Comment from the Field: What Is Disability Studies to Make of Fetal Amputee and Cosplayer Laura Vaughn and Her Emulation of Female Warrior, Imperator Furiosa of Mad Max: Fury Road?

Smith, Sue

Journal of Literary & Cultural Disability Studies (2020), 14, (4), 487–491.

DOI: https://doi.org/10.3828/jlcds.2020.32
Language: English
Pages: 5

Abstract

FormatArticle

£25.00

If you have private access to this content, please log in with your username and password here

Works Cited

Backe, Emma L. “Consumption, Performance and Identity in Cosplay.” The Geek Anthropologist (16 Jun. 2016). Web. 20 Dec. 2017. Google Scholar

Davis, Lennard J. “The Disability Paradox: The Ghettoisation of the Visual.” Parallel Lines (2011): 1-8. Web. 1 Dec. 2017. Google Scholar

Mad Max: Fury Road. Dir. George Miller. Warner Brothers, 2015. DVD. Google Scholar

McRuer, Robert. “Compulsory Able Bodiedness and Queer/Disabled Existence.” Disability Studies: Enabling the Humanities. Ed. Sharon L. Snyder, Brenda Jo Brueggmann, and Rosmarie Garland Thomson. New York: Modern Language Association of America, 2002. 88-99. Print. Google Scholar

Sandhal, Carrie and Philip Auslander. Bodies in Commotion: Disability and Performance. Ann Arbor: U of Michigan P, 2005. Print. Google Scholar

Vaughn, Laura J. “My Reaction to Mad Max: Fury Road and the Utter Perfection That is Imperator Furiosa.” 2016. The Mary Sue. Web. 10 Jan. 2018. Google Scholar

If you have private access to this content, please log in with your username and password here

Details

Author details

Smith, Sue

Journal of Literary & Cultural Disability Studies