Works cited
Aguilar, Gonzalo (2008) New Argentine Film: Other Worlds (New York: Palgrave-Macmillan).
Barrow, Sarah (2013) ‘New configurations for Peruvian cinema: The rising star of Claudia Llosa’, Transnational Cinemas 4.2: 197-215.
Beasley-Murray, Jon (2003) ‘On posthegemony’, Bulletin of Latin American Research 22.1: 117-125.
Beasley-Murray, Jon (2007) Madeinusa, http://posthegemony.blogspot.com/2007/11/madeinusa.html (accessed 15 July 2020).
Beasley-Murray, Jon (2010) Posthegemony (Minneapolis, MN: University of Minnesota).
Buckland, Warren and Edward Branigan (ed.) (2014) The Routledge Encyclopedia of Film Theory (London: Routledge).
D’Argenio, Maria Chiara (2013) ‘Contemporary Andean Type: The Representation of the Indigenous World in Claudia Llosa’s Films’, Latin American and Caribbean Ethnic Studies 8.1: 20-42.
De Lauretis, Teresa (1985) ‘Aesthetic and feminist theory: rethinking women’s cinema’, New German Critique 34: 154-175.
Esteban Galarza, Mari Luz (2011) ‘Cuerpos y políticas feministas: el feminismo como cuerpo’, in Cuerpos políticos y agencia: reflexiones feministas sobre cuerpo, trabajo y colonialidad, ed. Cristina Villalba Augusto and Nacho Álvarez Lucena, http://www.soziolinguistika.eus/files/Granada-2011-Cuerpos%20Pol%C3%ADticos%20y%20Agencia.pdf (accessed 26 February 2018).
Foucault, Michel (1986) ‘Of Other Spaces’, Diacritics 16.1: 22-27.
Gramsci, Antonio (1976) Selections from the Prison Notebooks, ed. Q. Hoare (London: Lawrence and Wishart).
hooks, bell (1992) ‘The oppositional gaze: Black Female Spectators’ in Black Looks: Race and Representation (Boston: South End Press), 115-131.
Kaplan, E. Ann (1990) Women and Film: Both Sides of the Camera (London and New York: Taylor & Francis).
Kelman, Harold (1951) ‘Duplicity’, The American Journal of Psychoanalysis 11.1: 21-35.
Kroll, Juli A. (2009) ‘Between the “sacred” and the “profane”: cultural fantasy in Madeinusa by Claudia Llosa’, Chasqui 38.2: 113-125.
Kuhn, Annette (1994) Feminism and Cinema (London and New York: Verso).
Laclau, E. and Chantal Mouffe (2001) Hegemony and Socialist Strategy: Towards a Radical Democratic Politics (London and New York: Verso).
Li John C. (2020) Meniere Disease (Idiopathic Endolymphatic Hydrops), https://emedicine.medscape.com/article/1159069-overview#a2 (accessed 26 February 2018).
Martin, Deborah (2011) ‘Wholly ambivalent demon-girl: horror, the uncanny and the representation of feminine adolescence in Lucrecia Martel’s La niña santa’, Journal of Iberian and Latin American Studies 17.1: 59-76.
Martin, Deborah (2016) The Cinema of Lucrecia Martel (Manchester: Manchester University Press).
Moreiras, Alberto (2001) The Exhaustion of Difference: The Politics of Latin American Cultural Studies (Durham, NC: Duke University Press).
Mulvey, Laura (1999) ‘Visual pleasure and narrative cinema’ in Film Theory and Criticism: Introductory Readings, ed. Leo Braudy and Marshall Cohen (New York: Oxford University Press), 833-844.
O’Brien, Sarah (2017) ‘Sticky matter: the persistence of animals as allegory in Lucrecia Martel’s La Ciénaga and La Mujer sin Cabeza’, Screen 58.4: 458-476.
Punte, José María (2015) ‘La voz como espacio del deseo en Madeinusa y La teta asustada’, Imagofagia 11: 1-24.
Rich, Adrienne (1995) Of Woman Born (New York and London: W.W. Norton & Company).
Shaw, Deborah (2013) ‘Sex, texts and money, funding and Latin American queer cinema: The cases of Martel’s La niña santa and Puenzo’s XXY’, Transnational Cinemas 4.2: 165-184.
Shilling, Chris (2003) The Body and Social Theory (London: Sage Publications).
Sosa, Cecilia (2010) ‘A Counternarrative of Argentine Mourning’, Theory, Culture & Society 26.7-8: 250-262.
Stewart, Katy (2001) ‘Establishing the female gaze: narrative subversion in Lucrecia Martel’s La niña santa (2004) and La ciénaga (2001)’, Journal of Iberian and Latin American Studies 21.3: 205-219.
Ubilluz Raygada, Juan Carlos (2010) ‘¿Nuevos sujetos subalternos? ¡No en la nación cercada! Del “Informe sobre Uchuraccay” de Mario Vargas Llosa a Madeinusa de Claudia Llosa’, Iberoamericana 10.37: 135-154.
Williams, Linda (1986) ‘When the Woman Looks’, in Re-Visions: Essays in Feminist Film Criticism, ed. Linda Williams, Mary Ann Doane, and Patricia Mellencamp (Frederick, MD: University Publications of America and the American Film Institute), 561-577.
Žižek, Slavoj (1989) The Sublime Object of Ideology (London: Verso).
Filmography
Llosa, Claudia (dir.) (2005), Madeinusa.
Martel, Lucrecia (dir.) (2001), La ciénaga [The Swamp].
Martel, Lucrecia (dir.) (2004), La niña santa [The Holy Girl].
Martel, Lucrecia (dir.) (2008), La mujer sin cabeza [The Headless Woman].