Extrapolation

Works Cited

Adams, Vincanne, Michelle Murphy, and Adele Clarke. “Anticipation: Technoscience, Life, Affect, Temporality.” Subjectivity, vol. 28, no. 1, 2009, pp. 246-265. Google Scholar

Bradley, Arthur. “Derrida’s God: A Genealogy of the Theological Turn.” Paragraph, vol. 29, no. 3, 2006, pp. 21-42. Google Scholar

Chakrabarty, Dipesh. “The Climate of History: Four Theses.” Critical Inquiry, vol. 35, no. 2, 2009, pp. 197-222. Google Scholar

Cleto, Sara, and Erin Kathleen Bahl. “Becoming the Labyrinth: Negotiating Magical Space and Identity in Puella Magi Madoka Magica.” Humanities, vol. 5, no. 2, 2016. www.mdpi.com/2076-0787/5/2/20. Accessed 21 Aug. 2021. Google Scholar

Cooley, Kevin. “A Cycle, Not a Phase: Love Between Magical Girls Amidst the Trauma of Puella Magi Madoka Magica.” Mechademia: Second Arc, vol. 13, no. 1, 2020, PP. 24-39. Google Scholar

Derrida, Jacques. Given time: I. Counterfeit Money. Translated by Peggy Kamuf, U of Chicago P, 1992. Google Scholar

Derrida, Jacques. “The Law of Genre.” Translated by Avital Ronell, Critical Inquiry, vol. 7, no. 1, 1980, pp. 55-81. Google Scholar

Doi, Takeo. The Anatomy of Dependence. Translated by John Bester, Kodansha International, 1973. Google Scholar

Doi, Takeo. “On the Concept of Amae.” Infant Mental Health Journal, vol. 13, no. 1, 1992, PP. 7-11. Google Scholar

Greenwood, Forrest. “The Girl at the End of Time: Temporality, (P)remediation, and Narrative Freedom in Puella Magi Madoka Magica.” Mechademia, vol. 10, 2015, pp. 195-207. Google Scholar

Haraway, Donna. “A Manifesto for Cyborgs: Science, Technology, and Socialist Feminism in the 1980s.” Coming to Terms: Feminism, Theory, Politics, edited by Elizabeth Weed, Routledge, 1989, pp. 173-204. Google Scholar

Howard, Christopher. “The Ethics of Sekai-Kei: Reading Hiroki Azuma with Slavoj Žižek.” Science Fiction Film and Television, vol. 7, no. 3, 2014, pp. 365-386. Google Scholar

Puella Magi Madoka Magica, written by Gen Urobuchi, directed by Yukihiro Miyamoto and Akiyuki Shinbo, Shaft, 2011. Google Scholar

Puella Magi Madoka Magica the Movie: Rebellion, written by Gen Urobuchi, directed by Akiyuki Shinbo and Yukihiro Miyamoto, Shaft, 2013. Google Scholar

Ralickas, Vivian. “‘Cosmic Horror’ and the Question of the Sublime in Lovecraft.” Journal of the Fantastic in the Arts, vol. 18, no. 3, 2007, pp. 364-398. Google Scholar

Saito, Kumiko. “Magic, Shōjo, and Metamorphosis: Magical Girl Anime and the Challenges of Changing Gender Identities in Japanese Society.” The Journal of Asian Studies, vol. 73, no. 1, 2014, pp. 143-164. Google Scholar

The Song of Saya [Saya no Uta]. JAST USA, 2019. Google Scholar

Sousa, Ana Matilde. “She’s Not Your Waifu; She’s an Eldritch Abomination: Saya no uta and Queer Antisociality in Japanese Visual Novels.” Mechademia: Second Arc, vol. 13, no. 1, 2020, pp. 72-100. Google Scholar

Stiegler, Bernard. The Neganthropocene. Translated by Daniel Ross, Open Humanities Press, 2018. Google Scholar

Stiegler, Bernard. “Relational Ecology and the Digital Pharmakon.” Translated by Patrick Crogan, Culture Machine, vol. 13, 2012. culturemachine.net/wp-content/uploads/2019/01/464-1026-1-PB.pdf. Accessed 21 Aug. 2021. Google Scholar

Stiegler, Bernard. Technics and Time: The Fault of Epimetheus. Translated by Richard Beardsworth and George Collins, Stanford UP, 1998. Google Scholar

Stiegler, Bernard. “The Theater of Individuation: Phase Shift and Resolution in Simondon and Heidegger.” Translated by Kristina Lebedeva, Parrhesia, vol. 7, 2009, pp. 46-57. Google Scholar

Tran, Sharon. “Kawaii Asian Girls Save the Day! Animating a Minor Politics of Care.” MELUS: Multi-Ethnic Literature of the United States, vol. 43, no. 3, 2018, pp. 19-41. Google Scholar

Weeks, Kathi. “Life Within and Against Work: Affective Labor, Feminist Critique, and Post-Fordist Politics.” Ephemera: Theory and Politics in Organization, vol. 7, no. 1, 2007, pp. 233-249. Google Scholar