Catalan Review

Experiments in Dialogic Poetics: J. V. Foix and Joan Ponç's La Pell de la Pell (1970)

Catalan Review (2012), 26, (1), 35–56.

DOI
https://doi.org/10.3828/CATR.26.1.35
Language
English
Pages
22

Abstract

La pell de la pell started out as poetic prose written by J. V. Foix in 1968, presented as an open letter to the Dau al Set artist Joan Ponç. The painter's response to the letter was to collaborate with the poet in this artist's book, La pell de la pell (1970), where illustrations share the pages with the text, which is then followed by a series of 22 etchings signed by the artist. This innovative and exciting exercise would be replicated by most of the members of the group in multiple collaborative combinations, producing masterpieces such as the Nocturn matinal (1970) and Poems from the Catalan (1973) by Joan Brossa and Antoni Tàpies, 97 notes sobre ficcions poncianes (1974) by J. V. Foix and Joan Ponç, and Exploració de l'ombra (1974) by Joan Fuster and Joan Ponç, to name just a few. This article studies the dual experimental nature of this book: Foix's poetic prose and the intriguing effect that the addition of Ponç's images makes to the work as a whole. It will also address the treatment that they both make of the theme of roughness (both literal and figurative), identified by Foix in his earlier collection Sol i de dol (1936) as a meaningful and innovative element in his poetry, and the use of texture in Ponç's work. Foix's text will also be compared to D. H. Lawrence's "Snake" to discuss the sexual associations explored by both the poet and the artist in this book. The work will be evaluated in terms of its reproduction of repeated patterns and their mesmeric effect, and linked to the attributes historically associated to the snake ever since the mediaeval Bestiaries but also to Barthes' "Pleasure of Consumption." The method of analysis will involve the study of La pell de la pell from a Bakhtinian perspective, as a single hybrid text where the two media dialogue with each other, and attempt to decipher a common visual and linguistic symbolism. This will allow for the interpretation of this work as one that incites the reader to join in an intellectual game closely linked to Barthes' concept of Jouissance.

Access Token

FormatArticle

£25.00
ReferencesFull TextPDF
If you have private access to this content, please log in with your username and password here

Bakhtin, Mikhail. The Dialogic Imagination: Four Essays (1934). Trans. M. Holquist & C. Emerson. Austin: University of Texas Press, 1981. The Dialogic Imagination: Four Essays (1934) Google Scholar

Barthes, Roland. "From Word to Text." Image, Music, Text. Ed. S. Heath. London: Fontana, 1977. 155-164. Image, Music, Text 155 164 Google Scholar

Barthes, Roland. Le plaisir du texte. Points: Éditions du Seuil, 1973. Le plaisir du texte Google Scholar

Brossa, Joan. "L'hivern i la capa, o el califat del foc." Presentation leaflet for 97 notes sobre ficcions poncianes. Barcelona: Galería Arturo Ramón, November-December 1974. L'hivern i la capa, o el califat del foc Google Scholar

Chodorow, Joan, ed. C. G. Jung. Jung on Active Imagination. London: Routledge, 1997. Jung on Active Imagination Google Scholar

Cirici, Alexandre. "Joan Ponç, l'home que passa la porta." Serra d'Or, 12 (1965): 45-48. Joan Ponç, l'home que passa la porta Serra d'Or 12 45 48 Google Scholar

Foix, J. V. and Joan Ponç. La pell de la pell. Barcelona: Polígrafa, 1970. La pell de la pell Google Scholar

Foix, J. V. and Joan Ponç. 97 notes sobre ficcions poncianes. Barcelona: Polígrafa, 1974. 97 notes sobre ficcions poncianes Google Scholar

Guerrero, Manuel. J. V. Foix investigador en poesia. Barcelona: Empúries, 1996. J. V. Foix investigador en poesia Google Scholar

Miralles, Francesc. "Adiós a un artista mágico." El Correo Catalán 5 April 1984: 27. Adiós a un artista mágico El Correo Catalán 27 Google Scholar

Morris, Brian C. Surrealism and Spain 1920-1936. Cambridge: Cambridge UP, 1972. Surrealism and Spain 1920-1936 Google Scholar

Omer, Mordechai. Universo y magia de Joan Ponç. Barcelona: Polígrafa, 1972. Universo y magia de Joan Ponç Google Scholar

