Disability and Science Fiction: Further Reading
Allan, Kathryn. “Disability in Science Fiction.” SF 101: A Guide to Teaching and Studying Science Fiction. Ed. Ritch Calvin, Doug Davis, Karen Hellekson, and Craig Jacobsen. Science Fiction Research Association. eBook.
Allan, Kathryn., ed. Disability in Science Fiction: Representations of Technology as Cure. New York: Palgrave Macmillan, 2013. Print.
Bérubé, Michael. “Disability and Narrative.” PMLA 120.2 (2005): 568-76. Print.
Cheu, Johnson. “De-gene-erates, Replicants and Other Aliens: (Re)defining Disability in Futuristic Film.” Disability/Postmodernity. Ed. Mairian Corker and Tom Shakespeare. London: Continuum, 2002. 198-212. Print.
Cheyne, Ria. Disability, Literature, Genre: Representation and Affect in Contemporary Fiction. Liverpool: Liverpool UP, 2019. Print.
“‘She Was Born a Thing’: Disability, the Cyborg and the Posthuman in Anne McCaffrey’s The Ship Who Sang.” Journal of Modern Literature 36.3 (2013): 138- 56. Print.
Einstein, Sarah. “The Future Imperfect.” Redstone Science Fiction. Jun. 2010. Web. 30 Apr. 2020.
Ellis, Katie. Disability and Popular Culture: Focusing Passion, Creating Community and Expressing Defiance. Surrey: Ashgate, 2015. Print.
Kafer, Alison. Feminist, Queer, Crip. Bloomington: Indiana UP, 2013. Print.
Kanar, Hanley E. “No Ramps in Space: the Inability to Imagine Accessibility in Star Trek: Deep Space Nine.” Fantasy Girls: Gender in the New Universe of Science Fiction and Fantasy Television. Ed. Elyce Rae Helford. Lanham, MD: Rowman and Littlefield, 2000. 245-64. Print.
Melzer, Patricia. “‘And How Many Souls Do You Have?’: Technologies of Perverse Desire and Queer Sex in Science Fiction Erotica.” Queer Universes: Sexualities in Science Fiction. Ed. Wendy Gay Pearson, Veronica Hollinger, and Joan Gordon. Liverpool: Liverpool UP, 2008. 161-79. Print.
Moody, Nickianne. “Untapped Potential: the Representation of Disability/Special Ability in the Cyberpunk Workforce.” Convergence: The International Journal of Research into New Media Technologies 3.3 (1997): 90-105. Web. 30 Apr. 2020.
Reeve, Donna. “Cyborgs, Cripples and iCrip: Reflections on the Contribution of Haraway to Disability Studies.” Disability and Social Theory: New Developments and Directions. Ed. Dan Goodley, Bill Hughes, and Lennard Davis. Houndmills: Palgrave, 2012. 91-111. Print.
Schalk, Sami. Bodyminds Reimagined: (Dis)Ability, Race, and Gender in Black Women’s Speculative Fiction. Durham: Duke UP, 2018. Print.
Smith, Angela M. Hideous Progeny: Disability, Eugenics, and Classic Horror Cinema. New York: Columbia UP, 2011. Print.
Stemp, Jane. “Devices and Desires: Science Fiction, Fantasy and Disability in Literature for Young People.” Disability Studies Quarterly 24.1 (2004). Web. 30 Apr. 2020.
Vanderhooft, JoSelle, ed. The WisCon Chronicles: Shattering Ableist Narratives. Vol. 7. Seattle: Aqueduct, 2013. Print.
Verlarger, Alicia “Kestrell.” “Decloaking Disability: Images of Disability and Technology in Science Fiction Media.” 2006. Master of Science thesis. MIT. Web. 23 Apr. 2020.
Works Cited
Allan, Kathryn, ed. Disability in Science Fiction: Representations of Technology as Cure. New York: Palgrave Macmillan, 2013. Print.
Allan, Kathryn and Djibril al-Ayad, eds. Accessing the Future: A Disability-themed Speculative Fiction Anthology. Futurefire.net Publishing, 2015. Print.
Avatar. Dir. James Cameron. 20th Century Fox, 2009. DVD.
Barker, Clare and Stuart Murrary. “Introduction: On Reading Disability in Literature.” The Cambridge Companion to Literature and Disability. Ed. Clare Barker and Stuart Murray. Cambridge: Cambridge UP, 2018. 1-13. Print.
Bolt, David. “Social Encounters, Cultural Representation, and Critical Avoidance.” Routledge Handbook of Disability Studies. Ed. Nick Watson, Alan Roulstone, and Carol Thomas. London: Routledge, 2012. 287-97. Print.
