Notes on Contributors
Paul Raymond CÃ´tÃ© is Professor of French at American University, Washington,
D.C. In addition to authoring books and articles on contemporary writers of
France, he has published studies on Anne HÃ©bert, Jacques Godbout, Yves
Beauchemin, AndrÃ© Brochu, Gerald Tougas, Philippe Aubert de GaspÃ© (fils), and
Earl H. Fry is a Professor of Political Science and Endowed Professor of
Canadian Studies at Brigham Young University. His most recent publications are
Globalism and the North American West, and America the Vincible: U.S. Foreign
Policy for the 21st Century. He is currently completing an article on Quebec's relaÂ
tions with the United States.
Mary Jean Green is Edward Tuck Professor at Dartmouth College where she
teaches French, comparative literature, and women's studies. The author and
editor of numerous books, including Marie-Claire Biais (Twayne, 1995) and
Women and Narrative Identity: Rewriting the Quebec National Text (McGill-Queen's,
2001), she has published widely on Quebec fiction and cinema. Past president of
the American Council for QuÃ©bec Studies and founding editor of QuÃ©bec Studies,
Professor Green has been the recipient of both the Dormer Medal and the Prix
Simone Grossman est professeure de littÃ©rature franÃ§aise et quÃ©bÃ©coise au
dÃ©partement de franÃ§ais de l'universitÃ© Bar Ilan. Elle a publiÃ© Julien Gracq et le
surrÃ©alisme (Corti, 1980) et L'oeil du poÃ¨te. Pieyre de Mandiargues et la peinture
(Lettres Modernes-Minard, 1999). Ses recherches portent actuellement sur le fanÂ
tastique quÃ©bÃ©cois de la fin du vingtiÃ¨me siÃ¨cle.
Constantina Mitchell is Professor of French and coordinator of French proÂ
grams at Gallaudet University. Her publications include works on Paul Verlaine,
Anne HÃ©bert, Yves Beauchemin, and deaf history in QuÃ©bec. She has coauthored several articles and books including Shaping the Novel: Textual Interplay
in the Fiction of Malraux, HÃ©bert, and Modiano (Berghahn Books, 1996) and an
English translation of Emmanuelle Laboritis Le Cri de la Mouette (The Cry of the
Gull, Gallaudet University Press, 1998).
Kathleen Rochefort Murray is an independent researcher in religious art with a
special interest in the culture of French Canada. She has a doctorate in music
from the University of Illinois as well as a doctorate in theology from the
Graduate Theological Union, UC-Berkeley. She is a founder and on the board of
the Women's Fund of New Hampshire and is presently developing a program
for girls as grant makers for high school age students in New Hampshire. She is
also finishing a biography of a French-Canadian religious who was a significant
figure in music education in Vermont.
Katherine Roberts is Assistant Professor of French at Bowling Green State
University where she is also an active member of the Canadian Studies Program.
She received her Ph. D. from Queen's University (Kingston, Ontario) in 1999.