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(2019), 24, (1), 25–47.

Performing Cultures between North Africa and France

• Everett, Samuel Sami
• Vince, Rebekah

Francophone Postcolonial Studies, 11

November 10th, 2020

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• Barylo, William

(2018), 7, (2), 219–233.

Voices of Maghrebi Migrants in France

• Kealhofer-Kemp, Leslie

Contemporary French and Francophone Cultures, 41

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• Muers, Rachel

(2015), 56, (3), 333–341.

• Dandelion, Pink
• Grant, Rhiannon

(2021), 26, (2), 279–290.

• Johnston, Mark D.

Aris & Phillips Hispanic Classics

January 1st, 1996

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• Chadkirk, Bill
• Dandelion, Pink

(2010), 15, (1), 84–97.

• FIGUEROA, MELISSA

(2020), 97, (8), 807–821.

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• Starkey, Pat

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• Dandelion, Pink

(2008), 12, (2), 253–263.

Configuring the Feminine in Lalla Essaydi's Photography

• Hachad, Naïma

(2013), 2, (1), 87–103.

Michel Houellbecq’s Soumission and Sabri Loutah’s Les Sauvages I–IV

• Qadiri, Sura

(2019), 19, (1), 115–133.

• YILGÜR, Egemen

(2018), 28, (2), 157–194.

Islam, art and populism in postcolonial, securitized Europe

• Scott-Baumann, Alison

(2018), 7, (2), 147–162.

• Such, Peter
• Rabone, Richard

Aris & Phillips Hispanic Classics

April 30th, 2015

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Modern Italian Travelers in Ottoman Lands

• Spackman, Barbara

Transnational Italian Cultures, 2

July 28th, 2017

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an examination of the ideas, projects and life of David Williams

• Dybikowski, J.

Oxford University Studies in the Enlightenment, 307

January 1st, 1993

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• Barker, Margaret

(2013), 54, (4), 312–317.