Armstrong, Carol. Manet Manette. Yale UP, 2002.
Manet Manette
Brown, Marilyn R. “Manet, Nodier, and Polichinelle.” Art Journal, vol. 45, no. 1, 1985, pp. 43–48.
“Manet, Nodier, and Polichinelle.”
Art Journal
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43
48
Cachin, Françoise. “Degas and Gauguin.” The Private Collection of Edgar Degas, edited by Ann Dumas et al., Metropolitan Museum of Art, 1997, pp. 221–233.
“Degas and Gauguin.”
The Private Collection of Edgar Degas
221
233
Callen, Anthea. “The Body and Difference: Anatomy Training at the Ecole des Beaux-Arts in Paris in the Later Nineteenth Century.” Art History, vol. 20, no. 1, 1997, pp. 23–60.
“The Body and Difference: Anatomy Training at the Ecole des Beaux-Arts in Paris in the Later Nineteenth Century.”
Art History
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23
60
Cruveilhier, Jean. Traité d’anatomie descriptive, vol. 2, part 2. P. Asselin, 1877.
Traité d’anatomie descriptive
2
Daniel, Malcolm. “‘The Atmosphere of Lamps and Moonlight.’” Degas, Photographer, by Malcolm Daniel et al., Harry N. Abrams, 1998, pp. 17–51.
“‘The Atmosphere of Lamps and Moonlight.’”
Degas, Photographer
17
51
Dumas, Ann. “Degas and his Collection.” The Private Collection of Edgar, by Ann Dumas et al., Degas, Metropolitan Museum of Art, 1997, pp. 3–73.
“Degas and his Collection.”
Degas
3
73
Duval, Mathias. Précis d’anatomie à l’usage des artistes. A. Quantin, 1881.
Précis d’anatomie à l’usage des artistes
Fau, Julien. Anatomie artistique élémentaire du corps humain. Librairie J. B. Baillière et fils, 1882.
Anatomie artistique élémentaire du corps humain
Garval, Michael D. “Visions of Pork Production, Past and Future, on French Belle Époque Pig Postcards.” Nineteenth-Century Art Worldwide, vol. 14, no. 1, 2015, n.p.
“Visions of Pork Production, Past and Future, on French Belle Époque Pig Postcards.”
Nineteenth-Century Art Worldwide
14
Garval, Michael D. “Visions of Pork Production, Past and Future, on French Belle Époque Pig Postcards.” Nineteenth-Century Art Worldwide, vol. 14, no. 1, 2015, n.p.
“Visions of Pork Production, Past and Future, on French Belle Époque Pig Postcards.”
Nineteenth-Century Art Worldwide
14
Gogué, Antoine. Les secrets de la cuisine française. L. Hachette, 1856.
Les secrets de la cuisine française
Hunter, Mary. The Face of Medicine: Visualising Medical Masculinities in Late Nineteenth-Century Paris. Manchester UP, 2016.
The Face of Medicine: Visualising Medical Masculinities in Late Nineteenth-Century Paris
Kessler, Marni Reva. “Ocular Anxiety and the Pink Tea Cup: Edgar Degas’s Woman with Bandage.” Nineteenth-Century Art Worldwide, vol. 5, no. 2, 2006, n.p.
“Ocular Anxiety and the Pink Tea Cup: Edgar Degas’s Woman with Bandage.”
Nineteenth-Century Art Worldwide
5
Manet, Édouard. Madame Manet au Piano. 1868. Musée d’Orsay, www.musee-orsay.fr/en/collections/dossier-manet/chronology.html?zoom=1&tx_damzoom_pi1%5Bp ath%5D=fileadmin%2Fmediatheque%2Fintegration_MO%2FManet_-_10-527298.jpg&cHash=3109e6962e, May 2017.
Manet, Julie. Journal: 1893–1899. Editions Scala, 1987.
Journal: 1893–1899
Meller, Kálman Mari, and Juliet Wilson-Bareau. “Manet and Degas: A Never-Ending Dialogue.” The Private Collection of Edgar Degas, by Ann Dumas, et al., Metropolitan Museum of Art, 1997, pp. 177–195.
“Manet and Degas: A Never-Ending Dialogue.”
The Private Collection of Edgar Degas
177
195
Moreau-Nélaton, Étienne. Manet: Raconté par lui-même, vol. 2. Henri Laurens, 1926.
Manet: Raconté par lui-même
2
Rousseau, Philippe. Still Life with Ham. 1870s. Metropolitan Museum of Art, http://www.metmuseum.org/art/collection/search/437513, May 2017.
Ruiz-Gómez, Natasha. “The ‘Scientific Artworks’ of Doctor Paul Richer.” Medical Humanities, vol. 39, no. 1, 2013, pp. 4–10.
“The ‘Scientific Artworks’ of Doctor Paul Richer.”
Medical Humanities
39
4
10
Vollard, Ambroise. Degas: 1834–1917, 10th ed. G. Crès, 1924.
Degas: 1834–1917
Wells, William. The Burrell Collection: Nineteenth Century French Paintings. Arts Council of Great Britain, 1977.
