Works Cited
Allatson, Paul. Key Terms in Latino/a Cultural and Literary Studies. Blackwell, 2007.
Anderson, Reynaldo. “Afrofuturism 2.0 & The Black Speculative Art Movement: Notes on a Manifesto.” Obsidian, vol 42, nos. 1 & 2, 2016, pp. 230–271.
Aparicio, Frances R., and Susana Chávez-Silverman, editors. Tropicalizations: Transcultural Representations of Latindad. UP of New England, 1997.
Benjamin, Jeff. “Latin Music Is Now More Popular Than Country & EDM In America.” Forbes, 4 Jan. 2019, forbes.com/sites/jeffbenjamin/2019/01/04/latin-music-in-2018-album-song-sales-consumption-buzzangle-report/#495b4eb85add. Accessed 4 Jan. 2019.
Bocafloja. “Collective Amnesia.” La Verdad: An International Dialogue on Hip Hop Latinidades, edited by Melissa Castillo-Garsow and Jason Nichols, Ohio State UP, 2016, pp. 125–132.
Calle 13, featuring Susana Baca, Totó la Momposina, and Maria Rita. “Latinoamérica.” Directed by Jorge Carmona and Milovan Radovic. YouTube, 2011, www.youtube.com/watch?v=DkFJE8ZdeG8&feature=youtu.be. Accessed 17 Nov. 2019.
Calvo-Quirós, William A. “The Emancipatory Power of the Imaginary: Defining Chican@ Speculative Productions.” Altermundos: Latin@ Speculative Literature, Film, and Popular Culture, edited by Cathryn Josefina Merla-Watson and B.V. Olguín, U of California Los Angeles P, 2017, pp. 39–54.
Castillo-Garsow, Melissa, and Jason Nichols, editors. “Hip Hop Latinidades: More Than Just Rapping in Spanish.” La Verdad: An International Dialogue on Hip Hop Latinidades, edited by Melissa Castillo-Garsow and Jason Nichols, Ohio State UP, 2016, pp. 3–16.
Castillo-Garsow, Melissa, and Jason Nichols, editors. La Verdad: An International Dialogue on Hip Hop Latinidades. Ohio State UP, 2016.
Cornejo, Kency. “Decolonial Futurisms: Ancestral Border Crossers, Time Machines, and Space Travel in Salvadorian Art.” Mundos Alternos: Art and Science Fiction in the Americas, edited by Robb Hernández et al., U of California Riverside P, 2017, pp. 20–31.
Cypress Hill, featuring Pitbull and Marc Anthony. “Armada Latina.” Directed by Matt Alonzo. YouTube, 2010, www.youtube.com/watch?v=fdi7VoAa8rI. Accessed 17 Nov. 2019.
Cypress Hill, featuring Pitbull and Marc Anthony. “The Making of Armanda Latina.” Directed by Matt Alonzo. YouTube, 2010, https://www.youtube.com/watch?v=wjDJf3MboIQ. Accessed 17 Nov. 2019.
Cypress Hill, featuring Pitbull and Marc Anthony. Rise Up. Priority Records, 2010.
“Cypress Hill rinde tributo a raíces latinas.” El Nuevo Día, 27 Apr. 2010, https://www.elnuevodia.com/entretenimiento/musica/nota/cypresshillrindetributoaraices-latinas-693949/. Accessed 15 Jan. 2019.
De Onís, Catalina M. “What’s in an ‘x’?: An Exchange about the Politics of ‘Latinx.’” Chiricú Journal: Latina/o Literatures, Arts, and Cultures, vol. 1, 2017, pp. 78–91.
Dillon, Grace. Walking the Clouds: An Anthology of Indigenous Science Fiction. U of Arizona P, 2012.
Exposito, Suzy. “Calle 13’s Residente Talks Exploring Global Roots on Star-Studded Solo Debut.” Rolling Stone, 4 Apr. 2017, https://www.rollingstone.com/music/music-features/calle-13s-residente-talks-exploring-global-roots-on-star-studded-solo-debut-193965/. Accessed 15 Jan. 2019.
Flores, José. “‘Waking the Sleeping Giant’: Mestizaje, Ideology, and the Postcyberpunk Poetics of Carlos Miralejos’s Texas 2027.” Altermundos: Latin@ Speculative Literature, Film, and Popular Culture, edited by Cathryn Josefina Merla-Watson and B. V. Olguín, U of California Los Angeles P, 2017, pp. 265–278.
Flores, Juan. From Bomba to Hip-Hop: Puerto Rican Culture and Latino Identity. Columbia UP, 2000.
Goodwin, Matthew David. Latin@ Rising: An Anthology of Latin@ Science Fiction and Fantasy. Wings Press, 2017.
Hernández, Robb, Tyler Stallings, and Joanna Szupinska, editors. Mundos Alternos: Art and Science Fiction in the Americas. U of California Riverside P, 2017.
Hogan, Ernest. “Chicanonautica Manifesto.” Aztlan: A Journal of Chicano Studies, vol. 40, 2015, pp. 131–134.
Los Rakas, “Sueño Americano.” Directed by The Perez Brothers (Los Rakas). YouTube, 2014, www.youtube.com/watch?v=q3M-wri0HZg. Accessed 17 Nov. 2019.
McFarland, Pancho, and Jared A. Ball. “¡Ya basta con Latino! The Re-Indigenization and Re-Africanization of Hip Hop.” La Verdad: An International Dialogue on Hip Hop Latinidades, edited by Melissa Castillo-Garsow and Jason Nichols, Ohio State UP, 2016, pp. 41–59.
