Journal of Literary & Cultural Disability Studies

Disability and Science Fiction: Further Reading

Allan, Kathryn. “Disability in Science Fiction.” SF 101: A Guide to Teaching and Studying Science Fiction. Ed. Ritch Calvin, Doug Davis, Karen Hellekson, and Craig Jacobsen. Science Fiction Research Association. eBook. Google Scholar

Allan, Kathryn., ed. Disability in Science Fiction: Representations of Technology as Cure. New York: Palgrave Macmillan, 2013. Print. Google Scholar

Bérubé, Michael. “Disability and Narrative.” PMLA 120.2 (2005): 568-76. Print. Google Scholar

Cheu, Johnson. “De-gene-erates, Replicants and Other Aliens: (Re)defining Disability in Futuristic Film.” Disability/Postmodernity. Ed. Mairian Corker and Tom Shakespeare. London: Continuum, 2002. 198-212. Print. Google Scholar

Cheyne, Ria. Disability, Literature, Genre: Representation and Affect in Contemporary Fiction. Liverpool: Liverpool UP, 2019. Print. Google Scholar

“‘She Was Born a Thing’: Disability, the Cyborg and the Posthuman in Anne McCaffrey’s The Ship Who Sang.” Journal of Modern Literature 36.3 (2013): 138- 56. Print. Google Scholar

Einstein, Sarah. “The Future Imperfect.” Redstone Science Fiction. Jun. 2010. Web. 30 Apr. 2020. Google Scholar

Ellis, Katie. Disability and Popular Culture: Focusing Passion, Creating Community and Expressing Defiance. Surrey: Ashgate, 2015. Print. Google Scholar

Kafer, Alison. Feminist, Queer, Crip. Bloomington: Indiana UP, 2013. Print. Google Scholar

Kanar, Hanley E. “No Ramps in Space: the Inability to Imagine Accessibility in Star Trek: Deep Space Nine.” Fantasy Girls: Gender in the New Universe of Science Fiction and Fantasy Television. Ed. Elyce Rae Helford. Lanham, MD: Rowman and Littlefield, 2000. 245-64. Print. Google Scholar

Melzer, Patricia. “‘And How Many Souls Do You Have?’: Technologies of Perverse Desire and Queer Sex in Science Fiction Erotica.” Queer Universes: Sexualities in Science Fiction. Ed. Wendy Gay Pearson, Veronica Hollinger, and Joan Gordon. Liverpool: Liverpool UP, 2008. 161-79. Print. Google Scholar

Moody, Nickianne. “Untapped Potential: the Representation of Disability/Special Ability in the Cyberpunk Workforce.” Convergence: The International Journal of Research into New Media Technologies 3.3 (1997): 90-105. Web. 30 Apr. 2020. Google Scholar

Reeve, Donna. “Cyborgs, Cripples and iCrip: Reflections on the Contribution of Haraway to Disability Studies.” Disability and Social Theory: New Developments and Directions. Ed. Dan Goodley, Bill Hughes, and Lennard Davis. Houndmills: Palgrave, 2012. 91-111. Print. Google Scholar

Schalk, Sami. Bodyminds Reimagined: (Dis)Ability, Race, and Gender in Black Women’s Speculative Fiction. Durham: Duke UP, 2018. Print. Google Scholar

Smith, Angela M. Hideous Progeny: Disability, Eugenics, and Classic Horror Cinema. New York: Columbia UP, 2011. Print. Google Scholar

Stemp, Jane. “Devices and Desires: Science Fiction, Fantasy and Disability in Literature for Young People.” Disability Studies Quarterly 24.1 (2004). Web. 30 Apr. 2020. Google Scholar

Vanderhooft, JoSelle, ed. The WisCon Chronicles: Shattering Ableist Narratives. Vol. 7. Seattle: Aqueduct, 2013. Print. Google Scholar

Verlarger, Alicia “Kestrell.” “Decloaking Disability: Images of Disability and Technology in Science Fiction Media.” 2006. Master of Science thesis. MIT. Web. 23 Apr. 2020. Google Scholar

