Contemporary French Civilization

WORKS CITED

Deleuze, Gilles and Félix Guattari. A Thousand Plateaus: Capitalism and Schizophrenia. Vol. II. Translated by Brian Massumi. Minneapolis: University of Minnesota Press, 1987. Google Scholar

Fernand Léger. Exhibition catalogue. Musée des Art Décoratifs, Paris (June-October 1956). Google Scholar

de Francia, Peter. Fernand Léger. London: Yale University Press, 1983. Google Scholar

Gage, John. “The psychological background to early modern colour: Kandinsky, Delaunay, and Mondrian.” In Towards a New Art: Essays on the Background to Abstract Art 1910–20. London: Tate Gallery, 1980. Google Scholar

Green, Christopher. Cubism and Its Enemies. London: Yale University Press, 1987. Google Scholar

Kristeva, Julia. “Giotto's Joy.” In Desire in Language: A Semiotic Approach to Literature and Art. Edited by Leon S. Roudiez, translated by Thomas Gora, Alice Jardine, and Leon S. Roudiez. Oxford: Blackwell, 1980. 210–236. Google Scholar

Léger, Fernand. “Art and the People” (1946). Arts de France. Paris, 1946. Edited by Edward Fry, translated by Alexandra Anderson. In Functions of Painting. New York: Viking, 1973. 143–148. Google Scholar

Léger, Fernand “The Ballet-Spectacle, the Object-Spectacle.” Bulletin de l'Effort Moderne. Paris, 1925. In Functions of Painting. 71–73. Google Scholar

Léger, Fernand “Contemporary Achievements in Painting.” Soirées de Paris, 1914. In Functions of Painting. 11–19. Google Scholar

Léger, Fernand “A Critical Essay on the Plastic Quality of Abel Gance's Film The Wheel.” Comoedia, Paris, 1922. In Functions of Painting. 20–23. Google Scholar

Léger, Fernand “How I Conceive of the Figure.” Louis Carré Gallery, 1949. In Functions of Painting. 155–156. Google Scholar

Léger, Fernand “The Human Body Considered as an Object” (Montreal, 1945). In Functions of Painting. 132–136. Google Scholar

Léger, Fernand “The Machine Aesthetic: Geometric Order and Truth.” Propos d'artistes, Paris, 1925. In Functions of Painting. 62–66. Google Scholar

Léger, Fernand “The Machine Aesthetic: The Manufactured Object, the Artisan, and the Artist.” Bulletin de l'Effort Moderne, Paris, 1924. In Functions of Painting. 52–61. Google Scholar

Léger, Fernand “The New Realism.” Art Front, New York, 1935. Translated by Harold Rosenberg. In Functions of Painting. 109–113. Google Scholar

Léger, Fernand “Notes on Contemporary Plastic Life.” Kunstblatt, Berlin, 1923. In Functions of Painting. 25–26. Google Scholar

Léger, Fernand “Popular Dance Halls” (1925). In Functions of Painting. 74–76. Google Scholar

Léger, Fernand “Speaking of Cinema.” Cahiers d'Art, Paris, 1933. In Functions of Painting. 100–104. Google Scholar

Léger, Fernand “The Spectacle: Light, Color, Moving Images, Object-Spectacle.” Bulletin de l'Effort Moderne, Paris, 1924. In Functions of Painting. 35–47. Google Scholar

Matisse, Henri. “Notes d'un Peintre.” La Grande Revue LII 24–25 (December 1908), Paris, 731–745. Rpt. edited by Dominique Fourcade. Henri Matisse: Écrits et propos sur l'art. Paris, Hermann, 1972. Google Scholar

Matisse, Henri “Notes of a Painter.” Translated by Jack D. Flam. In Matisse on Art. Edited by Jack D. Flam. Oxford: Phaidon, 1973. 35–40. Google Scholar

Welchman, John C. “Dalí's Edible Splits: Faces, Tastes and Spaces in Delirium.” In Architecture à la carte: Parallels Between the Preparation of Food and the Production of Space. Edited by Jamie Horwitz and Paulette Singley. Cambridge: MIT Press, 2004. Google Scholar

Welchman, John C “Extra Mural.” For the exhibition Antoni Tàpies, Museo Nacional Centra de Arte Reina Sofia, Madrid, March 5 to May 15, 2000, [English version] 321–334. Google Scholar

Welchman, John C “Until the Probe-head.” Catalogue essay for the exhibition Faciality, Monash University Gallery, Melbourne, Australia, July-August 1994. Google Scholar

Welchman, John C Word, Image and Modernism: An Examination of the Orders of Relation Between Visuality and Textuality in the Modern Period. Ph.D. Thesis, University of London, through the Courtauld Institute of Art, 1990. Google Scholar