MenuLiverpool University Press

• KORSGAARD, MATHIAS BONDE

(2019), 13, (2), 209–230.

• PERROTT, LISA

(2019), 13, (2), 123–146.

• Dalle, Matthieu

(2016), 41, (3-4), 409–423.

• JIRSA, TOMÁŠ

(2019), 13, (2), 187–208.

• Burns, Lori
• Watson, Jada

(2010), 4, (1), 3–38.

• Cave, Dylan

(2017), 11, (1), 79–98.

Text, Industry, Audience

• Connell, Barbara

Auteur

2011

Paperback

Boundaries and Creative Openings

• Kristensen, Tore
• Michelsen, Anders
• Wiegand, Frauke

2013

Hardback

A User Guide

• Bartlett, Vanessa

2015

Paperback

• Martin, Ann
• Holland, Kathryn

Clemson University Press: Woolf Selected Papers

2013

eBook

Media After the Subject

• Bennett, Pete
• McDougall, Julian

Auteur

2017

eBook

British Music Video and Underground Film-Making in the 1980s

• Fowler, William

(2017), 11, (1), 63–77.

The Impact of The Chart Show on British Music Video Culture, 1986–1998

• Smith, Justin

(2017), 11, (1), 11–36.

• Ryan, Derek
• Bolaki, Stella

Clemson University Press: Woolf Selected Papers

2012

eBook

• O’Brien, Mark
• Ó Beacháin, Donnacha

2014

eBook

Choreographers, Dance Cultures, and Film Genres in British Music Video 1979–2016

• Caston, Emily

(2017), 11, (1), 37–62.

• Waddell, Calum

Devil's Advocates

2016

eBook

Last Call for a Long Overdue Paradigm Shift

• Caston, Emily

(2015), 9, (2), 145–162.

Excerpts from a Focus Group on Editing Music Videos, with Explanatory Historical and Theoretical Notes

• Caston, Emily

(2017), 11, (1), 99–118.

Disability, Pedagogy, and Video Art

• Brophy, Sarah
• Hladki, Janice

(2014), 8, (3), 315–333.