Allan, Kathryn. “Disability in Science Fiction.” SF 101: A Guide to Teaching and Studying Science Fiction. Ed. Ritch Calvin, Doug Davis, Karen Hellekson, and Craig Jacobsen. Science Fiction Research Association. eBook. Google Scholar

Allan, Kathryn., ed. Disability in Science Fiction: Representations of Technology as Cure. New York: Palgrave Macmillan, 2013. Print. Google Scholar

Bérubé, Michael. “Disability and Narrative.” PMLA 120.2 (2005): 568-76. Print. Google Scholar

Cheu, Johnson. “De-gene-erates, Replicants and Other Aliens: (Re)defining Disability in Futuristic Film.” Disability/Postmodernity. Ed. Mairian Corker and Tom Shakespeare. London: Continuum, 2002. 198-212. Print. Google Scholar

Cheyne, Ria. Disability, Literature, Genre: Representation and Affect in Contemporary Fiction. Liverpool: Liverpool UP, 2019. Print. Google Scholar

“‘She Was Born a Thing’: Disability, the Cyborg and the Posthuman in Anne McCaffrey’s The Ship Who Sang.” Journal of Modern Literature 36.3 (2013): 138- 56. Print. Google Scholar

Einstein, Sarah. “The Future Imperfect.” Redstone Science Fiction. Jun. 2010. Web. 30 Apr. 2020. Google Scholar

Ellis, Katie. Disability and Popular Culture: Focusing Passion, Creating Community and Expressing Defiance. Surrey: Ashgate, 2015. Print. Google Scholar

Kafer, Alison. Feminist, Queer, Crip. Bloomington: Indiana UP, 2013. Print. Google Scholar

Kanar, Hanley E. “No Ramps in Space: the Inability to Imagine Accessibility in Star Trek: Deep Space Nine.” Fantasy Girls: Gender in the New Universe of Science Fiction and Fantasy Television. Ed. Elyce Rae Helford. Lanham, MD: Rowman and Littlefield, 2000. 245-64. Print. Google Scholar

Melzer, Patricia. “‘And How Many Souls Do You Have?’: Technologies of Perverse Desire and Queer Sex in Science Fiction Erotica.” Queer Universes: Sexualities in Science Fiction. Ed. Wendy Gay Pearson, Veronica Hollinger, and Joan Gordon. Liverpool: Liverpool UP, 2008. 161-79. Print. Google Scholar

Moody, Nickianne. “Untapped Potential: the Representation of Disability/Special Ability in the Cyberpunk Workforce.” Convergence: The International Journal of Research into New Media Technologies 3.3 (1997): 90-105. Web. 30 Apr. 2020. Google Scholar

Reeve, Donna. “Cyborgs, Cripples and iCrip: Reflections on the Contribution of Haraway to Disability Studies.” Disability and Social Theory: New Developments and Directions. Ed. Dan Goodley, Bill Hughes, and Lennard Davis. Houndmills: Palgrave, 2012. 91-111. Print. Google Scholar

Schalk, Sami. Bodyminds Reimagined: (Dis)Ability, Race, and Gender in Black Women’s Speculative Fiction. Durham: Duke UP, 2018. Print. Google Scholar

Smith, Angela M. Hideous Progeny: Disability, Eugenics, and Classic Horror Cinema. New York: Columbia UP, 2011. Print. Google Scholar

Stemp, Jane. “Devices and Desires: Science Fiction, Fantasy and Disability in Literature for Young People.” Disability Studies Quarterly 24.1 (2004). Web. 30 Apr. 2020. Google Scholar

Vanderhooft, JoSelle, ed. The WisCon Chronicles: Shattering Ableist Narratives. Vol. 7. Seattle: Aqueduct, 2013. Print. Google Scholar

Verlarger, Alicia “Kestrell.” “Decloaking Disability: Images of Disability and Technology in Science Fiction Media.” 2006. Master of Science thesis. MIT. Web. 23 Apr. 2020. Google Scholar

