• TORNER, EDUARDO M.

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• Perry, Helga

(1989), 16, (4), 251–253.

• Rotaru, Julieta

(2018), 28, (1), 41–78.

• Davies, Stevie

Writers and Their Work

September 25th, 1997

Paperback

• Davies, Stevie

Writers and Their Work

November 30th, 1997

eBook

• Dubowsky, Jack Curtis

(2011), 5, (1), 1–24.

• Kirkland, Richard

October 1st, 2006

eBook

The hybrid poetry of Parny, Rabearivelo, and Mahaleo

• Margrave, Christie

(2022), 22, (1), 73–104.

• Fleming, Colin

Devil's Advocates

November 16th, 2021

eBook

Performing Cultures between North Africa and France

• Everett, Samuel Sami
• Vince, Rebekah

Francophone Postcolonial Studies, 11

November 10th, 2020

eBook

Beethoven and the Concept of Two Sounds1

• BAUMGARTNER, MICHAEL

(2021), 15, (1), 3–35.

Timbral and Vocal Signifiers of Masculinity in The Rocky Horror Picture/Glee Show

• Reale, Steven

(2012), 6, (2), 137–162.

Cross-Disciplinary Perspectives on Medieval Culture

• Plumley, Yolanda
• Di Bacco, Giuliano

Exeter Studies in Medieval Europe

November 30th, 2013

eBook

British Music Video and Underground Film-Making in the 1980s

• Fowler, William

(2017), 11, (1), 63–77.

The Ethical Implications of Music as a Creative Practice in the Contemporary Social Documentary

• MATTHEWS, HARRIET

(2021), 15, (1), 71–93.

Live Music and Moving Images on the Screen

• Glitsos, Laura

(2018), 12, (1), 33–52.

Music, Empathy, and Escape in Lars von Trier’s Breaking the Waves

• CIZMIC, MARIA

(2015), 9, (1), 1–32.

Text, Music and Image from Machaut to Ariosto

• Plumley, Yolanda
• Di Bacco, Giuliano
• Jossa, Stefano

Exeter Studies in Medieval Europe

July 22nd, 2011

eBook

Marked and Unmarked Instruments, and Musical Hierarchies in Proteus (2003)

• Letcher, Christopher

(2016), 10, (1), 53–76.

Masculinity, recognition, and genealogy through musico-literary intermediality in Insa Sané’s Du plomb dans le crâne et Daddy est mort…

• Knox, Katelyn

(2021), 46, (1), 1–25.