Sculpture Journal

• Editorial

  • Eustace, Katharine

  Sculpture Journal (2012), 21, (2), 3–4.

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• ‘The New British Sculpture: reviewing the persistence of an idea’ Henry Moore Institute, Leeds 17-18 February 2011

  Introduction

  • Wood, Jon

  Sculpture Journal (2012), 21, (2), 7–8.

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• Ezra Pound's new order of artists: ‘The New Sculpture’ and the critical formation of a sculptural avant-garde in early twentieth-century Britain

  • Turner, Sarah

  Sculpture Journal (2012), 21, (2), 9–22.

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• The New (British) Sculpture and the struggle for realism between the wars

  • Black, Jonathan

  Sculpture Journal (2012), 21, (2), 23–36.

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• A coherent, national ‘school’ of sculpture? Constructing post-war New British Sculpture through exhibition practices

  • Powell, Jennifer

  Sculpture Journal (2012), 21, (2), 37–50.

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• Caro in the 1960s and the persistent object of sculpture

  • Potts, Alex

  Sculpture Journal (2012), 21, (2), 51–62.

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• The New Art, Hayward Gallery, London, 1972: new as compromise, or when what happens around the exhibition is as interesting as what happens in the exhibition

  • Sleeman, Joy

  Sculpture Journal (2012), 21, (2), 63–74.

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• Managing the reputations of the New British Sculptors

  • Baker, Nick

  Sculpture Journal (2012), 21, (2), 75–84.

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• ‘Mapping the practice and profession of sculpture in Britain and Ireland, 1851-1951’ Victoria and Albert Museum, London 25-26 February 2011

  Introduction

  • Trusted, Marjorie
  • Yarrington, Alison

  Sculpture Journal (2012), 21, (2), 85–86.

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• Mapping Sculpture in context: art history in an online environment

  • Compton, Ann

  Sculpture Journal (2012), 21, (2), 87–98.

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• Reflecting on the technical development of the Mapping Sculpture project

  • Anderson, Ian
  • Barr, Matthew

  Sculpture Journal (2012), 21, (2), 99–108.

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• ‘Mason's work in all its branches’: an introduction to the Earles and the Keyworths of Kingston-upon-Hull

  • Mulcahy, G.

  Sculpture Journal (2012), 21, (2), 109–118.

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• ‘Art workers’: education and professional advancement in sculpture and the stone trades c.1850-1900

  • Compton, Ann

  Sculpture Journal (2012), 21, (2), 119–130.

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• The Leicester Galleries and the promotion of modernist sculpture in London, 1902-1975

  • Silber, Evelyn

  Sculpture Journal (2012), 21, (2), 131–144.

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• Neither Irish nor British: the identities of sculpture in Northern Ireland, 1921-1951

  • McVeigh, Emma

  Sculpture Journal (2012), 21, (2), 145–156.

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• Sculptors and architects - two Scottish case studies

  • Boreham, Louise

  Sculpture Journal (2012), 21, (2), 157–168.

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• ‘At the Exhibition’: the 1948 open-air sculpture exhibition, Battersea Park, in British fashion magazines

  • McDowell, Felice

  Sculpture Journal (2012), 21, (2), 169–182.

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Book Review

• Reviews

  Sculpture Journal (2012), 21, (2), 183–196.

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