Perucho, Joan. "O. C." Ariel VII, 1945: 11. Google Scholar

Prudon, Montserrat. "La peau de la peau ou le poète dit le peintre (J. V. Foix / J. Ponç)." Peinture et Écriture 1. Paris: UNESCO, La Différence, 1996: 129-43. Peinture et Écriture 1 129 43 Google Scholar

Puig, Arnau. "El arte juega con lo visceral y lo instintivo." La Vanguardia 6 April 1984: 39. El arte juega con lo visceral y lo instintivo La Vanguardia 39 Google Scholar

Puig, Arnau. "L'obra de Joan Ponç. Les desraons del llamp." Catalogue for the exhibition Joan Ponç. Barcelona: Centre Cultural Fundació La Caixa, 2002. 14-35. Catalogue for the exhibition Joan Ponç 14 35 Google Scholar

Puig, Ignasi. "Exposició de Dau al Set al Raval." Raval va!! 3 October 1999: 11. Exposició de Dau al Set al Raval Raval va!! 11 Google Scholar

Puig, Ignasi. Joan Ponç y los cátaros. Barcelona: Edicions EPIC, 2001. Joan Ponç y los cátaros Google Scholar

Pujol, Félix. "Temas y personajes. Joan Ponç, la paleta de un espíritu cósmico." La Vanguardia 27 September 1981: 1. Temas y personajes. Joan Ponç, la paleta de un espíritu cósmico La Vanguardia 1 Google Scholar

Rivière, Margarita. "Gente: Joan Ponç, pintor. ‘Sin orden no hay libertad, ni nada’." El Periódico de Catalunya 11 March 1984: 54. Gente: Joan Ponç, pintor. ‘Sin orden no hay libertad, ni nada’ El Periódico de Catalunya 54 Google Scholar

Roser i Puig, Montserrat. "Discussing Art and Painting Poetry? A Commentary on 97 notes sobre ficcions poncianes (1974) by J. V. Foix and Joan Ponç." Catalan Review, XIX: 1-2 (2005): 155-171. Discussing Art and Painting Poetry? A Commentary on 97 notes sobre ficcions poncianes (1974) by J. V. Foix and Joan Ponç Catalan Review XIX 155 171 Google Scholar

Roser i Puig, Montserrat. "Il·lustrant poemes visuals? Notes al Nocturn matinal (1970) de Joan Brossa i Antoni Tàpies." Segon Col·loqui Europeu d'Estudis Catalans. Intertextualitat a la literatura catalana des del franquisme fins avui. Ed. Montserrat Roser & Cristià Camps. Péronnas: Centre d'études et de recherches catalanes, Université Paul-Valéry - Montpellier III, 2007. 427-449. Segon Col·loqui Europeu d'Estudis Catalans. Intertextualitat a la literatura catalana des del franquisme fins avui 427 449 Google Scholar

Roser i Puig, Montserrat. "Art, poesia, traducció i expressió: Sobre Poems from the Catalan (1974) d'Antoni Tàpies i Joan Brossa." Transformacions: Llenguatges teòrics i relacions interartístiques (1975-2000). Ed. Maria Muntaner, Mercè Picornell, Margalida Pons and Josep Antoni Reynés. Barcelona: Publicacions de l'Abadia de Montserrat, 2010. 212-140. Transformacions: Llenguatges teòrics i relacions interartístiques (1975-2000) 212 140 Google Scholar

Sobrer, Josep Miquel. "Deformation, Mutilation, and Putrefaction: The Early Foix." Journal of Iberian and Latin American Studies 9:2 (2003): 179-189. Deformation, Mutilation, and Putrefaction: The Early Foix Journal of Iberian and Latin American Studies 9 179 189 Google Scholar

Von Franz, Marie-Louise. Alchemical Active Imagination. Boston: Shambhala, 1977. Alchemical Active Imagination Google Scholar

Young, Archibald M. "Rhythm and Meaning in Poetry: D. H. Lawrence's Snake." English, XVII, 98 (1968): 41-47. Rhythm and Meaning in Poetry: D. H. Lawrence's Snake English XVII 41 47 Google Scholar

If you have private access to this content, please log in with your username and password here

Details

Author details

Puig, Montserrat