Works Cited

Allan, Kathryn, ed. Disability in Science Fiction: Representations of Technology as Cure. New York: Palgrave Macmillan, 2013. Print. Google Scholar

Allan, Kathryn and Djibril al-Ayad, eds. Accessing the Future: A Disability-themed Speculative Fiction Anthology. Futurefire.net Publishing, 2015. Print. Google Scholar

Avatar. Dir. James Cameron. 20th Century Fox, 2009. DVD. Google Scholar

Barker, Clare and Stuart Murrary. “Introduction: On Reading Disability in Literature.” The Cambridge Companion to Literature and Disability. Ed. Clare Barker and Stuart Murray. Cambridge: Cambridge UP, 2018. 1-13. Print. Google Scholar

Bolt, David. “Social Encounters, Cultural Representation, and Critical Avoidance.” Routledge Handbook of Disability Studies. Ed. Nick Watson, Alan Roulstone, and Carol Thomas. London: Routledge, 2012. 287-97. Print. Google Scholar

Bérubé, Michael. “Disability and Narrative.” PMLA 120.2 (2005): 568-76. Print. Google Scholar

brown, adrienne maree and Walidah Imarisha, eds. Octavia’s Brood: Science Fiction Stories from Social Justice Movements. Oakland: AK Press, 2015. Print. Google Scholar

Carr, Diane. “Bodies That Count: Augmentation, Community, and Disability in a Science Fiction Game.” Journal of Literary & Cultural Disability Studies 14.4 (2020): 421-36. Print. Google Scholar

Cheu, Johnson. “De-gene-erates, Replicants and Other Aliens: (Re)defining Disability in Futuristic Film.” Disability/Postmodernity. Ed. Mairian Corker and Tom Shakespeare. London: Continuum, 2002. 198-212. Print. Google Scholar

Cheyne, Ria. Disability, Literature, Genre: Representation and Affect in Contemporary Fiction. Liverpool: Liverpool UP, 2019. Print. Google Scholar

Deadpool. Dir. Tim Miller. 20th Century Fox, 2016. DVD. Google Scholar

Deus Ex: Mankind Divided. Dev. Eidos Montreal. Publ. Square Enix, 2016. PS4. Google Scholar

Dolichva, Tsana and Holly Kench, eds. Defying Doomsday. Twelfth Planet Press, 2016. Print. Google Scholar

The End. Dir. Ted Evans. Neath Films and the BSLBT, 2011. BSL Zone. 20 Jan. 2020. Film. Google Scholar

Garland-Thomson, Rosemarie. “The Story of My Work: How I Became Disabled.” Disability Studies Quarterly 34.2. Web. 25 Apr. 2020. Google Scholar

Hladki, Janice. “Hazardous Futures and Damned Embodiments: Disability and White Masculinization in SF Film.” Journal of Literary & Cultural Disability Studies 14.4 (2020): 453-67. Print. Google Scholar

Ishiguro, Kazuo. Never Let Me Go. New York: Vintage Books, 2005. Print. Google Scholar

Kanyusik, Will. “Eugenic Nostalgia: Self-Narration and Internalized Ableism in Kazuo Ishiguro’s Never Let Me Go.” Journal of Literary & Cultural Disability Studies 14.4 (2020): 437-52. Print. Google Scholar

Larbalestier, Justine. The Battle of the Sexes in Science Fiction. Middletown: Wesleyan UP, 2002. Print. Google Scholar

Mazique, Rachel. “Science Fiction’s Imagined Futures and Powerful Protests: the Ethics of ‘Curing’ Deafness in Ted Evans’s The End and Donna Williams’s ‘When the Dead are Cured.’” Journal of Literary & Cultural Disability Studies 14.4. (2020): 469-85. Print. Google Scholar

Michalko, Rod. The Difference That Disability Makes. Philadelphia: Temple UP, 2002. Print. Google Scholar

Moody, Nickianne. “Untapped Potential: the Representation of Disability/Special Ability in the Cyberpunk Workforce.” Convergence: The International Journal of Research into New Media Technologies 3.3 (1997): 90-105. Web. 30 Apr. 2020. Google Scholar

