Notes on Contributors
Frank Cancel is Associate Professor of French and Canadian Studies at Indiana University
Northwest. In addition to Les Voix d'Ã©ros: La PoÃ©sie amoureuse de Paul Ã‰luard et Pable Neruda
(1988), he has published translations of works by Pier Giorgio De Cicco and Mary di MichÃ¨le.
He is currently working on a book of essays on Italian-Canadian writing and another collecÂ
tion of essays on the literary margins in contemporary Quebec.
Patrick Coleman is Professor of French at the University of California, Los Angeles. His
books include The Limits of Sympathy: Gabrielle Roy's "The Tin Flute," (1993) and an edition of
Rousseau's Discourse on Inequality (1994).
Leslie Harlin earned her doctorate from the University of Virginia in 1995 and is curÂ
rently an independent scholar. Her doctoral dissertation is "Mother, Virgin, and Witch
in Six Novels by Anne HÃ©bert."
Kathleen L. Kellett-Betsos is Assistant Professor in the Department of French at Ryerson Polytechnic University in Toronto, Canada. Most of her previous research has been
on women's writing and on the poetic novel in Quebec.
Susan Kevra, a doctoral candidate in the Department of French and Italian at the UniÂ
versity of Massachusetts - Amherst, is currently writing her dissertation, entitled "LiterÂ
ary Body Building: Representations of the Body in the Novel of French Canada and QueÂ
bec." She teaches French and Writing at Marlboro College in Marlboro, Vermont.
Claire Le Brun is an Associate Professor in the DÃ©partement d'Ã©tudes franÃ§aises at
Concordia University, MontrÃ©al. The author of numerous articles on literature for young
people, she is preparing a work on the Quebec novel for adolescents.
Steven A. Mosher is Associate Professor and Director of the Health Care AdministraÂ
tion Program at Mary Baldwin College. The primary focus of his research is on rural
Tremblay, an Associate Professor at Wilfrid Laurier University in
Ontario, is the author of Au commencement Ã©tait le mythe (1991), which analyzes the
evolution of mytho-structures in the literature of Quebec. He is currently working on
representations of masculinity in QuÃ©bÃ©cois fiction.
Erratum: In Volume 19, the author of TÃ©lÃ©guidages de la lecture: la modernitÃ©
quÃ©bÃ©coise et ses orthodoxies was incorrectly identified. Robert Dion is a ProfesÂ
sor at the UniversitÃ© du QuÃ©bec Ã Rimouski and a member of the Centre de
recherche en littÃ©rature quÃ©bÃ©coise (CRELIQ) at UniversitÃ© Laval. He directs a
research project on Dispositifs Ã©nonciatifs du discours critique quÃ©bÃ©cois depuis
1980. He has published a volume on Structuralisme littÃ©raire en France (Balzac,
1993); a travel narrative about Berlin, le Droit du sol (Nuit blanche, 1993); and
articles on Jacques Brault, Nicole Brossard, and AndrÃ© Brochu, among others.
He is a member of the Editorial Board of Tangents. Quebec Studies apologizes for