Contemporary French Civilization

A THEMATIC APPROACH TO TWENTIETH-CENTURY FRENCH MUSIC IN A CIVILIZATION COURSE: IMPRESSIONISM

Contemporary French Civilization (1976), 1, (1), 123–131.

Abstract

Access Token
£25.00
READ THIS ARTICLE
If you have private access to this content, please log in with your username and password here

 Google Scholar

BIBLIOGRAPHY

Cooper, Martin. French Music from the death of Berlioz to the death of Fauré. London: Oxford Univ. Press, 1951; Google Scholar

Hodeir, André. Since Debussy: a view of Contemporary Music. Trans. Noel Burch. New York: Grove Press, 1961; Google Scholar

Hopkins, G. W. “Debussy and Boulez.” Musical Times, August 1968, pp. 710–714; Google Scholar

Jarocinski, Stefan. Debussy: impressionisme et symbolisme. Traduit par Thérèse Douchy. Paris: éditions du Seuil, 1970; Google Scholar

Lockspeiser, Edward. Debussy: his life and mind. 2 vols. London: Cassell, 1965; Google Scholar

Lockspeiser, Edward. “Debussy in Perspective.” Musical Times, October 1968, pp. 904–906; Google Scholar

Meyers, Rollo. “Debussy and French Music.” Musical Times, October 1967, pp. 899–901; Google Scholar

Smalley, Roger. “Debussy and Messiaen.” Musical Times, February 1968, pp. 128–131; Google Scholar

Vallas, Léon. Les Idées de Claude Debussy, musicien français. Paris, 1927; Google Scholar

Van Ackere, J. Pelléas et Mélisande ou la rencontre miraculeuse d'une poésie et d'une musique. Brussels: Les Editions de la Librairie Encyclopédique, 1952; Google Scholar

Weber, Edith. Debussy et l'évolution de la musique au XXe siècle. Ed. Weber, Edith. Colloque du CNRS, 24–31 octobre 1962. Paris: Editions du CNRS, 1965. Google Scholar

If you have private access to this content, please log in with your username and password here

Details

Author details

University of British Columbia

Bouygues, Claude