Bérubé, Michael. “Disability and Narrative.” PMLA 120.2 (2005): 568-76. Print.
brown, adrienne maree and Walidah Imarisha, eds. Octavia’s Brood: Science Fiction Stories from Social Justice Movements. Oakland: AK Press, 2015. Print.
Carr, Diane. “Bodies That Count: Augmentation, Community, and Disability in a Science Fiction Game.” Journal of Literary & Cultural Disability Studies 14.4 (2020): 421-36. Print.
Cheu, Johnson. “De-gene-erates, Replicants and Other Aliens: (Re)defining Disability in Futuristic Film.” Disability/Postmodernity. Ed. Mairian Corker and Tom Shakespeare. London: Continuum, 2002. 198-212. Print.
Cheyne, Ria. Disability, Literature, Genre: Representation and Affect in Contemporary Fiction. Liverpool: Liverpool UP, 2019. Print.
Deadpool. Dir. Tim Miller. 20th Century Fox, 2016. DVD.
Deus Ex: Mankind Divided. Dev. Eidos Montreal. Publ. Square Enix, 2016. PS4.
Dolichva, Tsana and Holly Kench, eds. Defying Doomsday. Twelfth Planet Press, 2016. Print.
The End. Dir. Ted Evans. Neath Films and the BSLBT, 2011. BSL Zone. 20 Jan. 2020. Film.
Garland-Thomson, Rosemarie. “The Story of My Work: How I Became Disabled.” Disability Studies Quarterly 34.2. Web. 25 Apr. 2020.
Hladki, Janice. “Hazardous Futures and Damned Embodiments: Disability and White Masculinization in SF Film.” Journal of Literary & Cultural Disability Studies 14.4 (2020): 453-67. Print.
Ishiguro, Kazuo. Never Let Me Go. New York: Vintage Books, 2005. Print.
Kanyusik, Will. “Eugenic Nostalgia: Self-Narration and Internalized Ableism in Kazuo Ishiguro’s Never Let Me Go.” Journal of Literary & Cultural Disability Studies 14.4 (2020): 437-52. Print.
Larbalestier, Justine. The Battle of the Sexes in Science Fiction. Middletown: Wesleyan UP, 2002. Print.
Mazique, Rachel. “Science Fiction’s Imagined Futures and Powerful Protests: the Ethics of ‘Curing’ Deafness in Ted Evans’s The End and Donna Williams’s ‘When the Dead are Cured.’” Journal of Literary & Cultural Disability Studies 14.4. (2020): 469-85. Print.
Michalko, Rod. The Difference That Disability Makes. Philadelphia: Temple UP, 2002. Print.
Moody, Nickianne. “Untapped Potential: the Representation of Disability/Special Ability in the Cyberpunk Workforce.” Convergence: The International Journal of Research into New Media Technologies 3.3 (1997): 90-105. Web. 30 Apr. 2020.
Puar, Jasbir K. The Right to Maim: Debility, Capacity, Disability. Durham: Duke UP, 2017. Print.
Schalk, Sami. “Wounded Warriors of the Future: Disability Hierarchy in Avatar and Source Code.” Journal of Literary & Cultural Disability Studies 14.4 (2020): 403-19. Print.
Science Fiction Research Association. “The SF We Don’t (Usually) See: Suppressed Histories, Liminal Voices, Emerging Media.” Call for Papers. U of Pennsylvania P, 26 Feb. 2015. Web. 1 May 2020.
Shelley, Mary. Frankenstein. London: Wordsworth, 1999. Print.
Sjunneson-Henry, Elsa and Dominik Parisien, eds. Uncanny Magazine: Disabled People Destroy Science Fiction, vol. 24, Sept./Oct. 2018. Print.
Source Code. Dir. Duncan Jones. Summit Entertainment, 2011. DVD.
The Thing. Dir. John Carpenter. Universal Pictures, 1982. DVD.
Tiptree Jr., James. “The Women Men Don’t See.” Her Smoke Rose Up, Forever. London: Gollancz, 2014. 115-43. Print.
Titchkosky, Tanya. The Question of Access: Disability, Space, Meaning. Toronto: U of Toronto P, 2011. Print.
Wells, H. G. “The Country of the Blind.” 1904. The Complete Short Stories of H. G. Wells, London: A&C Black, 1987. 167-92. Print.
Williams, Donna. “When the Dead are Cured.” Deaf Lit Extravaganza. Ed. John Lee Clark. Minneapolis: Handtype Press, 2013. 146. Print.
Wyndham, John. The Day of the Triffids. London: Penguin, 2008. Print.