Puar, Jasbir K. The Right to Maim: Debility, Capacity, Disability. Durham: Duke UP, 2017. Print. Google Scholar

Schalk, Sami. “Wounded Warriors of the Future: Disability Hierarchy in Avatar and Source Code.” Journal of Literary & Cultural Disability Studies 14.4 (2020): 403-19. Print. Google Scholar

Science Fiction Research Association. “The SF We Don’t (Usually) See: Suppressed Histories, Liminal Voices, Emerging Media.” Call for Papers. U of Pennsylvania P, 26 Feb. 2015. Web. 1 May 2020. Google Scholar

Shelley, Mary. Frankenstein. London: Wordsworth, 1999. Print. Google Scholar

Sjunneson-Henry, Elsa and Dominik Parisien, eds. Uncanny Magazine: Disabled People Destroy Science Fiction, vol. 24, Sept./Oct. 2018. Print. Google Scholar

Source Code. Dir. Duncan Jones. Summit Entertainment, 2011. DVD. Google Scholar

The Thing. Dir. John Carpenter. Universal Pictures, 1982. DVD. Google Scholar

Tiptree Jr., James. “The Women Men Don’t See.” Her Smoke Rose Up, Forever. London: Gollancz, 2014. 115-43. Print. Google Scholar

Titchkosky, Tanya. The Question of Access: Disability, Space, Meaning. Toronto: U of Toronto P, 2011. Print. Google Scholar

Wells, H. G. “The Country of the Blind.” 1904. The Complete Short Stories of H. G. Wells, London: A&C Black, 1987. 167-92. Print. Google Scholar

Williams, Donna. “When the Dead are Cured.” Deaf Lit Extravaganza. Ed. John Lee Clark. Minneapolis: Handtype Press, 2013. 146. Print. Google Scholar

Wyndham, John. The Day of the Triffids. London: Penguin, 2008. Print. Google Scholar

Allan, Kathryn, ed. Disability in Science Fiction: Representations of Technology as Cure. New York: Palgrave Macmillan, 2013. Print. Google Scholar

Allan, Kathryn and Djibril al-Ayad, eds. Accessing the Future: A Disability-themed Speculative Fiction Anthology. Futurefire.net Publishing, 2015. Print. Google Scholar

Avatar. Dir. James Cameron. 20th Century Fox, 2009. DVD. Google Scholar

Barker, Clare and Stuart Murrary. “Introduction: On Reading Disability in Literature.” The Cambridge Companion to Literature and Disability. Ed. Clare Barker and Stuart Murray. Cambridge: Cambridge UP, 2018. 1-13. Print. Google Scholar

Bolt, David. “Social Encounters, Cultural Representation, and Critical Avoidance.” Routledge Handbook of Disability Studies. Ed. Nick Watson, Alan Roulstone, and Carol Thomas. London: Routledge, 2012. 287-97. Print. Google Scholar

Bérubé, Michael. “Disability and Narrative.” PMLA 120.2 (2005): 568-76. Print. Google Scholar

brown, adrienne maree and Walidah Imarisha, eds. Octavia’s Brood: Science Fiction Stories from Social Justice Movements. Oakland: AK Press, 2015. Print. Google Scholar

Carr, Diane. “Bodies That Count: Augmentation, Community, and Disability in a Science Fiction Game.” Journal of Literary & Cultural Disability Studies 14.4 (2020): 421-36. Print. Google Scholar

Cheu, Johnson. “De-gene-erates, Replicants and Other Aliens: (Re)defining Disability in Futuristic Film.” Disability/Postmodernity. Ed. Mairian Corker and Tom Shakespeare. London: Continuum, 2002. 198-212. Print. Google Scholar

Cheyne, Ria. Disability, Literature, Genre: Representation and Affect in Contemporary Fiction. Liverpool: Liverpool UP, 2019. Print. Google Scholar

