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(2009), 3, (2), 159–193.

• Georgieva, Nadezhda

(2006), 16, (1), 1–30.

• Prevost, Roxane

(2022), 34, (1), 19–42.

Reading extracts of folk and popular music in post-revolution Tunisia

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• Yacoubi, Imen

(2015), 4, (2), 141–156.

• Hickey-Moody, Anna

(2009), 3, (3), 273–280.

Affects, Effects, and Contexts of Two Recent Trends in Screen Scoring

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(2015), 9, (2), 115–130.

Finding the Non-Human Funny in Special Needs Pets

• Mills, Brett

(2013), 7, (3), 321–335.

A Verse-Novel

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Pavilion Poetry

April 1st, 2015

Paperback

• Davies, Catherine
• O'Bryen, Rory

Transnational Modern Languages, 2

June 17th, 2020

eBook

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Clemson University Press

January 1st, 2023

Hardback

Look Again

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April 2nd, 2015

Hardback

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Contemporary Hispanic and Lusophone Cultures, 16

June 23rd, 2017

eBook

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Devil's Advocates

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eBook

Industrial Convergence and Transmedia Stardom in the Rock ‘n’ Roll Movie

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(2015), 9, (2), 177–190.

• Scott, D.

(2013), 7, (1), 53–82.

• Saitta, Pietro

(2010), 20, (1), 17–45.

• FRASER, BENJAMIN

(2020), 34, (1), 1–18.

The UK's first arts centre

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• Belchem, John

May 23rd, 2020

eBook

Producing Music after the Individual

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The Music and Ethics of Transnational Fiction

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June 18th, 2014

eBook