Music, Sound, and the Moving Image

• Brown, Geoff
• Porter, Laraine

Music, Sound, and the Moving Image (2018), 12, (2), 87–92.

Britain’s Transition to Sound in Its European Context

• Brown, Geoff

Music, Sound, and the Moving Image (2018), 12, (2), 93–119.

The Innovative Use of Sound in Pabst’s Westfront 1918

• Helmers, Maike

Music, Sound, and the Moving Image (2018), 12, (2), 121–139.

Women’s Voices and the Talkie Revolution in Britain 1929–1932

• Porter, Laraine

Music, Sound, and the Moving Image (2018), 12, (2), 141–169.

Scotland’s Voice in the Early Talkies in Britain and Jenny Gilbertson’s The Rugged Island: A Shetland Lyric (1934)

• Neely, Sarah

Music, Sound, and the Moving Image (2018), 12, (2), 171–195.

The Cinematograph Exhibitors’ Association and the Coming of Sound, 1928–1929

• Sibanda, Nyasha

Music, Sound, and the Moving Image (2018), 12, (2), 197–216.

• Izod, John

Music, Sound, and the Moving Image (2018), 12, (2), 217–240.

• Özyilmaz, Özge

Music, Sound, and the Moving Image (2018), 12, (2), 241–257.

The Transition to Sound and the Birth of the Robot Voice

• Dixon, Bryony

Music, Sound, and the Moving Image (2018), 12, (2), 259–267.

Music, Sound, and the Moving Image (2018), 12, (2), 269–270.

Music, Sound, and the Moving Image (2018), 12, (2), 271