Deadpool. Dir. Tim Miller. 20th Century Fox, 2016. DVD. Google Scholar

Deus Ex: Mankind Divided. Dev. Eidos Montreal. Publ. Square Enix, 2016. PS4. Google Scholar

Dolichva, Tsana and Holly Kench, eds. Defying Doomsday. Twelfth Planet Press, 2016. Print. Google Scholar

The End. Dir. Ted Evans. Neath Films and the BSLBT, 2011. BSL Zone. 20 Jan. 2020. Film. Google Scholar

Garland-Thomson, Rosemarie. “The Story of My Work: How I Became Disabled.” Disability Studies Quarterly 34.2. Web. 25 Apr. 2020. Google Scholar

Hladki, Janice. “Hazardous Futures and Damned Embodiments: Disability and White Masculinization in SF Film.” Journal of Literary & Cultural Disability Studies 14.4 (2020): 453-67. Print. Google Scholar

Ishiguro, Kazuo. Never Let Me Go. New York: Vintage Books, 2005. Print. Google Scholar

Kanyusik, Will. “Eugenic Nostalgia: Self-Narration and Internalized Ableism in Kazuo Ishiguro’s Never Let Me Go.” Journal of Literary & Cultural Disability Studies 14.4 (2020): 437-52. Print. Google Scholar

Larbalestier, Justine. The Battle of the Sexes in Science Fiction. Middletown: Wesleyan UP, 2002. Print. Google Scholar

Mazique, Rachel. “Science Fiction’s Imagined Futures and Powerful Protests: the Ethics of ‘Curing’ Deafness in Ted Evans’s The End and Donna Williams’s ‘When the Dead are Cured.’” Journal of Literary & Cultural Disability Studies 14.4. (2020): 469-85. Print. Google Scholar

Michalko, Rod. The Difference That Disability Makes. Philadelphia: Temple UP, 2002. Print. Google Scholar

Moody, Nickianne. “Untapped Potential: the Representation of Disability/Special Ability in the Cyberpunk Workforce.” Convergence: The International Journal of Research into New Media Technologies 3.3 (1997): 90-105. Web. 30 Apr. 2020. Google Scholar

Puar, Jasbir K. The Right to Maim: Debility, Capacity, Disability. Durham: Duke UP, 2017. Print. Google Scholar

Schalk, Sami. “Wounded Warriors of the Future: Disability Hierarchy in Avatar and Source Code.” Journal of Literary & Cultural Disability Studies 14.4 (2020): 403-19. Print. Google Scholar

Science Fiction Research Association. “The SF We Don’t (Usually) See: Suppressed Histories, Liminal Voices, Emerging Media.” Call for Papers. U of Pennsylvania P, 26 Feb. 2015. Web. 1 May 2020. Google Scholar

Shelley, Mary. Frankenstein. London: Wordsworth, 1999. Print. Google Scholar

Sjunneson-Henry, Elsa and Dominik Parisien, eds. Uncanny Magazine: Disabled People Destroy Science Fiction, vol. 24, Sept./Oct. 2018. Print. Google Scholar

Source Code. Dir. Duncan Jones. Summit Entertainment, 2011. DVD. Google Scholar

The Thing. Dir. John Carpenter. Universal Pictures, 1982. DVD. Google Scholar

Tiptree Jr., James. “The Women Men Don’t See.” Her Smoke Rose Up, Forever. London: Gollancz, 2014. 115-43. Print. Google Scholar

Titchkosky, Tanya. The Question of Access: Disability, Space, Meaning. Toronto: U of Toronto P, 2011. Print. Google Scholar

Wells, H. G. “The Country of the Blind.” 1904. The Complete Short Stories of H. G. Wells, London: A&C Black, 1987. 167-92. Print. Google Scholar

Williams, Donna. “When the Dead are Cured.” Deaf Lit Extravaganza. Ed. John Lee Clark. Minneapolis: Handtype Press, 2013. 146. Print. Google Scholar

Wyndham, John. The Day of the Triffids. London: Penguin, 2008. Print. Google Scholar