Journal of Literary & Cultural Disability Studies

Comment from the Field: What Is Disability Studies to Make of Fetal Amputee and Cosplayer Laura Vaughn and Her Emulation of Female Warrior, Imperator Furiosa of Mad Max: Fury Road?

Journal of Literary & Cultural Disability Studies (2020), 14, (4), 487–491.

DOI
https://doi.org/10.3828/jlcds.2020.32
Language
English
Pages
5

Abstract

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£25.00
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Works Cited

Backe, Emma L. “Consumption, Performance and Identity in Cosplay.” The Geek Anthropologist (16 Jun. 2016). Web. 20 Dec. 2017. Google Scholar

Davis, Lennard J. “The Disability Paradox: The Ghettoisation of the Visual.” Parallel Lines (2011): 1-8. Web. 1 Dec. 2017. Google Scholar

Mad Max: Fury Road. Dir. George Miller. Warner Brothers, 2015. DVD. Google Scholar

McRuer, Robert. “Compulsory Able Bodiedness and Queer/Disabled Existence.” Disability Studies: Enabling the Humanities. Ed. Sharon L. Snyder, Brenda Jo Brueggmann, and Rosmarie Garland Thomson. New York: Modern Language Association of America, 2002. 88-99. Print. Google Scholar

Sandhal, Carrie and Philip Auslander. Bodies in Commotion: Disability and Performance. Ann Arbor: U of Michigan P, 2005. Print. Google Scholar

Vaughn, Laura J. “My Reaction to Mad Max: Fury Road and the Utter Perfection That is Imperator Furiosa.” 2016. The Mary Sue. Web. 10 Jan. 2018. Google Scholar

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Author details

Smith, Sue