Melyon-Reinette, Stéphanie. “Homosexuals, Hemophiliacs, Heroin Addicts, and Haitians: How Hip Hop Transformed Haitian Stigmatization into a Source of Pride.” La Verdad: An International Dialogue on Hip Hop Latinidades, edited by Melissa Castillo-Garsow and Jason Nichols, Ohio State UP, 2016, pp. 247–259.
Merla-Watson, Cathryn Josefina, and B. V. Olguín, editors. Altermundos: Latin@ Speculative Literature, Film, and Popular Culture. U of California Los Angeles P, 2017.
Merla-Watson, Cathryn Josefina, and B. V. Olguín, editors. “Altermundos: Reassessing the Past, Present, and Future of the Chican@ and Latin@ Speculative Arts. Altermundos: Latin@ Speculative Literature, Film, and Popular Culture, edited by Cathryn Josefina Merla-Watson and B. V. Olguín, U of California Los Angeles P, 2017, pp. 1–36.
Merla-Watson, Cathryn Josefina, and B. V. Olguín, editors. “¡Latin@futurism Ahora! Recovering, Remapping, and Recentering the Chican@ and Latin@ Speculative Arts.” Aztlan: A Journal of Chicano Studies, vol. 40, 2015, pp. 135–146.
Molina, Melinda S. “Calle 13: Reggaeton, Politics, and Protest.” Washington University Journal of Law and Policy, vol. 46, 2015, pp. 117–147.
Moreno Pineda, Victor Alfonso. “Latinoamérica para los latinoamericanos: Análisis del discurso ideológico latinoamericano en las canciones de Calle 13.” Cuadernos de Lingüística Hispánica, vol. 20, 2012, pp. 99–107.
Pitbull. “Orgullo.” Armando, Sony, 2010.
Ramírez, Catherine S. “Deus ex Machina: Tradition Technology, and the Chicanafuturist Art of Marion C. Martinez.” Aztlan: A Journal of Chicano Studies, vol. 29, 2004, pp. 55–92.
Ramírez, Susana. “Recovering Gloria Anzaldúa’s Sci-Fi Roots: Nepantler@ Visions in the Unpublished and Published Speculative Precursors to Borderlands.” Altermundos: Latin@ Speculative Literature, Film, and Popular Culture, edited by Cathryn Josefina Merla-Watson and B. V. Olguín, U of California Los Angeles P, 2017, pp. 55–71.
Residente. Residente. http://residente.com/en/. Accessed 3 Jan. 2019.
Rivera, Raquel Z. New York Ricans From the Hip Hop Zone. Palgrave, 2003.
Rivera-Rideau, Petra R. “From Panama to the Bay: Los Rakas’ Expressions of Afrolat-inidad.” La Verdad: An International Dialogue on Hip Hop Latinidades, edited by Melissa Castillo-Garsow and Jason Nichols, Ohio State UP, 2016, pp. 63–79.
Rivero-Zaritzky, Yosálida C. “La música de contenido social y el videoclip: el caso de Latinoamérica de Calle 13.” Literatura y Cine: En el Bicentenario de la Independencia de Iberoamérica y de la Constitución de Cádiz, edited by Jorge H. Valdivieso and Enrique Ruiz-Fornells, Orbis Press, 2014, pp. 141–149.
Salinas, Cristobal, Jr., and Adele Lozano. “Mapping and Recontextualizing the Evolution of the Term Latinx: An Environmental Scanning in Higher Education.” Journal of Latinos and Education, vol. 18, no. 4, 2017, pp. 302–305. Taylor and Francis Online. doi.org/10.1080/15348431.2017.1390464. Accessed 17 Nov. 2019.
Scarface. Directed by Brian De Palma, performances by Al Pacino, Michelle Pfeiffer, and Steven Bauer, Universal Pictures, 1983.
Serrano, Paloma Bahamón. “Discursos sobre la unidad latinoamericana en la canción popular Latinoamérica de Calle 13.” Panorama de los estudios del Discurso en Colombia. Universidad Distrital Francisco José de Caldas, edited by Sandra Soler Castillo and Dora Inés Calderón, 2014, pp. 157–181.
Taylor, Taryne Jade. “A Singular Dislocation: An Interview with Junot Díaz.” Paradoxa, vol. 26, 2014, pp. 97–109.
Tinajero, Robert. “Borderland Hip Hop Rhetoric: Identity and Counterhegemony.” La Verdad: An International Dialogue on Hip Hop Latinidades, edited by Melissa Castillo-Garsow and Jason Nichols, Ohio State UP, 2016, pp. 17–40.
Trujillo-Pagán, Nicole. “Crossed Out by LatinX: Gender Neutrality and Genderblind Sexism.” Latino Studies, vol. 16, 2018, pp. 396–406.
UCLA Center for Health Policy Research. “Building Healthy Communities: Boyle Heights Health Profile.” UCLA Center for Health Policy Research, Nov. 2011, health-policy.ucla.edu/chis/bhc/Documents/BHC_Fact_Sheet_Boyle_Heights.pdf. Accessed 10 Dec. 2018.
Vidal-Ortiz, Salvador, and Juliana Martínez. “Latinx Thoughts: Latinidad with an X.” Latino Studies, vol. 16, 2018, pp. 384–395.
Vizenor, Gerald. Manifest Manners: Narratives on Postindian Survivance. U of Nebraska P, 1999.
Vizenor, Gerald. Survivance: Narratives of Native Presence. U of Nebraska P, 2008.
Yaszek, Lisa. “An Afrofuturist Reading of Ralph Ellison’s Invisible Man.” Rethinking History, vol. 26, nos. 2–3, 2005, pp. 297–313.