The Burrell Collection: Nineteenth Century French Paintings
Armstrong, Carol. Manet Manette. Yale UP, 2002.
Manet Manette
Brown, Marilyn R. “Manet, Nodier, and Polichinelle.” Art Journal, vol. 45, no. 1, 1985, pp. 43–48.
“Manet, Nodier, and Polichinelle.”
Art Journal
45
43
48
Cachin, Françoise. “Degas and Gauguin.” The Private Collection of Edgar Degas, edited by Ann Dumas et al., Metropolitan Museum of Art, 1997, pp. 221–233.
“Degas and Gauguin.”
The Private Collection of Edgar Degas
221
233
Callen, Anthea. “The Body and Difference: Anatomy Training at the Ecole des Beaux-Arts in Paris in the Later Nineteenth Century.” Art History, vol. 20, no. 1, 1997, pp. 23–60.
“The Body and Difference: Anatomy Training at the Ecole des Beaux-Arts in Paris in the Later Nineteenth Century.”
Art History
20
23
60
Cruveilhier, Jean. Traité d’anatomie descriptive, vol. 2, part 2. P. Asselin, 1877.
Traité d’anatomie descriptive
2
Daniel, Malcolm. “‘The Atmosphere of Lamps and Moonlight.’” Degas, Photographer, by Malcolm Daniel et al., Harry N. Abrams, 1998, pp. 17–51.
“‘The Atmosphere of Lamps and Moonlight.’”
Degas, Photographer
17
51
Dumas, Ann. “Degas and his Collection.” The Private Collection of Edgar, by Ann Dumas et al., Degas, Metropolitan Museum of Art, 1997, pp. 3–73.
“Degas and his Collection.”
Degas
3
73
Duval, Mathias. Précis d’anatomie à l’usage des artistes. A. Quantin, 1881.
Précis d’anatomie à l’usage des artistes
Fau, Julien. Anatomie artistique élémentaire du corps humain. Librairie J. B. Baillière et fils, 1882.
Anatomie artistique élémentaire du corps humain
Garval, Michael D. “Visions of Pork Production, Past and Future, on French Belle Époque Pig Postcards.” Nineteenth-Century Art Worldwide, vol. 14, no. 1, 2015, n.p.
“Visions of Pork Production, Past and Future, on French Belle Époque Pig Postcards.”
Nineteenth-Century Art Worldwide
14
Garval, Michael D. “Visions of Pork Production, Past and Future, on French Belle Époque Pig Postcards.” Nineteenth-Century Art Worldwide, vol. 14, no. 1, 2015, n.p.
“Visions of Pork Production, Past and Future, on French Belle Époque Pig Postcards.”
Nineteenth-Century Art Worldwide
14
Gogué, Antoine. Les secrets de la cuisine française. L. Hachette, 1856.
Les secrets de la cuisine française
Hunter, Mary. The Face of Medicine: Visualising Medical Masculinities in Late Nineteenth-Century Paris. Manchester UP, 2016.
The Face of Medicine: Visualising Medical Masculinities in Late Nineteenth-Century Paris
Kessler, Marni Reva. “Ocular Anxiety and the Pink Tea Cup: Edgar Degas’s Woman with Bandage.” Nineteenth-Century Art Worldwide, vol. 5, no. 2, 2006, n.p.
“Ocular Anxiety and the Pink Tea Cup: Edgar Degas’s Woman with Bandage.”
Nineteenth-Century Art Worldwide
5
Manet, Édouard. Madame Manet au Piano. 1868. Musée d’Orsay, www.musee-orsay.fr/en/collections/dossier-manet/chronology.html?zoom=1&tx_damzoom_pi1%5Bp ath%5D=fileadmin%2Fmediatheque%2Fintegration_MO%2FManet_-_10-527298.jpg&cHash=3109e6962e, May 2017.
Manet, Julie. Journal: 1893–1899. Editions Scala, 1987.
Journal: 1893–1899
Meller, Kálman Mari, and Juliet Wilson-Bareau. “Manet and Degas: A Never-Ending Dialogue.” The Private Collection of Edgar Degas, by Ann Dumas, et al., Metropolitan Museum of Art, 1997, pp. 177–195.
“Manet and Degas: A Never-Ending Dialogue.”
The Private Collection of Edgar Degas
177
195
Moreau-Nélaton, Étienne. Manet: Raconté par lui-même, vol. 2. Henri Laurens, 1926.
Manet: Raconté par lui-même
2
Rousseau, Philippe. Still Life with Ham. 1870s. Metropolitan Museum of Art, http://www.metmuseum.org/art/collection/search/437513, May 2017.
Ruiz-Gómez, Natasha. “The ‘Scientific Artworks’ of Doctor Paul Richer.” Medical Humanities, vol. 39, no. 1, 2013, pp. 4–10.
“The ‘Scientific Artworks’ of Doctor Paul Richer.”
Medical Humanities
39
4
10
Vollard, Ambroise. Degas: 1834–1917, 10th ed. G. Crès, 1924.
Degas: 1834–1917
Wells, William. The Burrell Collection: Nineteenth Century French Paintings. Arts Council of Great Britain, 1977.
The Burrell Collection: Nineteenth Century French Paintings