gender in the cinema of Wim Wenders The Cinema of Wim Wenders: Image, Narrative, and the Postmodern Condition 205 21 Google Scholar

Medeiros, Paulo de (1995) ‘Augenblick: moment, vision, and the gift of time in Wim Wenders’s Bis ans Ende der Welt’, unpublished paper read at the German Film Session, NEMLA, Boston. Augenblick: moment, vision, and the gift of time in Wim Wenders’s Bis ans Ende der Welt Google Scholar

Medeiros, Paulo de (1996) ‘Tal como Lisboa: representação, Wenders e o espectro de alteridade’, in Literatura Comparada: Os Novos Paradigmas (Porto: Associação Portuguesa de Literatura Comparada), 671-8. Tal como Lisboa: representação, Wenders e o espectro de alteridade Literatura Comparada: Os Novos Paradigmas 671 8 Google Scholar

‘Pourquoi filmez-vous? 700 cinéastes du monde entier répondent’ (1987) Special isue of Libération (April), 9. Google Scholar

Wenders, Wim (1982a) Hammett (USA). Hammett Google Scholar

Wenders, Wim (1982b) Der Stand der Dinge [The State of Things ] (USA/Portugal). Der Stand der Dinge [The State of Things] Google Scholar

Wenders, Wim (1989) Der Himmel über Berlin [Wings of Desire ] (West Germany/France). Der Himmel über Berlin [Wings of Desire] Google Scholar

Wenders, Wim (1991) Bis ans Ende der Welt [Until the End of the World ] (Germany/France/Austria). Bis ans Ende der Welt [Until the End of the World] Google Scholar

Wenders, Wim (1992) The Act of Seeing. Texte und Gespräche (Frankfurt am Main: Verlag der Autoren). The Act of Seeing. Texte und Gespräche Google Scholar

Wenders, Wim (1993) In weiter Ferne, so nah! [Faraway, So Close ] (Germany). In weiter Ferne, so nah! [Faraway, So Close] Google Scholar

Wenders, Wim (1994) Einmal. Bilder und Geschichten (Frankfurt am Main: Verlag der Autoren). Einmal. Bilder und Geschichten Google Scholar

Wenders, Wim (1995) Lisbon Story (France/Portugal). Lisbon Story Google Scholar

Wenders, Wim (1998) The Buena Vista Social Club (Germany). The Buena Vista Social Club Google Scholar